Sunday, October 04, 2015
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The Beeched Wailers jams return, to a new location: the Wellington Eatery

The Beeched Wailers and their popular Tuesday night jazz jams will resume on September 8 – and they're excited about their new location in Hintonburg.

Tyler Harris enjoys a solo by Beeched Wailers leader Nicholas Dyson ©Brett Delmage, 2014

The band, whose previous location closed with almost no notice after a successful 16-month run, will now be playing at the Wellington Eatery (1008 Wellington Street West [map]). The restaurant is located across the street from the former AlphaSoul Café, which hosted the 2013 Ottawa Jazz festival jams. It's just west of where Wellington Street West and Somerset Street meet, and is walking distance from the Bayview O-Train stop, as well as being on a major transit route, and easily accessible by bike.

As before, music will start at 9:30 p.m. on Tuesdays with an hour-long set by the Beeched Wailers, followed by an all-ages open jam, with both food and drinks available.

Wailers leader and trumpeter Nick Dyson sounded upbeat – about both the new location and the group's upcoming album – when he talked to this week.

“We're feeling pretty positive about the Wellington Eatery. The owner, George, is very cut and dried, cut to the chase kind of guy. Shoots from the hip and means what he says. I think the Wellington Eatery's going to love having us there and I think we're going to love being there.”

It's a bigger location than before, he said, with better sightlines and at least two possible places for the stage.

The band had been playing at the Rochester Pub in western Centretown since March, 2014, to consistent crowds, drawing both local professional musicians and students. “All things considered, the Tuesdays were, quite a lot of the time, the busiest weeknight at the Rochester, even if we had a slow night,” Dyson said.

Read more: The Beeched Wailers jams return, to a new location: the Wellington Eatery


The Miles in the Sky Ensemble captures the electric in Miles Davis

The duets between Linsey Wellman and Ed Lister captured the excitement of Miles Davis' electric period in the Miles in the Sky Ensemble's show at the Arboretum Festival. ©Brett Delmage, 2015

The Miles in the Sky Ensemble
Arboretum Festival
Albert Island, Ottawa River
Friday, August 21, 2015 - 11:30 p.m.

View photos of this performance

When Miles Davis turned his jazz electric in the late 60s and early 70s, it was much more than a change in instrumentation. The new music was fused with rock concepts, it was run through effects generators, it was amplified, and it was charged with excitement.

That excitement was captured by the Miles in the Sky Ensemble in its late-night show at the Arboretum Festival Friday. In their 90-minute show, the ensemble produced a highly interactive and often thrilling performance, playing pieces from four of Davis' electric/jazz fusion albums (although, oddly enough, none from his Miles in the Sky album).

Read more: The Miles in the Sky Ensemble captures the electric in Miles Davis


Oscar Peterson's 90th birthday is remembered in music and lemonade at the National Arts Centre (video)

Many attentive and enthusiastic listeners braved the heat and humidity to celebrate what would have been Oscar Peterson's 90th birthday at the special NAC performance ©2015 Brett DelmageOn Saturday, August 15 – 90 years to the day after the late celebrated jazz pianist Oscar Peterson was born in Montreal – the National Arts Centre celebrated his birthday. The show was on the sidewalk outside the NAC, with the popular statue of Peterson by sculptor Ruth Abernethy looking on. Peterson's widow, Kelly, also spoke at the show.

Hundreds of jazz fans showed up to remember Peterson. They heard local pianist Clayton Connell, together with Kelly Craig on trumpet, Ben Heard on bass, and Michel Delage on drums, perform Peterson's "Hymn to Freedom" along with several standards he made famous.

Hardly anyone moved or talked during the 35-minute show, despite the broiling August sun. But when NAC communications director Rosemary Thompson announced at the end of the show that the NAC had lemonade available inside, it vanished very fast (as did the birthday cupcakes)! interviewed Connell and Thompson about the show and their love of his music. You can see them and excerpts from the show in our video.

    – Alayne McGregor

Also read our story about the show:

Watch the video


Jazz Monday: The Sean Duhaime Trio fills Le Petit Chicago with fusion

Jansen Richard ©Brett Delmage, 2015

This month Le Petit Chicago is hosting a reunion. After a three-year hiatus, Ottawa guitarist Sean Duhaime is again performing with his long-standing jazz trio.

They've been filling the downtown Gatineau club with standards and originals, played with a jazz fusion edge. The trio: Duhaime on electric guitar, Laura Greenberg on electric bass, and Jansen Richard on drums, is the August host band for the long-running Jazz Mondays series.

When heard the trio on August 17, they played a wide-ranging set for the first hour: everything from a bright, catchy version of the jazz standard “Autumn Leaves”, to the dirty blues of “Let It Ride” by the Robert Glasper Experiment, to the electric fusion of Duhaime's own “Bert”.

They opened with a dynamic rendition of Sonny Rollins' “Tenor Madness”, and continued with the ballad “Little Lady” by Vince Rimbach, with an evocative and emotional guitar solo from Duhaime. A Duhaime original, “Tomadachi”, quickly built up the energy with high-speed guitar and gravelly bass lines, along with varied and energetic drumming – and ending with a cymbal tap.

Read more: Jazz Monday: The Sean Duhaime Trio fills Le Petit Chicago with fusion


Pilar and the Sicilian Jazz Project replaced jazz cool with passion (review)

Pilar and the Sicilian Jazz Project
Ottawa Chamberfest, Chamberfringe series
Saint Brigid's Centre for the Arts, Kildare Room
Saturday, August 1, 2015 – 10 p.m.

In many jazz shows there's a subtle distance between the performers and the material. It's part of the jazz cool: a way of looking at the music both from the inside and the outside, of standing apart.

Pilar and The Sicilian Jazz Project were having none of that, in their late-night Chamberfringe show August 1.

Rarely have I seen performers – and particularly singers – who immersed themselves in the music as much as Franco-Italian vocalist Pilar and Canadian-Sicilian vocalist Dominic Mancuso did in this show. In almost every song, their voices, their faces, their hands, and their entire bodies were communicating the intense emotion in the lyrics and music.

It was an emphatically “hot” concert – both the vocals and the concentrated, jazz-fusion-flavoured instrumentals.

The project is the brainchild of Toronto jazz guitarist/composer Michael Occhipinti, and is based on his own Sicilian family heritage, as well as field recordings made by musicologist Alan Lomax in Sicily in 1954. It's a rethinking of original folksongs through the lens of Occhipinti's jazz sensibility, rhythms, arrangements, and improvisation.

Read more: Pilar and the Sicilian Jazz Project replaced jazz cool with passion (review)


Trio Jérôme Beaulieu doesn't miss a beat in show with drummer Greg Ritchie

Jérôme Beaulieu ©Brett Delmage, 2015

Trio Jérôme Beaulieu
Festival de Jazz Desjardins
Parc de l'Imaginaire, Gatineau (Aylmer)
Friday, July 31, 2015

View photos of this performance

In many ways, Parc de l'Imaginaire, a small greenspace next to the Aylmer Marina, is an ideal place to hear music. Quiet and intimate, it's verdant and shady and cool even in a heat wave. Musicians playing in the park's small covered bandstand can easily be seen from a 270 degree circle in the park.

The Festival de Jazz Desjardins, which has been held there mid-summer for the last 29 years, attracts an interested audience which consistently fills the park and listens carefully – which was a perfect match for Montreal pianist Jérôme Beaulieu's music, whose melodicism reaches out to this audience.

Beaulieu's trio had two crowd-pleasing Ottawa concerts in 2014 – at the National Arts Centre and at the Ottawa Jazz Festival. In the 75 minutes of this show, their first Gatineau concert, they connected with the audience just as strongly.

They had some obstacles: Beaulieu's long-time drummer had another gig and this was the trio's first show with his (temporary) replacement, who necessarily had to work from charts. And the high winds that were the remnants of that day's unsettled weather meant that all the musicians were fighting to keep their sheet music from being blown away, holding it down with multiple clips.

The replacement, on the other hand, was veteran drummer Greg Ritchie, well-known for his work with Christine Jensen and Joel Miller. Ritchie just recently returned to Montreal after a decade playing in the New York City jazz scene. He joined bassist Philippe Leduc in the trio, and adeptly adapted his playing to the music: swinging on a Monk tune; more nuanced brushes behind quiet, intricate piano on a tribute to pianist Chilly Gonzales; intense and propulsive on a Beaulieu original.

Read more: Trio Jérôme Beaulieu doesn't miss a beat in show with drummer Greg Ritchie


Oscar Peterson's 90th birthday to be celebrated Saturday at the NAC

Oscar Peterson will watch over a musical celebration of his 90th birthday on Saturday.

The National Arts Centre (NAC) will commemorate the late Canadian jazz pianist with a free outdoor concert – and right beside the band, keeping an eye on the show, will be the statue of Peterson and his piano at the south-west corner of the NAC building. The sculpture, which is normally accompanied by recordings of Peterson on piano, has become a popular attraction for jazz lovers and tourists in general.

Clayton Connell was excited to be chosen to play piano at the 90th birthday celebration for Canadian jazz icon Oscar Peterson. ©Brett Delmage, 2013The free half-hour concert, at the corner of Elgin and Albert Streets, will start at 1 p.m. on August 15, 90 years to the day after Peterson was born. (in case of bad weather, the concert will be moved to the nearby NAC Fourth Stage.)

The quartet of young Ottawa pianist Clayton Connell will perform music composed by Peterson and jazz standards which have become associated with him. Connell said he will be accompanied by drummer Michel Delage and bassist Ben Heard – and “because Oscar Peterson and [trumpeter] Clark Terry did many records together, we're going to add Kelly Craig to do some of the Clark Terry parts.”

The show will feature Peterson's signature piece, “Hymn to Freedom”, which became an anthem for the civil rights movement in the 1960s, as well as “Brotherhood of Man” from the Oscar Peterson Trio + One album with Terry. Peterson's quieter side will be represented by his tender ballad, “When Summer Comes”, and there are likely to be several numbers from Peterson's We Get Requests album.

Read more: Oscar Peterson's 90th birthday to be celebrated Saturday at the NAC


Brian Barlow's classic big band arrangements are a big hit

There were many smiles during and after the Carleton University Faculty Big Band Concert ©Brett Delmage, 2015

The Jazz Camp Faculty Big Band, led by Brian Barlow
Carleton University Jazz Camp
Kailash Mital Theatre, Carleton University
Friday, August 7, 2015 – 7 p.m.

View photos of this concert

If you closed your eyes, it felt like a 50s ballroom in Harlem. You could almost see dancers gliding and swinging across the floor to the energetic music.

With Brian Barlow in command, the Carleton University Jazz Camp Faculty Big Band played classic big band music Friday night, and particularly favourites by Duke Ellington and Billy Strayhorn. There were lots of smiles on stage, and many listeners swaying to the music in the audience.

For more than 15 years, Barlow was the percussionist in Rob McConnell's Boss Brass, and that's only part of his decades of experience performing in and arranging for big bands. He currently leads his own big band, for which he originally wrote the arrangements featured at this concert.

Read more: Brian Barlow's classic big band arrangements are a big hit


Renamed Carleton U Jazz Camp Award recognizes founder Mike Tremblay

The Carleton Jazz Camp Award has been renamed in honour of the camp's founder, Ottawa saxophonist and educator Mike Tremblay. The $1000 scholarship is awarded by Carleton University, and goes to an outstanding student attending the camp who will be studying at Carleton in the next year.

Supervisor of Performance Studies Dr. James Wright (r) announces that the Carleton University Jazz Camp award has been renamed after camp founder Mike Tremblay (l) © 2015 Brett DelmageAt the 2015 camp's closing concert Saturday evening, Carleton music professor and Supervisor of Performance Studies Dr. James Wright announced that the university wished to honour Tremblay's success over the last six years in setting up and directing the camp, by retroactively naming the award after him.

The honour to Tremblay was long-overdue, Wright said. The five-day-long camp each August has grown and thrived because of the “ridiculously many” hours Tremblay has put into it, and his skills not only as a musician, but also as a “great organizer and team-builder”.

“It's not about him – it's all about the students, all the time.”

This year, the award was given to guitarist Jacob Clarke, who switched to electric and acoustic bass while at the camp this year.

Tremblay said that when the camp faculty reflected on the students at this year's camp, Clarke was at the top of everyone's list. “He's super-keen.”

Read more: Renamed Carleton U Jazz Camp Award recognizes founder Mike Tremblay


Ottawa jazz family commemorates local art centre's 25th with West Coast cool

The Denison family – matriarch Kay on piano and organ, her son Tom on bass and drums, and the younger generation of Patrick on saxophone, Emily on trumpet and violin, and Lucas on drums – have been a frequent presence in Ottawa's jazz scene for years now.

Emily Denison was one of five Denisons that played jazz to help celebrate the Nepean Creative Arts Centre's 25th Anniversary ©2015 Brett DelmageAnd with Emily and Lucas having taken some of their first jazz lessons at the Nepean Creative Arts Centre (through the centre's partner, the Bells Corners Academy of Music), and Patrick and Tom having taught and adjudicated there, it seemed natural that all four would perform a concert to celebrate the 25th anniversary of the centre.

The “Denison 4+1” concert was organized by pianist Yves Laroche, director of the Bells Corners Academy. Laroche was the “+1” in the August 2 show.

The musical theme was “West Coast Jazz”. The first piece, “Out of Somewhere”, by Jimmy Giuffre, exemplified the cool vibe of that style. It was followed by more upbeat examples: “Whisper Not” by Benny Golson, whose forward momentum was outlined by a bright, edged trumpet solo from Emily; and “Bernie's Tune”, made popular by Gerry Mulligan, which featured a hard, echoing drum solo from Lucas.

On “Lines for Lions” by Bob Curnow and “Moon and Sand” by Alec Wilder, Patrick doubled on flute, creating a quiet, reflective sound and shimmering duets with Emily's trumpet.

Read more: Ottawa jazz family commemorates local art centre's 25th with West Coast cool


Cool down with jazz in August in Ottawa-Gatineau

If the heat and the never-ending election ads have got you down, there's plenty of cool jazz to cheer you up and clear your ears in Ottawa in August.

Marc Morin of the Montreal Guitar Trio. The trio is back August 6 for a joint concert with the California Guitar Trio at Chamberfest. ©Brett Delmage, 2013This week you can hear Chamberfest's jazz crossover concerts, and the evening faculty concerts at the Carleton University Jazz Camp. Next week, there's the duo of Toronto saxophonist Kirk MacDonald and legendary American pianist Harold Mabern, a pairing which won MacDonald a Juno this year.

But there's more: a musical tribute to Sarah Vaughn (and CD launch) by Montreal singer Kimberley Beyea; and a theatrical tribute to the Rat Pack in two different venues. Young up-and-coming musicians continue to present their music before heading back to university next month, and local musicians can be heard in venues simple and fancy on both sides of the river.

On Thursday, August 6, the Montreal Guitar Trio, who created quite a stir at Chamberfest a few years ago with their jazz/flamenco/world crossover music, return for a joint show with the California Guitar Trio (which, despite its name, contains one member from Utah, one from Belgium, and one from Japan). They'll be playing “original compositions and fresh arrangements of progressive rock, world, jazz, and classical music”.

Each year, the Carleton University Jazz Camp holds evening concerts for students and the public, featuring members of its faculty – some of whom are rarely heard in Ottawa. This year, the visitors include several renowned Toronto jazz musicians: trumpeter Kevin Turcotte, drummer Brian Barlow, and alto saxophonist Luis Deniz. They'll join well-known Ottawa musicians like Brian Browne, Roddy Ellias, Mark Ferguson, Mike Tremblay, and Elise Letourneau.

The concerts run from Tuesday, August 4 to Friday, August 7, and include everything from a tribute to Kenny Wheeler to a swinging big band. Read about these shows.

On Wednesday, August 5, a dynamic Montreal trio led by clarinetist and saxophonist Ted Crosby will perform the intricate compositions of pianist Thelonious Monk, clarinetist Jimmy Giuffre, and drummer Paul Motian – plus jazz standards – at Brookstreet Hotel's Options Jazz Lounge in Kanata. Crosby has released three CDs with two other different groups in Montreal.

Read more: Cool down with jazz in August in Ottawa-Gatineau


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