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OttawaJazzScene.ca is your authoritative source for Gatineau and Ottawa jazz and improvised music news, concert listings, artist interviews, show reviews, jazz club and venue listings, concert photos, and more.

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On the scene today

Thursday, June 22, 2017

  • Noon Jazz: Campbell Woods and Tim Jackson
  • Take 5 Before Jazz: The Chocolate Hot Pockets
  • Thursday Night Jazz with Tim Bedner
  • Jazz jam with the HML Trio
  • Cynthia Tauro
  • Linsey Wellman's Wedding and Funeral Trio
  • Tropikombo
  • Ottawa Jazz Festival

Discover the OttawaJazzScene.ca Jazz Pick of the Week for June 22 to 28.

Get the where, when, who, and what of 53 upcoming jazz and improvised music events (plus the Ottawa Jazz Festival!) from June 21 to July 2, for a price of a Tim's double-double a month! Donate now to OttawaJazzScene.ca's reader funding campaign and get your full-featured current newsletter right away.

 

Ottawa jazz flourishes at the 2017 Ottawa Jazz Festival

They've developed new projects and combined with new musical partners, and many are showcasing recent or upcoming CDs. They're playing music ranging from jazz classics to Latin to big band to modern mainstream. Get acquainted with the wide variety of Ottawa-area jazz groups performing in the 2017 Ottawa Jazz Festival local line-up.

Guitarist Wayne Eagles deliberately started his jazz trio with  John Geggie on double bass, and Jesse Stewart on percussion 'to make better use of the remarkable players here in town'.    ©2016 Brett DelmageFor decades, Ottawa-area jazz groups have presented a variety of free shows at the daytime stages of the Ottawa Jazz Festival. This year, though, you'll need to see them at different times.

With the Rideau Centre no longer sponsoring a stage, local performances will primarily be held at the festival's stage at Ottawa City Hall. And that's meant a change in times. From Monday to Friday, shows will be held at 11 a.m. and 1 p.m. each day, instead of noon. Consider taking an early – or late – lunch in order to hear them (you can eat your sandwiches while you listen). Weekend shows will be at 12 and 2 p.m., as they have been in past years.

There's are many interesting musical projects being showcased from Ottawa-Gatineau jazz groups which you won’t want to overlook in the line-up

Steve Boudreau Trio (Friday, June 23, 11 a.m.)

The trio (Boudreau on piano, John Geggie on double bass, and Michel Delage on drums) will play pieces from several of their recent projects, including their celebration of Canada's 150th birthday. But the major focus will be a preview of their new album, Preludes, a creative re-imagining of music written and inspired by George Gershwin. The album is a mixture of well-known and lesser-known Gershwin compositions, plus two pieces by Boudreau, and one by Brian Wilson of the Beach Boys.

Boudreau has been studying Gershwin's music for several years. One nudge was the release of a Gershwin tribute album a few years ago by Wilson, since Wilson has been a strong influence on his music; another was his teacher Ran Blake having him learn Gershwin's “Where's My Bess” when he was studying at the New England Conservatory. But “it was really reading a biography of George Gershwin and discovering his early recordings of his piano Preludes that pushed me towards having a full album plus worth of material by him under my fingers.”

Read more: Ottawa jazz flourishes at the 2017 Ottawa Jazz Festival

 

21 jammed June jazz days, before the Ottawa Jazz Festival starts

Jazz is in the air in June. Downtown streets are lined with banners for the jazz festival; there are advertisements everywhere for concerts. And there's no reason to wait: Ottawa-Gatineau is jumping with jazz all over every week in June. You could miss the festival completely and still get a great dose of enjoyable jazz.

So Long Seven, with violinist William Lamoureux, performs their complex mix of jazz and world music in Gatineau on June 10 ©Brett Delmage, 2016From out of town, you can hear American pianist Don Washington, Montreal guitarist Mike Rud, Vancouver pianist Matt Choboter, Toronto vocalist Alex Samaras, NYC guitarist Pravin Thompson and drummer Jarrett Walser, Toronto world-jazz group So Long Seven, Toronto saxophonist Allison Au and her quartet, Montreal improvisers Sound of the Mountain, and Vancouver crooner Michael Bublé.

There are two shows celebrating Canada's 150th birthday, two CD release shows, and music ranging from deep organ/drum grooves to vocal jazz to a Cuban fiesta.


OttawaJazzScene.ca's jazz highlights and all  other reporting is made possible by reader donations. Thanks to these June highlights sponsors: Barry Cooper, Gregory Klowak, Jonathan Langsner, Barry Paulson, Geoffrey Zeiss

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This month McKay United Church presents lunch-time jazz every Wednesday at noon. It's the second year for the free series, with McKay's minister and saxophonist Peter Woods playing with a different guest each week – mostly musicians he frequently collaborates with. The series opens with pianist James McGowan (June 1), and continues with trumpeter Charley Gordon, guitarist Rob Martin, and vocalist Gerri Trimble (June 8), McGowan and vocalist Leah Cogan from the Evensong Ensemble (June 15), a Country Jazz Revue with guitarist Campbell Woods and guitarist/bassist Tim Jackson (June 22), and not least of all, master pianist Brian Browne (June 29).

On Saturday, June 3, vocalist Karen Oxorn and her quartet celebrate Canada's 150th in song at the Baldachin Inn in Merrickville. Oxorn has listened to many albums by Canadian jazz vocalists, and picked jazz standards which they recorded – as well as a few songs composed by Canadians. Her selections include songs made famous by Diana Krall, Michael Bublé, Céline Dion, Susie Arioli, Bria Skonberg, Diana Panton, Denzal Sinclaire, Carol Welsman, Leonard Cohen, and k.d.lang.

Read more: 21 jammed June jazz days, before the Ottawa Jazz Festival starts

 

Fluid, fast, and fun: Mike Rud invokes Wes Montgomery at Brookstreet (review)

Wes Montgomery Tribute
with Mike Rud, Michel Delage, Alex Bilodeau, and Peter Hum
Options Jazz Lounge, Brookstreet Hotel
Saturday, June 10, 2017 – 8 p.m.

View photos by Brett Delmage of this performance

Fluid guitar, bright piano, propulsive bass and drums, and overall high energy: that's what the audience enjoyed Saturday in a tribute to guitarist and composer Wes Montgomery at Brookstreet.

Guitarist Mike Rud gave a vibrant performance of classic numbers by Wes Montgomery at Brookstreet, including duets with pianist Peter Hum ©Brett Delmage, 2017

Montgomery has been a long-time jazz hero to Montreal guitarist Mike Rud [Read the OttawaJazzScene.ca interview with Rud about this show], and he communicated that enthusiasm for Montgomery's repertoire to both his bandmates and those listening. The quartet played a good selection of well-known pieces by Montgomery, plus standards in the same style.

From the first few notes of the first set, there was a distinctive style evident in the music: fast but not flashy, accomplished and almost inevitable in the way one note followed the next. The songs felt polished to a fine sheen, logically consistent and carefully put together for maximum impact.

Overall, it had a strong early 60s vibe – in Montgomery's heyday – in the mode of the playing and the material: sophisticated and well-finished. And did I mention fast? Most of the pieces were really fast.

Read more: Fluid, fast, and fun: Mike Rud invokes Wes Montgomery at Brookstreet (review)

 

The beauty of Horace Silver's lesser-known tunes shines in Brookstreet tribute (review)

Tribute to Horace Silver
with Michel Delage, Steve Boudreau, Alex Bilodeau, Ed Lister, and Richard Page
Options Jazz Lounge, Brookstreet Hotel
Saturday, May 27, 2017 – 8 p.m.

Even for fans of pianist and composer Horace Silver, the music performed at Michel Delage's May tribute show was substantially different.

The latest jazz tribute from Michel Delage (r) featured lesser-known, but high-quality music by hard bop piano master Horace Silver. Also playing: pianist Steve Boudreau and bassist Alex Bilodeau, along with (not shown) saxophonist Richard Page and trumpeter Ed Lister ©Brett Delmage, 2017

Yes, it certainly was Silver's music, and just as enjoyable as I expected – but it went beyond the standard pieces one always hears. Instead, the quintet treated the listeners in the Options Jazz Lounge to a collection of hard bop tunes and soulful ballads which demonstrated the depth of Silver's writing. Four of them were taken from his less-known 1973 album, In Pursuit of the 27th Man.

For this show, drummer Michel Delage assembled a quintet of Ottawa musicians: his frequent musical partner Alex Bilodeau on double bass, Steve Boudreau taking Silver's place on piano and transcribing much of the material, and the strong front line of Ed Lister on trumpet and Richard Page on baritone sax. Page showed the versatility of his baritone in this show, often playing smoothly up in the tenor range to reflect the original instrumentation on the albums (In Pursuit of the 27th Man, for example, featured Michael Brecker on tenor).

Lister and Page have often performed together. In fact their “Hard Bop Association” group often played Silver's tunes. You could hear that easy familiarity in their lovingly-blended tones throughout the evening. They frequently played together – in unison, alternating lines, or playing contrasting lines – in energetic, inventive, and evocative forms.

Read more: The beauty of Horace Silver's lesser-known tunes shines in Brookstreet tribute (review)

 

Passionate melodies, deep emotion, and nostalgia in Rachelle Behrens' first CD

For her first CD, Rachelle Behrens is reaching back to the classic Latin American music which surrounded her as she was growing up.

Ravhelle Behrens' Nostalgia CD coverEvoking passion and deep emotion, these songs have been a mainstay of Latin jazz for decades. The Ottawa jazz/soul vocalist has recorded seven of her favourites, from across South and Central America. She'll showcase them at a CD release concert on Sunday, along with an ensemble of notable local jazz and Latin jazz musicians.

But not as you might be used to hearing them. While Behrens usually sings in English, for this project, all the lyrics are in Spanish, her first language.

“Well, it's a Latin CD, so I figured just do it legit – do it in Spanish! Don't muddy the waters with English or an Anglicized version of something. It's a traditional Spanish album that's in Spanish.”

The album is called Nostalgia – a word that's the same in both Spanish and English. The tunes are ones that Behrens plays regularly with her combo, music which she says crosses the language barrier.

“There's so much emotion in the music. I think that's what reaches people who don't speak Spanish. You can tell when a song... these melodies are so big and so passionate I think that's what reaches the people. They're good songs, well-written songs, and as long as I portray the song properly, people will feel what it's about.”

Read more: Passionate melodies, deep emotion, and nostalgia in Rachelle Behrens' first CD

 

“There's something irresistible in it”: Mike Rud pays tribute to Wes Montgomery

Juno-winning guitarist Mike Rud is back in Ottawa this weekend – for his second tribute to an iconic jazz guitarist.

Mike Rud pays tribute to one of his first influences, Wes Montgomery, this weekend ©Brett Delmage 2012Last summer, Rud collaborated with Ottawa drummer Michel Delage to celebrate George Benson, and ended up taking that show to Montreal as well. This time, he and Delage are going back another step – to a guitarist who was a major influence not only on George Benson, but on Rud himself.

Wes Montgomery introduced an entirely new approach to playing guitar in the 1960s – including his octave technique (playing the same note on two strings usually one octave apart) and his use of chords in solos. He won the Down Beat Critic's Poll award for best Jazz guitarist in 1960–63, 1966, and 1967. He was nominated for six Grammy Awards, and won two: for Best Instrumental Jazz Performance in 1966 and in 1969.

Guitarists Jimi Hendrix, Kenny Burrell, Grant Green, Russell Malone, Pat Martino, Pat Metheny, and Lee Ritenour all credited Montgomery as a major influence. His most celebrated records among his peers were the hard bop records he recorded in the early 60s, but he achieved great commercial success with more melodic records (including jazz versions of Beatles songs) in the late 60s, before his sudden death of a heart attack in 1968.

Rud and Delage, along with Alex Bilodeau on bass and Peter Hum on piano, will perform Montgomery's music at the Options Jazz Lounge at the Brookstreet Hotel in Kanata on Friday and Saturday evening, and at the Record Centre in Hintonburg on Sunday afternoon. The trio (minus Hum) will also perform at Upstairs in Montreal on the following Tuesday.

OttawaJazzScene.ca editor Alayne McGregor spoke with Mike Rud last week about the shows, his regard for Montgomery and how he was influenced by him, and his plans to record some of these songs this summer. This is a lightly edited version of our conversation.

Read more: “There's something irresistible in it”: Mike Rud pays tribute to Wes Montgomery

 

Safe Low Limit fills a pool with sound, not water (video)

Safe Low Limit members prepare for their first pool concert   ©2017 Brett Delmage

How do you perform a concert in a swimming pool?

Take one empty swimming pool. (OK, almost empty, but everyone avoided getting wet feet.) Carefully fit in wood risers into the deep end to cover up the remaining ponds of water in there. Add amps, mic stands and mics, cables, music stands, and chairs.

Lift down and assemble the sections of the drum set. Then gingerly carry down (being careful not to slip on the slippery steep slope between the shallow and deep ends) a trombone, a cello, and a tuba.

Smile and chat with your audience, seated 12 feet above you. And perform, letting the low sounds resonate around you and rise up.

Safe Low Limit, Ottawa's bass clef jazz quartet, picked a highly unusual location for their latest show – an empty outdoor swimming pool behind a house in Vanier. (The homeowners were friends of Steve Berndt, the band's leader, trombonist and vocalist, and let him borrow the pool, currently being renovated, for the show.)

With sunny skies and pleasant temperatures which did not require a swimming pool filled with water on Saturday afternoon, it turned out to be the perfect location for a friendly outdoor concert. About three dozen listeners attended the pay-what-you-can house concert and warmly applauded throughout.

OttawaJazzScene.ca was there to share the experience. Watch our video, with interviews with Steve Berndt and Keith Hartshorn-Walton along with an excerpt from the show.

    – Alayne McGregor

Related:

Watch the Inside the Scene video story

 

D.D. Jackson presents impressive brand-new music in his return to Ottawa (review)

D.D. Jackson
Ottawa Kiwanis Music Festival 2017 Highlights Concert
Algonquin Commons Theatre, Ottawa
Thursday, May 18, 2017 – 7:30 p.m.

Coming back to Ottawa gave D.D. Jackson the inspiration for a name for one of his new compositions.

The Ottawa-raised, now New Jersey-resident, pianist has recently returned to jazz, and has been on a furious composition kick lately. He's planned to record his new jazz pieces this summer for a new CD.

He told the audience at the Kiwanis Music Festival Highlights Concert Thursday evening that he had been trying to find a title for one piece, and realized that “in coming here, I had the perfect title from what I was trying to express, and didn't realize it – and that is 'Homecoming'.”

Jackson is back in his home town this week for two concerts. He was the special guest at the annual student highlights concert on Thursday, and will play a duo show at GigSpace on Friday.

To warm up, Jackson opened with Thelonious Monk's “I Mean You” – surrounding the angular melody with complex flurries of notes, almost obscuring the piece's highly-recognizable off-kilter rhythm. The original peeked through, but this was definitely a more dramatic and less-standard rendition. Jackson played it with his entire body, tapping his foot in time, almost attacking the keyboard in places, and at one point bending down to the keys to listen.

He then presented three new compositions: “These are brand-new – I've never played them for anybody.” He started with “Homecoming”, a beautiful ballad expressing both the joy and mixed feeling of returning. Its contemplative melody was accented by gleaming strings of pointillist notes flying above.

Read more: D.D. Jackson presents impressive brand-new music in his return to Ottawa (review)

 

A conversation with D.D. Jackson – on his Ottawa homecoming and his musical inspirations

This week will be a homecoming for Juno-winning pianist D.D. Jackson – back to the Ottawa student music festivals where he made his first public performances, and back to playing with a long-time musical friend.

D.D. Jackson's two concerts in Ottawa on Thursday and Friday are a homecoming for him after almost 10 years photo by Dave KaufmanAnd back to jazz. Jackson recently returned to jazz performance, after several years concentrating on TV and film scores (for which he's won an Emmy) and on raising his son and daughter. He'll be unveiling brand-new compositions at his concerts here on Thursday and Friday, which he hopes to include in a new album – his 13th.

On Thursday, Jackson is the featured artist at the Highlights Concert for the Kiwanis Music Festival at the Algonquin Commons Theatre. His solo piano performances will be a concert highlight, together with top Ottawa student performances at the show. On Friday, he'll give a closed masterclass to Canterbury High School students in the morning. In the evening, he has a sold-out show at GigSpace with Ottawa double bassist John Geggie, with whom he's performed and recorded for 22 years. The concert will include solo piano pieces as well as piano/bass duos.

Jackson grew up in Ottawa, attending W. Erskine Johnston Public School and the Earl of March High School in Kanata. His piano talent was obvious from an early age – but at that time, strictly channeled into classical music. It wasn't until after he attended Indiana University for a degree in classical piano, that he began looking at jazz. When he moved to New York City to take his masters at the Manhattan School of Music, it was in jazz performance, and he has remained in the NYC area and in jazz ever since.

Read more: A conversation with D.D. Jackson – on his Ottawa homecoming and his musical inspirations

 

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