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Cynthia Tauro: 1st woman to host Jazz Mondays at Petit Chicago

In April, pianist Cynthia Tauro and her quartet is hosting the late-night Jazz Monday jam sessions. It's the culmination for her of many years enjoying the music at those jams.

The Cynthia Tauro Quartet will host Jazz Mondays at Le Petit Chicago for all of April: (l-r) Cynthia Tauro, Alex Moxon, Alex Bilodeau, Michel Delage ©Brett Delmage, 2017

She's the first woman leader of a host band at Jazz Mondays in its 12-year history at Le Petit Chicago. OttawaJazzScene.ca checked its archived event listings, and while we found other women who had played on that stage on Mondays, Tauro was the first to lead a group.

She's playing with three musicians who frequently appear at this jam: guitarist Alex Moxon, drummer Michel Delage, and bassist Alex Bilodeau. Bilodeau also coordinates Jazz Mondays. At their first show on April 3, they performed Tauro's own original songs in the first set, ranging from Latin numbers to soulful to romantic to grooving. Tauro both sang and played keyboards, with the rhythm section providing a strong jazz propulsion filling the downtown Gatineau club. As usual, they opened the second set to jammers.

Tauro graduated in 2016 with a degree in jazz piano and voice from Carleton University. Originally from Toronto, she's now living in Ottawa and performing in venues across the city.

OttawaJazzScene.ca editor Alayne McGregor interviewed Tauro between sets at Le Petit Chicago on April 3.

Read more: Cynthia Tauro: 1st woman to host Jazz Mondays at Petit Chicago

 

Listening to Oscar Peterson has given Rémi Bolduc a new view on jazz

Over the last two years, Montreal saxophonist Rémi Bolduc has immersed himself in pianist Oscar Peterson's music – and developed an immense respect for Peterson as a composer and musician as a result.

Saxophonist Rémi Bolduc is paying hommage to Oscar Peterson in his current tour with his quartet, including bassist Fraser Hollins. ©Brett Delmage, 2012Bolduc has just released a tribute CD to Peterson, Swingin' with Oscar, with his arrangements of Peterson's compositions. He is currently on tour with his quartet playing this music throughout Ontario and then further east, including a stop in Gatineau on April 12.

And, in the process, he's broadened his outlook on jazz. It used to be that when Bolduc listened to albums by the Canadian jazz icon, he would choose those Peterson made with famous saxophonists.

“I was really focusing on sax players. And I put a lot of my energy into transcribing solos of all sax players. And, of course, I heard Oscar Peterson on some of his records, but because I was checking out Sonny Stitt with Oscar, or Ben Webster with Oscar. I was really always taking the angle of the sax player. And as I get more mature in my music, I opened my mind. I'm like, OK, you've got to go further that that.”

In the fall of 2015, Bourgie Hall at the Montreal Museum of Fine Arts asked Bolduc to perform a tribute show to Peterson, to honour the 90th anniversary of Peterson's birth. It was one of a series of tribute concerts he's played there, each time honouring a different jazz master. For the show, he brought in Taurey Butler on piano, along with long-time collaborators Fraser Hollins on bass and Dave Laing on drums.

He said he picked Taurey Butler as the pianist for this project because “we'd played together, and I thought that Oscar had a big influence on him.”

Butler studied classical piano as a child, but stopped playing piano after age 12. “And then he heard Oscar Peterson, and that brought him back to jazz. So Taurey, when he plays, he has that approach. He's really, of course, virtuosic, he uses all kinds of elements on the piano, and the way he plays the chords and his time feel and his whole vocabulary is highly influenced by Oscar Peterson. In Montreal, I couldn't really think of anybody else that had that power when he plays.”

After the concert, “my agent started to call me and say ‘People would be interested to hear that project again.’ And so we did a few concerts, and I decided, OK, let's do a CD. I guess people love that music – especially Oscar Peterson in Canada.”

Read more: Listening to Oscar Peterson has given Rémi Bolduc a new view on jazz

 

Stories behind the 2017 Jazz Juno Award winners

Bria Skonberg on the 2017 Juno red capet. She won the Vocal Jazz Juno for her album Bria. ©2017 Brett DelmageThe Cellar Live record label in Vancouver released Metalwood's Juno-winning album because of its ties to this country.

“Metalwood is Canadian, like really Canadian, and they come from across Canada, and so it was totally a natural fit,” said record owner Cory Weeds.

It was an illuminating comment in a year when most of the winners in the Juno jazz categories live in New York City.

The 2017 jazz-related Junos were awarded on Saturday to:

  • Metalwood: Twenty (Jazz Album of the Year: Group)
  • Renee Rosnes: Written in the Rocks (Jazz Album of the Year: Solo)
  • Bria Skonberg: Bria (Vocal Jazz Album of the Year)
  • Diana Panton: I Believe in Little Things (Children's Album of the Year)

Rosnes, Skonberg, and two of Metalwood's four members are Canadian ex-pats who now live in New York City.

When asked to comment on this, Rosnes said, “Well, it's the mecca of our music. New York has a fantastic jazz scene as you know. It's very vibrant, and a lot of Canadian musicians go there to play and learn and a lot of us end up staying.”

She noted that the Canadian musicians in New York are “all friendly with one another, and we have a great love for Canada and we come back very often to perform and to see family of course as well.”

In her acceptance speech, Skonberg said, “I'm proud to be Canadian.” She thanked the New York City community, “for lifting me up”, and her home town of Chilliwack, BC, “for keeping me grounded”.

View photos by Brett Delmage of JUNO jazz award nominees and winners on the red carpet

Read more: Stories behind the 2017 Jazz Juno Award winners

 

JUNOfest night 1: three very different vocal jazz groups plus baritone sax

Amanda Tosoff Quintet  ©2017 Brett Delmage

JUNOfest 2017 Jazz Night #1: Heather Bambrick and David Braid, Shirantha Beddage Quartet, Amanda Tosoff Quintet, Barbra Lica Quintet
Live! on Elgin
Friday, March 31, 2017 - 9 p.m.

View photos by Brett Delmage of these performances

With the Junos in Ottawa, many nominated jazz musicians were here for the ceremonies. And some were also here to perform, in JUNOfest concerts across the city.

For jazz fans, the action was primarily at Live! on Elgin downtown, where four ensembles played Friday night in 45-minute sets. It's a compact club which was packed with enthusiastic listeners and stayed that way all evening.

The Friday show was all-Toronto – not surprising since this year's nominees were mostly from Toronto and NYC.

Read all the reviews

 

JUNOfest night 2: all eyes on the stage for projects from the heart

JUNOfest 2017 Jazz Night #2: Adam Saikaley Trio, Quinsin Nachoff Trio and Septet, Brandi Disterheft Quartet, Dave Young Quintet
Live! on Elgin
Saturday, April 1, 2017 - 9 p.m.

View photos by Brett Delmage of these performances

The second evening of JUNOfest jazz concerts emphasized instrumental music, with ensembles playing both swinging mainstream jazz and more experimental orchestral jazz music.

In three 45-minute sets, Quinsin Nachoff, Brandi Disterheft, and Dave Young presented music which they had recorded on their Juno-nominated albums (or, as Nachoff said with a smile, “our Juno-losing albums”).

If anything, Live! on Elgin was even more packed than Friday night, with appreciative applause from the audience throughout. Listeners were focused on the music, and any conversations were quiet and respectful of the performances and other listeners. Jazz fans of all ages were present, enjoying the music.

Ottawa pianist Adam Saikaley opened the evening, playing his original music with his trio: bassist Alex Bilodeau and drummer Michel Delage. Unfortunately, I was still reporting on the Juno Awards dinner (which ran substantially late) at the same time as his set.

Read the full review

 

National Arts Centre announces Canada Scene jazz concerts

Updated April 5, 2017
The National Arts Centre announced today some of the Canadian jazz musicians it will present as part of its Canada Scene festival to celebrate Canada's 150th.

The festival, which will run from June 15 to July 23, will present 1000 Canadian artists in more than 100 events in the National Capital Region, including music, theatre, circus, dance, visual arts, film, and culinary arts. It announced its full line-up this morning.

Six jazz groups will be presented at the NAC in joint concerts with the Ottawa Jazz Festival between June 22 and 26. They include:

  • Toronto guitarist David Occhipinti’s Camera
  • Vancouver guitarist/oud player Gord Grdina with his Haram project
  • Calgary trumpeter Al Muirhead and his straight-ahead quartet, with Alberta bassist Kodi Hutchinson, Toronto flugelhornist Guido Basso, and Ottawa pianist Brian Browne. Hutchinson told OttawaJazzScene.ca that Browne has replaced the originally-announced Don Thompson.
  • Montrealer improviser, saxophonist and objects player Jean Derome
  • and two more concerts, which have not yet been confirmed.

The highest-profile Canada Scene jazz concert was announced last fall: the July 10 “Oscar, with Love” tribute in Southam Hall – with six renowned jazz pianists, but ironically not all Canadian, playing on Peterson's own beloved Bösendorfer Imperial grand piano, which will travel to Ottawa for this occasion. The evening will be hosted by Peterson's daughter, Céline. [See the OttawaJazzScene.ca video interview with Robi Botos about that show]

Read more and watch our video story about the launch

 

Mayor Watson: City of Ottawa will develop its first music strategy

The City of Ottawa will develop its first music strategy for Ottawa, Mayor Jim Watson announced Friday morning at a city-sponsored “Ottawa as a Music City” panel. But not everyone there was convinced that developing a strategy was the best use for the money.

Mayor Watson: We're very excited and bullish about the possibility of the [music] industry here in Ottawa growing even faster and bigger. ©2017 Brett DelmageThe city and the non-profit Ottawa Music Industry Coalition (OMIC) will “strike a task force of music industry stakeholders and business leaders from connected sectors, such as the festival network and Ottawa Tourism, to develop something we need to chart our future, the very first Ottawa Music Strategy in our city's history,” Watson said. The city is allocating $30,000 to fund the necessary research and consultation work, and assigning city staff to work with the task force. No specific timeline was given for creating the strategy.

Watson said the strategy would identify ways to grow Ottawa's musical talent base and music industry. “We're very excited and bullish about the possibility of the industry here in Ottawa growing even faster and bigger. But in order to do that we need a little bit of coordination and we need a little bit of direction and people to step up and help us.”

But panelist Kathleen Edwards was more skeptical. Edwards is an Ottawa singer-songwriter, and also the owner of the Quitters coffee shop in Stittsville. Last November, she sold out the 900-seat NAC Theatre for a Crossroads concert with a jazz ensemble led by Petr Cancura.

“Sometimes I hear 'advisory committee' and I think, 'Why don't you spend that money on a venue that has a long-term plan, that's going to be lasting?' ” she said. “Rather than let's talk how to make that, let's just make that.”

What Ottawa really needs is more venues which that local musicians can book, Edwards said. “We definitely don't have enough venues. There are some really great venues in this city, [but] they're of a size that are pretty inaccessible and unaffordable for certain-tier artists to go into.”

Read more: Mayor Watson: City of Ottawa will develop its first music strategy

 

“No extra clutter”: James Brown and Jim Vivian have a guitar-bass conversation

Jazz musician James Brown is a composer, first and foremost. His instrument is the guitar – but his multi-layered musical vision extends well beyond that.

James Brown composes for both jazz and classical ensembles - sometimes with the same pieces in different incarnations (photo by Stewart Lowe)

He'll play his compositions – some of which were originally written for classical ensembles and some for jazz quintet – when he makes his GigSpace debut on April 1.

It’s a smaller group, however – a duo concert with well-known Toronto bassist Jim Vivian, where they'll also play some standards and music by the Beatles and Joni Mitchell. Brown and Vivian have been performing together regularly for two decades – “It's one of the duos that I keep coming back to,” Brown says.

Brown has played jazz in Toronto for more than 20 years, with a who's-who of musicians in Toronto's jazz scene. His recent performance list includes shows with Andrew Downing, Artie Roth, Ernie Tollar, Ted Quinlan, Vivian, and Yvette Tollar, as well as Latin jazz with flutists Bill McBirnie, Christopher Lee, and Christine Beard. He's released four jazz CDs, one collaboration, and three as a leader; the most recent as leader, Sevendaze [2009], featured Don Thompson on piano, Quinsin Nachoff on sax, Vivian on bass, and Anthony Michelli on drums. Brown is on faculty at the Royal Conservatory of Music, where he teaches guitar and jazz improvisation.

As a composer, he's written for everything from solo guitar to symphony orchestra. His pieces have been performed and recorded by ensembles including Orchestra Toronto, the Trinity Chamber Ensemble, and The Montreal Guitar Trio.

This dual perspective on music is not completely surprising given how late Brown came to jazz.

“Like most kids, I got into rock & roll, and that's what hooked me into the guitar initially when I was about 13 years old. My Grade 7 teacher was a guitarist, and he had a lunch-time guitar club. I joined that, and it just led me down the path of playing the guitar."

He played in a few high school bands, but then a friend began taking lessons at the Royal Conservatory in Toronto. “He was doing classical guitar and when I heard and witnessed what he was doing, it really grabbed my attention. So I ended up signing up myself at the Conservatory in Toronto.”

Read more: “No extra clutter”: James Brown and Jim Vivian have a guitar-bass conversation

 

No RendezVous Rideau Jazz series at 2017 Ottawa Jazz Festival; future uncertain

There will be no RendezVous Rideau Jazz series at the 2017 Ottawa Jazz Festival. 2016 may have been the final year of the long-running local stage at the Rideau Centre since it started in 1990 – 27 years ago.

There will be no Rideau Centre stage at the Ottawa Jazz Festival this year, and maybe forever ©Brett Delmage, 2014“Unfortunately, we will not be staging the RendezVous Rideau Jazz series this year. We have had some changes to our marketing strategy following the completion of our redevelopment and are taking time this year to assess several long-standing partnerships,” Rideau Centre General Manager Cindy VanBuskirk told OttawaJazzScene.ca yesterday by email.

The festival was notified of the cancellation by the Rideau Centre on March 10, less than two weeks before the Festival’s official launch on March 22. The Rideau Centre was one of two local stages offering free shows showcasing local musicians during the day throughout the festival. A third local stage was cancelled in 2011 and not replaced.

Ottawa Jazz Festival Executive Director Catherine O’Grady told OttawaJazzScene.ca today that there were no plans yet for a replacement local performance series.

“I can’t talk about it yet, but we’re working on things. We haven’t got that far yet. We just got the news,” O’Grady said when asked about plans to replace the local performances.

Read more: No RendezVous Rideau Jazz series at 2017 Ottawa Jazz Festival; future uncertain

 

Juno Awards Week: jazz nominees from across Canada present new and different music in Canada's capital

Dave Young is nominated for his quintet album of hard bop jazz favourites and originals, One Way Up ©Brett Delmage, 2016Updated March 29, 2017
At the end of March, musicians of every genre will gather in Canada's capital for the 2017 Juno Awards ceremonies. And they won't just be accepting awards – they'll be showing off the diversity and new frontiers in Canadian music, including jazz.

The main attraction will be the JUNOfest concerts on Friday, March 31, and Saturday, April 1, at 15 locations across Ottawa, featuring nominated and local artists in many genres. Individual tickets and all-location wristbands are available for the shows, giving fans a chance to hear musicians from across the country. However, many of the locations are not large, and may fill up quickly.

Bassists Dave Young and Brandi Disterheft, pianists Amanda Tosoff and David Braid, vocalists Heather Bambrick and Felicity Williams, saxophonists Quinsin Nachoff, Shirantha Beddage, and Perry White, trumpeter Kevin Turcotte, guitarists Reg Schwager and Alex Goodman, and drummer Terry Clarke will be among the jazz musicians performing at JUNOfest. [See the list of 2017 Juno Award nominees in the jazz and related categories]

The Juno Awards are also sponsoring exhibits of art, photography, and memorabilia associated with Juno-winning musicians, and several panel discussions about the music industry.

For jazz fans, the focus will be on Live! On Elgin downtown where four jazz groups – almost all Juno nominees – will perform each evening between 9 p.m. and 1 a.m. Jazz musicians nominated in the Children's and Instrumental categories will also perform in other JUNOfest venues.

On Friday, March 31, the jazz showcase at Live! On Elgin will open at 9 p.m. with Toronto vocalist Heather Bambrick accompanied by pianist David Braid. Bambrick is nominated in the Jazz Vocal category for You’ll Never Know, a collection of classic standards, originals, and even a Bruce Cockburn song, backed by a Toronto jazz septet.

Read more: Juno Awards Week: jazz nominees from across Canada present new and different music in Canada's capital

 

2017 Ottawa Jazz Festival lineup reduces jazz, Canadians (analysis)

Updated March 23, 2017
The Ottawa Jazz Festival announced its 2017 lineup today with some spectacular international jazz choices. But the festival is still emphasizing the singer-songwriters and baby boom hitmakers, and is offering far fewer opportunities for Canadian jazz musicians.


Check out our easy-to-read, plain-text guide to the 2017 Ottawa Jazz Festival


The Sonoluminescence Trio is one of the relatively rare Canadian jazz groups at the 2017 Ottawa Jazz Festival ©Brett Delmage, 2016The official announcement on CBC Ottawa's afternoon radio show emphasized the non-jazz: singer-songwriters Feist and Serena Ryder, soul/R&B singer Joss Stone, the Downchild Blues Band, R&B vocalist Mavis Staples, and country star Kenny Rogers. When asked if Rogers would be playing jazz, Festival programming manager Petr Cancura replied that they would be “taking Kenny the way he is”.

In fact, only three of the 10 headliners in the park are bona fide jazz acts. Since 2011, the festival has consistently programmed a large percentage of musicians with no relation to jazz, but this is the lowest number ever.

The Confederation Park jazz headliners are Charlie Haden's Liberation Jazz Orchestra, led by Carla Bley; Maceo Parker and the Ray Charles Orchestra; and Caravan Swing. Other notable jazz names at the festival include The Robert Glasper Experiment; Kenny Barron; Hudson, with Jack DeJohnette, Larry Grenadier, John Medeski, and John Scofield; Donny McCaslin; Hiromi; the Sammy Miller Congregation; and the Mark Guiliana Jazz Quartet.

Cancura has also brought back popular jazz choices from recent years: Igor Butman and the Moscow Jazz Orchestra; guitarist Bill Frisell with bassist Thomas Morgan; and The Bad Plus.

Read more: 2017 Ottawa Jazz Festival lineup reduces jazz, Canadians (analysis)

 

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