You wouldn’t want to go outside in just a t-shirt and shorts or recline in a lawn chair yet, but local festivals are already looking for volunteers for this summer. Whether you want to sell tickets, usher at concerts, work on stages, or pick up garbage (surprisingly, it can be fun), there’s a volunteer task that you could enjoy doing.
The Ottawa Jazz Festival opened its applications for new volunteers as of March 15. Applications are often only open for a few weeks, so you might want to check out ottawajazzfestival.com/volunteer/ soon.
Opportunities range from selling tickets to driving musicians to stage crew to selling beer to access control at the different venues. By volunteering, you also become a voting member of the festival, and can move motions and vote on its board of directors at its yearly AGM.
You can also volunteer now for the Ottawa Chamberfest in late July/early August. That festival needs people for ushering, stage crew, box office, driving, and distributing publicity material. More information and the application form is at www.chamberfest.com/support/volunteer/ .
Bluesfest, in early July, will be asking for volunteers starting May 24. They're accepted on a first-come, first-served basis, and you can only pick one volunteer task. See https://volunteers.ottawabluesfest.ca/volunteer/ for more information and a list of the possible tasks, ranging from fundraising to selling beer to parking bikes.
Jazz pianist John Stetch will continue his rethinking of classical concertos and sonatas in a concert at the Ottawa Chamber Music Festival (Chamberfest) this summer.
The festival today unveiled 15 of the shows which it will present from July 22 to August 4 – primarily from the core classical repertoire, but also including crossover concerts with jazz, the Beatles, contemporary pop, and film music, as well as interpretations of Canada's Arctic and unexpected takes on musicals and audiovisual performance. The remainder of the line-up will be revealed in April.
OttawaJazzScene.ca learned after the announcement that Toronto jazz pianist David Braid will also appear at the festival.
On July 26, Stetch will perform at La Nouvelle Scène in a show entitled “Classical Meets Jazz”. The festival says he will blend “dashes of classical” along with his “percussive and improvisational brand of piano playing”.
Stetch, who began his jazz career in Alberta but has lived and worked in or near NYC for decades, is a prolific original composer. His most recent CD is Improvisations , an album of “unedited and un-premeditated solo improvisations”.
Updated with new events added on March 15, 2017
At the end of March, many Canadians will look to Ottawa for the Juno Awards and all its associated concerts here. But that's only the climax of a month of fine Canadian jazz in Ottawa-Gatineau.
With music ranging from big bands and swing, to tributes to vocalists like Nat King Cole and Joni Mitchell, to improvisation that pushes the boundaries, it's a diverse month – with a bit of extra push due to Juno concert microgrants. And to top it off, there's a CD release from David Renaud, a companion to his first duo record with Brian Browne.
We would like to thank GigSpace Performance Studio, Alrick Huebener, Marie Fleming, and Record Runner Rehearsal Studios whose donations made this unique March jazz highlights report possible.
OttawaJazzScene.ca’s reporting is made possible by reader donations. By becoming a donor you can help OttawaJazzScene.ca shine a spotlight on the scene every month of the year.
March begins with a blast – of horns, as Ed Lister premieres his new Prime Rib big band at Irene's on March 1. Lister has gathered together ten other well-known local jazz musicians to play mainly his own original material with a few covers thrown in. While Lister is better known for the funkier music of ERU-ERA or the Chocolate Hot Pockets, he's also a big fan of the swing classics (read our review of his Ellington tribute concert). He says that the style of this new band is “very much rooted in big band swing in the style of Duke Ellington, Charles Mingus and Thelonious Monk”.
The Simon Denizart Trio
National Arts Centre, Back Stage
Saturday, March 4, 2017 – 7:30 p.m.
At their NAC première, the Simon Denizart Trio easily won over their audience with original music produced with liveliness and zest. From their first song onwards, the Montreal jazz trio's pieces evoked strong applause, and culminated in a standing ovation.
Their music was a celebration – and an expansion – of the classic jazz piano trio form, with each piece taking an initial musical idea and stretching it, while retaining accessible melodies and rhythms. The trio released their second album, Beautiful People, last November, and, at this concert, performed all the tracks from that album, plus two songs from their first CD, Between Two Worlds.
The audience's warm reception wasn't because of familiarity – these pieces hadn't previously been performed in Ottawa. And while the trio is well-known in Quebec and has toured twice across Europe, Ottawa is the only city in Canada outside Quebec they've ever played in.
Denizart is the composer in the group, but all three musicians – Denizart on piano, Jeanne Corpataux on double bass, and Simon Bellemare on drums – contributed substantially to the sound. It was a highly interactive 90-minute show, with the music flowing easily among the musicians.
Some Canadians might dream of living in Europe, but French pianist Simon Denizart went in the opposite direction. For Denizart, Quebec has been the exotic new land where his jazz career has flourished.
Raised in Créteil, a suburb of Paris, Denizart moved to Montreal in 2011. In 2014, his trio won the people's favourite award at the Festi Jazz International de Rimouski. They've released two albums, toured extensively throughout Quebec and appeared at the Montreal Jazz Festival, and made two tours of Europe, going as far afield as Poland and the Czech Republic.
Radio-Canada named Denizart their Révélation Jazz selection for 2016/2017. It's a considerable honour which has boosted the careers of previous picks.
On Saturday, he'll perform his first formal concert in Canada outside Quebec, when NAC Presents brings his trio to the National Arts Centre Back Stage.
Updated March 5, 2017
GigSpace will celebrate International Jazz Day in April with a new three-day festival promoting Ottawa's jazz musicians.
The GigSpace Jazz MicroFest will debut on April 28 to 30, with performances by 38 local musicians in 15 shows. The music will range from well-known and not-so-standard jazz standards, to groove based compositions, to folk and roots-inspired cabaret music, to lyrical modern jazz originals. The musicians will be familiar to readers of OttawaJazzScene.ca: many are popular names with long jazz careers here.
“It's a community-building effort,” said Marilee Townsend-Alcorn, the artistic director of the 45-seat concert venue. “It's raising the profile of the musicians in Ottawa. It's showing that we do have stellar musicians in our midst, playing at a very high level.”
The festival is a project that the GigSpace organizers have been wanting to undertake ever since they opened. “Probably every time there's a jazz festival, someone says, 'Wouldn't it be nice to just have Ottawa-only musicians? A festival for just the Ottawa people.' And we've all said that for five years,” she said.
GigSpace director and guitarist Tim Bedner in particular has been driving the project. With Canada's 150th birthday this year, “He really put the push on. 'Let's make it happen!'”
The Stretch Orchestra is back in Ottawa on Friday, for two shows at GigSpace Performance Studio that may end up as a live recording.
The group, with Kevin Breit on guitars and mandolin, Jesse Stewart on percussion, and Matt Brubeck on cello, creates music that is energetic, complex, and fun, coming out of their joint background as jazz improvisers but drawing from almost every genre imaginable to create their very individual sound.
OttawaJazzScene.ca's Inside the Scene interviewed all three at their last show in Ottawa at Ontario Scene in 2015. It was very difficult to keep a straight face. And you can see what makes their music uniquely theirs in excerpts from their NAC Fourth Stage performance.
– Brett Delmage
Related: The Stretch Orchestra makes jazz bend [interview with Matt Brubeck]
Keith Hartshorn-Walton is an advocate for the jazz tuba, but he’ll blow his own horn when he leads a group for the first time in Ottawa this Friday. His unusual quartet will also feature John Geggie on double bass, Michel Delage on drums, and Peter Hum on keyboard.
Ottawa listeners have heard Hartshorn-Walton play front-line tuba in a variety of groups in the past year: in Safe Low Limit, with his wife and vocalist Mélanie Hartshorn-Walton, and in various jams. Some might be surprised that he is a multi-instrumentalist.
“Since moving to Ottawa, it's been my pleasure to just really focus on the tuba,” Hartshorn-Walton said. “But when I was living near Toronto I was playing a piano, tuba, bass, bass trombone, and organ in churches. So that's a lot of different instruments.”
Not to mention the tuba’s cousin, the sousaphone, which he plays in Mike Essoudry's Bank Street Bonbons.
Hartshorn-Walton says he’s always aspired to play the tuba as a front-line instrument.
“It's something I always wanted to do, from the very beginning almost, and having more and more chances to do it. But you have to make those chances happen – you can't wait around. No one's going to call you. You show them it's possible, and then they're interested.”
“That's what I did here. I started going to the jam sessions and playing a bit – and more projects started happening. But you always have to be a bit of an advocate for it. Any other tuba player has done that. They tend to be evangelizing about the tuba all the time,” he said, laughing.
As other musicians have been, he was introduced to his uncommon instrument of choice by an early school experience.
“I started piano at age 6. Then when it came time to start band, they wanted to put me originally on electric bass and drums but I wanted to take an instrument home like everybody else, so I took a tuba home. And I surprised my parents with it one day. That was in Grade 7. And I've never stopped.”
Chris Maskell and Gentiane MG Duo
Live @ Record Runner
Record Runner Rehearsal Studios, Ottawa
Friday, January 27, 2017 - 7:30 p.m.
The minimalist configuration of tenor sax and keyboards is not your usual jazz group. Most musicians would add a rhythm section of bass and drums and possibly another horn. But Chris Maskell and Gentiane MG (Michaud-Gagnon) showed that the two instruments could speak very well together in an intimate show in Ottawa.
Saxophonist Maskell and pianist Gentiane MG met through McGill University, where both are currently studying in the demanding Masters in Jazz Performance program. They've played several shows together in Montreal, and demonstrated an easy camaraderie in this show, which was Gentiane MG's Ottawa debut.
This was also only the second show in the Live @ Record Runner series. The Record Runner Rehearsal Studios are somewhat hidden away in the west-end Colonnade Road business park, which was bleak and dark that January evening and could have used street numbers more visible from the road. However, there is regular OC Transpo service to the park, with bus stops right at the building. Once inside, the studios were notably warm and welcoming, and even offered refreshments at the intermission.
The concert was held in a cozy and comfortable 37-seat “Great Room”. Record Runner owner Paul Adjeleian has made a point of designing good acoustics and sound separation into the studios. Gentiane MG’s keyboard sounded clear and warm using the room's built-in speakers. The room was full, including some of Maskell's friends and family from Ottawa.
The set list was primarily standards, but performed with intense attention. The duo began with “Gemma”, a ballad by Maskell which he's performed in other Ottawa shows. It contrasted rough-edged saxophone with quiet piano in an expressively romantic piece.
I liked how Gentiane MG opened “Solar”, with careful, spacious piano lines reminding me of a nursery rhyme – and then gradually modulating into a more resonant and emotional rendition. Maskell's saxophone entered quietly, and they embarked on a thoughtful conversation, finding variations in the piece's theme.
The Rachel Beausoleil Quartet: “Happy Birthday, Tom!”
Doors Open For Music at Southminster
Southminster United Church, Ottawa
Wednesday, January 23, 2017 – 12 noon to 1 p.m.
To many North Americans, the composer Antonio Carlos Jobim is synonymous with Brazilian jazz. With his Grammy-winning albums in the 60s and his elegant melodies and subtle bossa rhythms, he created such a recognizable sound that it defined a genre.
In Brazil, he's an icon. In fact, one of the mascots for the Rio Olympics was named “Tom” (the Brazilian nickname for Jobim) after a public vote.
While everyone's heard “The Girl from Ipanema” and “Corcovado” (Quiet Nights), Jobim also wrote many other memorable songs which are not as well known. And, sung in the original Portuguese, his melodies sound even more fluidly beautiful.
It was, therefore, a real treat to have Ottawa vocalist Rachel Beausoleil sing an entire programme of Jobim in Portuguese, for a concert at Southminster United Church in their Wednesday noon series. She was accompanied by guitarist Garry Elliott, bassist Mark Alcorn, and drummer Marilee Townsend-Alcorn.
Beausoleil is currently writing her doctoral thesis on “Música Popular Brasileira” (MPB), a major genre of Brazilian music which includes Jobim's compositions. She's made three extended trips to Brazil in order to take classes from master vocalists, attend conferences, and perform with musicians there – and gained considerable fluency in Portuguese and knowledge of Jobim's music.
When Ottawa pianist Miguel de Armas and Toronto saxophonist Jane Bunnett got together to play for the first time a few years ago, they didn't want to stop.
Bunnett still remembers their after-dinner jam at her house in Toronto. “We just kept doing tune and tune after tune. It was like, Omigod, as I was winding down, Miguel was winding up! He was this incredible atomic energy. It's why we love Cubans. This is why they're just amazing. They're so full of energy and creative spirit and collaboration, and let's go for it. We played and played, probably for a couple of hours, to my neighbours' chagrin, and definitely after midnight.”
At their Ottawa concert this Saturday, the music will be limited to 75 minutes, but the zest for playing will be there as much as ever.
Bunnett is one of the best-known proponents of Afro-Cuban jazz in North America; her ground-breaking and award-winning recording, Spirits of Havana, released in 1991, was the first major collaboration of North American and Cuban musicians. De Armas had an extensive professional jazz career in Cuba before coming to Canada.
Saturday's concert will be their first public performance together.
The show will also mark de Armas' fifth anniversary in Canada. He came here to marry Yasmina Proveyer, a Canadian who now acts as his manager and spokesperson. De Armas quickly found a musical niche in Ottawa, performing at festivals and clubs here and in Montreal and southern Ontario. He's made a point of playing with a wide variety of musicians, both inside and outside the Latin community.
- The Caroline Cook Trio shares jazz grooves in a warm mid-winter show
- One-third of 2017 Juno jazz nominees don't live in Canada
- Beeched Wailers attract keen listeners and players for 1st jam night at Bar Robo
- Sung Ra extravaganza inspires standing ovation
- Doug Martin gets in the groove in his second Havana Jazz Festival appearance
- Gentiane MG: "stretching to explore the unknown"
- Christine Duncan audaciously rethinks choral music in her Element Choir
- Sung Ra spectacle adds voices, costumes, and dancing to the Rakestar Arkestra
- First Jazz Night at The Brass Monkey presents three bands to an appreciative audience
- Ottawa-Gatineau celebrates Canadian jazz in January for 2017
- Miguel de Armas brings in 2017 with a bright Latin beat
- Original voices shine in holiday show
- Three views of jazz at Christmas
- Renée Landry adds swing and originals to holiday songs
- Rémy Bélanger de Beauport takes the cello to wild and lonely places
- Jazz mashed with Christmas carols (and more!) at the end of December
- 45north plays all-Canadian jazz with enthusiasm and flair
- Ottawa Jazz Festival balances books in 2016 by cutting musician budget by one-third
- More jazz than Jingle Bells in the second week of December
- Ranee Lee shares a generous performance with many sides
- Escape the Christmas carols with jazz in December
- Jazz vocalist Ranee Lee has flourished in Canada
- The Crooked Jazz Trio doesn't travel straight-ahead
- Safe Low Limit: creative, new low blows and bows (video)
- “Don't waste your notes”: an interview with Dong-Won Kim
- "Canada Scene" 2017 launches with Robi Botos' jazzy nod to Oscar Peterson
- The audience kept clapping for Miguel de Armas and Claudia Salguero
- Touring Dutch duo impressed by Canadians' response to jazz
- Amy Brandon creates altered states of guitar
- Safe Low Limit digs deep for Jazz Mondays in November
- Cole Porter without the words engages the audience at Brookstreet tribute show
- Maureen Kennedy's passion for finding hidden jazz standards
- Maqueque notches up its Afro-Cuban jazz energy with its second album
- The Ken Harper Trio brings commitment and energy to new concert series at Southminster
- Samuel Blaser and Gerry Hemingway perform music to feed the soul
- Sienna Dahlen's expressive music deserves an audience's full attention
- Tim Bedner & Elise Letourneau revisit their Thursday nights at Cafe Paradiso on Saturday
- The Canto Trio blends two sax voices and bass in an evening of classic jazz
- Two musicians make their sculpture sing in an Ottawa park
- John Stetch dramatically mixes folksong, classical, and TV themes into dynamic jazz
- Rachel Beausoleil shares the Brazilian popular music you don't know
- Marianne Trudel pays a rich tribute to Guelph Jazz Festival founder
- François Houle excited about new projects, long-time collaborations
- Francois Houle: just the clarinet
- Betty Ann Bryanton takes her musical revenge, to a happy full house
- Roddy Ellias and Megan Jerome create quiet beauty in a new collaboration at Irene's
- Musical friends return to 2016 Guelph Jazz Festival to celebrate founder's last year
- It's a new jazz season - and September sings!
- Conjunction: three jazz and three classical musicians make music that sings (review)
- A powerful jazz fusion outing for Modasaurus (review)
- The swinging style of Denielle Bassels
- Trumpet Bootcamp gives students a different perspective
- Kiran Ahluwalia filled the park with haunting melodies and circling rhythms
- Carleton U Jazz Camp faculty quintet enjoys the upbeat (review)
- The 2016 Merrickville's Jazz Fest gets funkier and celebrates John Lennon
- 'I got rhythm': Rob Frayne takes the helm at the JazzWorks jazz camp
- 2016 Carleton U Jazz Camp goes all-Ottawa, with afternoon concerts
- Gene DiNovi infuses Duke Ellington's music with his own life
- The Ottawa and Gatineau jazz scenes strut their stuff in August
- A flowing conversation among Ernst Reijseger, Jesse Stewart, and David Mott (review)
- A standing ovation for So Long Seven's mélange of rhythms and influences
- A show of thanks: Mike Rud honours jazz guitarist George Benson this weekend
- Chamberfest: A jarring juxtaposition of jazz and classical
- The Doug Martin Quartet gives a vibrant release to their 'Spirit of Survival' CD
- Jesse Stewart, David Mott & Ernst Reijseger share a passion for invention & improvisation
- Ernst Reijseger at Chamberfest: reinventing how audiences see and hear the cello
- Will Halifax Jazz Festival's Heather Gibson put jazz on NAC stages as the new NAC Presents producer?
- Oliver Jones takes on new challenges in his farewell tour
- Doug Martin revisits Cuba in music in his new CD, Spirit of Survival
- Take a Jazz Stay-cation: Ottawa jazz highlights in July
- Classical and jazz dance together at the 2016 Ottawa Chamberfest
- Canadian saxophonist P.J. Perry named to the Order of Canada
- A hard-driving quartet finds new corners of modern jazz
- Steve Bilodeau reaches the semi-finals in Montreux Jazz Festival International Guitar Competition
- Kirk MacDonald & Pat LaBarbera are back in town, celebrating musical friendships
- Brian Browne and Peter Woods fill the Record Centre with standards
- Ottawa's jazz fans discover new groups and new sounds in the 24 hours of the Jazz Ramble
- Two CDs by Nick Fraser create beautiful moments through collaborative improvisation
- The Amos Hoffman Quartet adds classical and Mid-East motifs to mainstream jazz
- A rural county excited by jazz: what Prince Edward County Jazz Festival does differently
- Finding new ways to develop young jazz talent at the Prince Edward County Jazzfest
- There's lots more live jazz than just the jazzfest in June
- The Bank Street Bonbons show the power of brass at Irene's
- The timeless beauty of jazz raises thousands for refugees
- This Sunday: discover jazz vocalists and support refugees
- The 2016 Prince Edward County Jazz Festival is showcasing the Canadian jazz it loves
- William O'Neill: a guitarist talks about his love of big band music
- Erin Saoirse Adair adds power to her anger with a jazz backing
- Ottawa jazz fans show their appreciation for Oliver Jones' 76-year career (review)
- The Rachel Therrien Trio rethinks and reenergizes jazz classics
- Andrew Ferderber's A+ graduation performance, and how he got there
- Sweet swing fills the church as the Hard Bop Association pays tribute to Duke Ellington
- Fawn Fritzen matches originals with vocal jazz classics in a finely-tuned show
- Ed Lister's hard-swinging tribute Wednesday to Duke Ellington's classic music
- Fawn Fritzen takes a fresh approach to jazz standards
- Jazz swings through May
- An expanded quartet rethinks the music (video)
- Miles Ahead, but not in reality (movie review)
- Michael Kaeshammer and his audience have fun with energetic and varied music
- Michael Kaeshammer plays the music he loves and that's in his fingers
- Song of Lahore shows jazz triumphing over intolerance (movie review)
- Sitar, violin, guitar & cajon entice the audience at high-energy Sultans of String show
- The Sultans of String create an improvised collaboration with Indian sitar
- Polished performances from the Carleton University student Jazz Ensemble
- Garry Elliott and Steve Boudreau add new voices and viewpoints to their music
- Students fuse genres to create new music in year-end Carleton University concert
- Raise a glass (or several!) to jazz in Ottawa in April
- 2016 Jazz Juno Awards winners: Allison Au, Robi Botos, and Emilie-Claire Barlow
- Born To Be Blue stays true to Chet Baker's music, but romanticizes his life (movie review)
- Vocalese with Steve Berndt and Christine Fagan: "A jazz adventure" (video)
- Olivier Babaz shines a world of music on his new jazz album
- Brazilian drumming inspires Rob Frayne's latest percussive project, DrumSwamp
- Only applause broke the silence as the Sonoluminescence Trio played the Record Centre
- Ottawa Jazz Festival announces summer line-up, including Chick Corea, Dan Brubeck 4tet, Wynton Marsalis, The SF Jazz Collective, and Colin Stetson
- Rob Frayne recruits for a jazz band on a mega-scale
- David Mott on the Sonoluminescence Trio in performance (video)
- Jazz to head to the NAC's Back Stage during construction
- James McGowan and Jesse Stewart improvise music from many streams
- First impressions: Friday Night Jazz at The Marshes with Miguel de Armas
- Have your ears stretched in March with jazz from unexpected places
- Rob McConnell's music is "the boss" at Sunday's CYJO concert
- The Harley Card Trio creates a layered and nuanced collaboration at Brookstreet
- David Renaud looks for grace and love in his new duo CD with Brian Browne
- René Lavoie pays hommage to Cannonball Adderley, the saxophonist who changed his life
- Laila Biali is letting her audiences hear songs in the making, in the spirit of jazz
- A wild night at Irene's with the Alive! Ensemble and the music of Grant Green (review)
- From all over the globe, the Florian Hoefner Group unites in presenting luminous jazz (review)
- HML Trio's weekly Brookstreet Options jazz jam celebrates three years of 'good music and a great hang' this week
- Nick Fraser stretches the boundaries of drumming with Justin Haynes' scores (review)
- Crossroads concert scribbled on genre boundaries while remaining true to Lynn Miles' songs (review)
- Vocalist Jeri Brown and drummer Jesse Stewart: 'things that I haven't heard before'
- Hear both the roots and the future of jazz in February
- 2016 Juno jazz nominations move westward, and in unexpected categories
- Linsey Wellman declares his bilingual Manifesto (video)
- Fraser Hollins picks long-time musical friends for his Jazzfest show: Brian Blade, Jon Cowherd, and Joel Miller
- Karen Oxorn reflects 60 years of loving music in her concerts this weekend (podcast)
- An immersion in music from Pauline Oliveros and friends
- Standing Room Only packs the dance floor at its first Ottawa tea dance
- The Ken Harper Trio creates organic rhythms at Irene's
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