Ottawa guitarist and composer Roddy Ellias has left audiences in both Ottawa and Montreal absorbed and delighted by his live music with his trio. This month Ellias, bassist Adrian Vedady, and drummer Thom Gossage are putting out their first CD as a group, Monday's Dream. They're marking the occasion with a CD release concert in Ottawa on March 22 and in Montreal on March 30.
The trio recorded the album starting last December, and prepared for it with a well-received concert at GigSpace in November. OttawaJazzScene.ca interviewed Ellias after the concert about his music, and you see highlights from their concert and that interview in our video below.
– Brett Delmage
You can hear samples from the Monday's Dream and purchase tracks or the whole album at www.roddyellias.com
See OttawaJazzScene.ca's interview with Roddy about the upcoming CD, and our photos and story about their last Ottawa concert:
- Roddy Ellias stops fidgeting and hits the Record button
- Diverse concerts sell out to Ottawa audiences
- The community celebrates Ottawa Jazz Hero Roddy Ellias (video)
On Thursday, the stone pillars in the basement of the old Ottawa jail will reflect a double groove.
Mike Essoudry and Don Cummings have formed a new group called Bumpin' Binary: a minimalist configuration of just drums and Hammond organ. But Essoudry says that will be quite enough to fill the space with “funky jazz music”.
“It's a great sound. You have everything there. You have the bass, you have the melody and stuff, and you have the drums. You have this big sound that's possible there, and pretty full for two people.”
But they're adding another voice as well: Petr Cancura will be guesting on tenor sax, just as he did at the duo's first show a month ago. That show attracted a packed house, with strong applause and even a few dancers.
The names spill out from Essoudry as he gets enthusiastic about the heritage of organ music in jazz: John Patton, Jimmy Smith, Lonnie Smith, Shirley Scott, Jimmy McGriff, Richard “Groove” Holmes.
“So there's a bunch of people like that, a whole set of organ players who played jazz. But it's more of a heavy sound of jazz. It's funkier; it swings as well.”
But most specifically, the duo of jazz organist Larry Young and drummer Elvin Jones, and Young's 1966 album, Unity, on which they do an organ/drums duo of “Monk's Dream”. When Essoudry heard that track, “at that point, I said, I know that this is possible, and it's a great sound.”
Filles de Kilimanjaro was a key album for trumpeter Miles Davis. Released in 1968, it was a transition between his mainstream quartet albums of the previous decade and the fusion style which dominated much of his further work.
It's also one of Ottawa pianist Adam Saikaley's favourite jazz albums, and he's always regretted the fact it's not better known. So he decided to remedy this by playing it live with his own quintet.
Not straight note-for-note, though: Saikaley wasn't going to pretend that he was Chick Corea or Herbie Hancock. And while the rhythm section (Saikaley on electric piano, Mike Essoudry on drums, and Marc Decho on electric bass) were playing the same instruments as on the album, the other two weren't. Linsey Wellman played alto sax and Alex Moxon played electric guitar, instead of the tenor sax and trumpet that were on the album.
Saikaley's group has played the album twice so far: a shortened version as part of a multi-group show at Pressed on February 8, and then the full version at the Manx on March 9. The Manx show attracted a standing-room-only crowd, almost all of whom were focused on the stage. They loudly applauded during and at the end of the show.
One advantage of choosing this album, Saikaley pointed out, was that listeners wouldn't have as many preconceptions of the music as they would, for example, with Kind of Blue, and could listen to it with open ears.
He said the members of the quintet all contributed to rearranging the five pieces on the record for the new instrumentation. Throughout the show you could see the musicians checking the extensive scores for the new arrangements. They ended up slightly extending the music: 65 minutes for the Manx live version, compared to 56 minutes on the Miles Davis recording.
A cozy and unpretentious pub in Centretown West was packed for Ottawa's newest jazz jam on Tuesday, March 4.
Trumpeter Nicholas Dyson brought his new quintet, The Beeched Wailers, to host the jam at the Rochester Pub & Eatery. For the jam's first night, they opened with a varied repertoire: pieces by well-known jazz instrumentalists including Steve Kuhn and Thelonious Monk, and two originals by Dyson and pianist Steve Boudreau.
The notes of the opening piece, Joe Henderson's “Recorda Me”, were only heard by a sparse audience, but by 10 p.m. the bar had started to fill, mostly with local professional and amateur jazz musicians, including some students. The pub's kitchen was open late, allowing hungry participants to fill their stomachs with burgers and fries as well as their ears with music.
The jam in the second set featured many musicians circling on and off the stage. Highlights included an intimate and expressive version of Duke Ellington's “In a Sentimental Mood” by vocalist Marcie Campbell, and Tariq Amery's intense flute solos and duets with Dyson on “Oleo”. The jam closed at 12:30 a.m. with the quintet (which also includes drummer Michel Delage, saxophonist Tyler Harris, and bassist Dave Schroeder) up again playing a propulsive and tight version of “Sticks” by Cannonball Adderley.
Marc Decho is taking hip-hop back to its roots in jazz – and then reinterpreting it as jazz.
Tonight, his new group, 2React, will combine samples from recordings by jazz greats like Bucky Pizzarelli, Stan Getz, and Joe Pass, with live guitar, bass, and drums. And then it will use those sounds to reinterpret the hip-hop pieces that were originally based on jazz samples.
Decho is better known locally for his strong bass presence in many Latin and mainstream jazz groups. But 10-15 years ago, his main instrument was a sampler, and he was building songs using samples from many different recordings.
Eventually, he got into sampling “lots of really cool bass stuff” including upright bass and jazz records, and decided to try playing double bass. He got obsessed with that, it took him to completely different musical areas, and he didn't touch a sampler for years.
But recently, “I dusted this thing back off and I arranged a bunch of tunes and so now I'm doing both. It's something I've always wanted to do: to present it in a live context and play in real time – not just hitting play and having stuff that's already pre-programmed go. I guess I've always wanted to do something with it again and more in a jazz context.”
It's a set-up he has never seen done elsewhere: “someone sitting with a sampler and a bass and a trio in that format playing these tunes. It's interesting and I want to explore it.”
The source material is coming from the late 80s to the mid-90s, when pivotal musicians like Q-Tip from A Tribe Called Quest moved outside of hip-hop's initial heavy funk influences – and looked to jazz for both samples and their vocal delivery style.
“Q-Tip went back to his father's jazz collection. He was an avid vinyl collector, and he was sampling Ahmad Jamal, and Barney Kessel and all this different super-rare stuff and dozens of lesser-known people. So they really made hip-hop really sophisticated, and, for him, he saw a direct link between hip-hop and bebop. Because what they were doing in their rhyming was not melodic, but it's rhythmic, and they're improvising words constantly.”
Despite the snowstorm, Parker and Nicholson did make it safely to Ottawa.
A world-renowned jazz bassist and improviser is in Ottawa this week – but not just to play music.
William Parker will perform three concerts with local percussionist Jesse Stewart this Thursday and Friday evenings. But he will also take a wider perspective on music: with his partner, Patricia Nicholson, Parker will be speaking about music's role in the wider community.
Nicholson founded and is now executive director of the Arts for Art organization in New York City; Parker is a board member of that organization. For the last 19 years, they've been putting on the Vision Festival, as well as a year-long series of cross-disciplinary events, combining music, dance, poetry, visual arts, and more. The festival aims to expand its audience's ears while also honouring artistic elders.
On Thursday afternoon, Nicholson and Parker will have a 90-minute public conversation with Carleton University sociology professor (and bassist) Michael Mopas, about their work and their thoughts on jazz and improvisation. The event is free and open to the public.
Parker specifically asked for this event, Stewart said. “It was his idea, in fact, his and Patricia's that there would be an opportunity for there to be a public discussion about the role of music and art in community formation.”
Both have had decades of experience: Nicholson began putting together musical events in 1981, when she organized and choreographed A Thousand Cranes Opera at Dag Hammerskjold Plaza for the opening of the UN Special Sessions on Disarmament. She and Parker worked together in the 1980s to to help organize the Sound Unity Festivals, which brought together European, Asian and American musicians and dancers who work with jazz and other improvised music.
“They'll be talking largely though not exclusively about music and art's capacity to forge community. And I think in particular they will probably talk about their experiences in working on the Vision Festival,” Stewart said.
It's part of a very busy week for Parker and Nicholson – and even more for Stewart himself, with many opportunities (some free) to hear them. On Wednesday Stewart is delivering a major lecture; on Thursday is the Parker-Nicholson conversation; on Friday Parker will teach a masterclass on improvisation. And there's the three concerts (including a CD launch), and then a recording session on the weekend.
Wednesday: Why Jesse Stewart has been very, very busy
Last April, Stewart was awarded the Marston LaFrance Award by Carleton University, where he is an associate professor in the Music Department. It gave him a year off from teaching duties so he could concentrate on composing, performing, recording, and academic writing.
Jesse Stewart has brought winter-specific compositions and performances to Winterlude since 2010, when he first performed Glacialis on musical instruments made of ice.
For six evenings during the 2014 Winterlude, he performed his new musical composition and improvisation, Memories of Ice, in which he invoked his own and others' memories and sounds of ice and snow past.
OttawaJazzScene.ca attended his performances to find out what his latest music-making tool: a "Reactable" is, and to learn about the challenges of making music outdoors at -25C. Our video equipment held up (although it took 9 hours to warm back up to room temperature!) - so now you can learn too.
– Brett Delmage
Updated March 7, 2014
After more than 30 years as a jazz musician and many awards including the Order of Canada, Phil Dwyer is completely changing direction.
Dwyer is going to become a lawyer. He revealed that during a wide-ranging workshop at at Les Brasseurs du Temps (BDT) on March 2, in which he also discussed saxophone technique, made the audience laugh with his stories, explained what he had learned from playing with musicians around the world, and described and demonstrated his new saxophone line.
The 48-year-old Juno-award-winner told the audience that he had been accepted into the law program at the University of New Brunswick and would be starting this fall.
Dwyer was clearly looking forward to the prospect, joking about enjoying reading law texts on the subway. His legal interests don't overlap with his musical ones. Instead, they include “bleeding-heart liberal social issues”: public interest law and social policy. With his own experience with mental health issues, he said he wanted to give those with mental health problems more effective legal representation.
He said he had scored in the top 10% in North America in his LSAT results, but had been turned down by law school after law school because of his age and lack of a university degree. “You know how many people apply to law school? You know many 48-year-old bipolar jazz musicians get into law school? Oddly enough, they're not beating the door down.”
Phil Dwyer Trio
Les Brasseurs du Temps
Sunday, March 2, 2014 – 8 p.m.
Based in Vancouver Island, Juno-winning musician and composer Phil Dwyer doesn't often perform in Ottawa-Gatineau. Local jazz fans were lucky that he had a series of dates and recording sessions in Toronto last week, and that musicians Sylvie Duchesneau and J.P. Moisan figured out how to extend that trip by one more day to bring him to Les Brasseurs du Temps (BDT) in Gatineau.
It was a chance for Dwyer to play with his son Ben on double bass, and with Jim Doxas on drums. And what they gave an appreciative audience was straight down the mainstream, a mixture of standards and a Dwyer original, but all delivered with verve and clarity.
Unlike his quieter show with Don Thompson last summer at Chamberfest, this time Dwyer chose a generally energetic set-list, featuring pieces by Thelonious Monk and John Coltrane. His tenor sax strongly rang out through the large upstairs concert area at BDT, sometimes commanding, other times coaxing, and always creating enjoyable music.
The show opened with Monk's “We See”, which showed off Dwyer's pure tone on sax. Its swinging vibe put both the audience and the musicians at ease. The intensity increased with “Village Green” (best known in the recording by drummer Elvin Jones), and demonstrated what would be a consistent pattern throughout the show: the strong communication among the trio, each underlining the other's performance. The piece included a rumbling bass/drums duet, and pungent, vibrating lines on sax, and inspired strong applause.
The Jérôme Beaulieu Trio
National Arts Centre Fourth Stage
Saturday, March 1, 2014 – 7:30 p.m.
Sitting front and centre on the stage Saturday night was a manual typewriter – a portable Remington – placed on a small box. Not your typical accessory for a jazz piano trio, you might think.
But as a percussion instrument, and a way to intrigue the audience, it worked remarkably well.
This trio of 20-something Montrealers – Jérôme Beaulieu on piano, Philippe Leduc on bass, William Côté on drums – have made a point of including unexpected sounds, loops, and effects to enhance their music. So there were extensive collections of effect pedals next to both the piano and the double bass, and Côté could play sound clips from his drum pad, as well as deploying his own repertoire of bells and other percussion instruments.
But, at the same time, those effects never distracted from the essential flow and melody of the music.
Café Nostalgica, the University of Ottawa restaurant whose Wednesday jazz nights had been an important part of the scene for many years, will again serve jazz with its beer.
Ajà Besler, the Advocacy and Communications Coordinator for the Graduate Student's Association (GSAED), which owns the café, told OttawaJazzScene.ca over email that “Jazz Nights will be making a come-back. We'll post news on our website and Facebook page when it's official.”
The café regained its liquor licence on Tuesday. The loss of that licence last fall had led to all evening programming being canceled, including the jazz nights.
For many years, the Wednesday jazz nights at Café Nostalgica at the University of Ottawa have been an important nurturing place for local jazz artists, giving them a place to experiment with new material and lineups in front of an appreciative audience, if not great pay. The Graduate Students' Association decided to tear down and completely rebuild the old building containing the café to make it larger and more accessible; it closed at the end of March, 2012.
- Matt Dusk and Molly Johnson to celebrate Christmas with the NAC Orchestra
- A Jazzy March in Ottawa-Gatineau
- Jérôme Beaulieu meets his audiences half-way, with melodic and unexpected jazz
- Jesse Stewart brings Jane Bunnett, one of his favourite musicians, to Ottawa
- Tonight is the last night for the iconic Cellar Jazz Club in Vancouver
- Warm and sincere, Denzal Sinclaire wows the orchestra audience
- Denzal Sinclaire pays tribute to his musical hero Nat King Cole - with orchestra
- Once a year, Michael Pytura celebrates his favourite big band jazz singers
- The Sicilian Jazz Project reached the audience's hearts (and made them dance)
- The Maskell-Cousineau Quintet: serious, accessible, and fun music
- Jesse Stewart brings 'Memories of Ice' to free Winterlude shows
- Juno Award nominations recognize many musicians who played in Ottawa-Gatineau
- FOLKRUM dreams big for a new Ottawa-Gatineau concert venue
- Ottawa-Gatineau's 2013 Jazz Score
- Afrocentric jazz returns to Le Petit Chicago after an intense and satisfying debut
- Roddy Ellias, Petr Cancura, and Andrew Downing form equal sides of trekan
- Clayton Connell shows his piano range Wednesday, before heading off to Austria
- Linsey Wellman's Wedding and Funeral Trio melds Balkan rhythms and jazz
- Jazzin' the Holidays creates holiday cheer for GigSpace (video)
- Gaby Warren hosts a baker's dozen of Christmas jazz jams
- AlphaSoul Café to close its doors after more than two years presenting jazz
- The Adrian Matte Quartet heated up AlphaSoul on a frosty night
- Jamie Baum and Jane Bunnett: two voices in close conversation (review)
- CYJO brings a century of music to life in first 2013-14 concert
- Ottawa Jazz Festival shows a 2013 surplus, mainly from non-jazz acts and beer
- Capital Vox remembers Dave Brubeck through both his words and music
- Jamie Baum and Jane Bunnett bring new, Indian-influenced music to life
- Bryn Roberts returns to making his own, lyrical music
- Diverse concerts sell out to Ottawa audiences
- Roddy Ellias stops fidgeting and hits the Record button
- Donations to jazz radio shows fall while CKCU exceeds funding target
- David Occhipinti in Ottawa Friday afternoon to debut his new chamber jazz CD
- An early and jazzy start to Christmas
- IMOOfest to return after financial break-even and artistic successes
- IMOOfest 2013 Night 3: unpacking the music (review)
- IMOOfest 2013 Night 2: stretching the rules (review)
- IMOOfest 2013 Night 1: a huge dynamic range (review)
- Will Accordion Conspiracy take over IMOOfest? (video)
- Organ-ic fusion fills the church (review)
- Phil Nimmons and David Braid reinvent their music with each concert
- Ensemble SuperMusique takes a chance with IMOO at Club SAW
- Mortimer Katz remembered: a very long life filled with bebop
- Guelph 2013: Wadada Leo Smith's Ten Freedom Summers moved from sorrow to triumph (review)
- Guelph 2013: The improvisers get improv'd
- Three Ottawa vocalists recreate classic Ella and Billie Newport concerts (video)
- Guelph Jazz Festival listeners treated to elevator music (review)
- William Parker tells Guelph 2013: You can't resurrect the jazz masters
- Guelph 2013: Bomata warmed a rainy-day audience with melodic yet unusual jazz
- Guelph 2013: Satoko Fujii and Kaze blew away preconceptions
- Garry Elliott and Steve Boudreau share the improvising spirit in their new CD
- Guelph 2013: Hamid Drake & Jesse Stewart share a creative imagination (review)
- Guelph Jazzfest's community-built concert reaches new heights
- Which Canadian jazz musicians did “NAC Presents” miss? (commentary)
- More Saturday night jazz at AlphaSoul Café
- Guelph 2013: Espousing music of the moment (review)
- NAC Presents instrumental jazz in its 2013-14 program
- Nick Fraser's CD is full of resonances
- Guelph 2013: Matt Brubeck pushes the cello's boundaries in a solo concert (review)
- Guelph 2013: The Indigo Trio soars and leaves the audience exalted (review)
- Steve Boudreau's back, with a new solo CD
- Adam Daudrich celebrates the tradition of the jazz piano trio with his own new music
- William Parker and Ken Aldcroft: subtle textures which filled the room (review)
- L'OFF Festival in Montreal and Le Festival de Jazz de Quebec announce lineups for October
- Guelph 2013: World Percussion Summit breaks the borders of rhythm (review)
- Jesse Stewart's Gnomon Variations a timely arrival for 20th Guelph Jazzfest
- Cool and groovin' - with gelato
- The Montreal Jazz Festival pays an upbeat tribute to Dave Brubeck (review)
- Orchestre national de jazz Montréal scores with Joni Mitchell tribute (review)
- Jayme Stone melds chamber music, jazz, and bit of bluegrass into an intricate whole (review)
- The Lemon Bucket Orkestra: a dancing good time (review)
- Phil Dwyer and Don Thompson celebrate the long-lasting beauty of standards (review)
- Second annual IMOOfest in November
- Paul Tynan sees different big band styles on each side of the border
- An ensemble who enjoyed celebrating Horace Silver's music (review)
- The Element Choir brings an element of surprise and beauty (review)
- Henrique Cazes and Sambacana fill St. Brigid's with gentle Brazilian rhythms (review)
- Jayme Stone expands the horizons of the banjo, along with his favourite musicians
- Scott Thomson explains how he fills large spaces with resonant sound
- The Jesse Stewart Trio sparks everyone's imagination (review)
- Montréal Guitare Trio starts Chamberfringe on a strong note (review)
- Renée Yoxon and her Gentlemen Friends swing the park (review)
- Three young musicians bring new music and their new experiences back to Ottawa
- Joel Miller and Honeycomb at the Montreal Jazz Festival (review)
- Caridad Cruz and Miguel de Armas ignite their audience
- Trifolia: adventurous jazz at the Montreal Jazz Festival (review)
- Kellylee Evans charms Montreal audience with hip-hop and jazz (review)
- Prairie jazz wins the Grand Prix de Jazz (review)
- Guelph Jazz Festival celebrates 20th Anniversary with World Artist Summit Sep 3-8
- Ten Years of the Triplets of Belleville, in Ottawa et Montreal (review)
- Finding the patterns in Tim Berne's free jazz (review)
- A romantic evening: The Thomas Enhco Trio and the Steve Kuhn Trio at the Montreal Jazz Festival (review)
- Christine Jensen, Ingrid Jensen, Gary Versace at the Montreal Jazz Festival (review)
- 2013 Montreal Jazz Festival celebrates pianists – and the late Dave Brubeck
- Almonte's JazzN announces new house concerts, reflects on successful first year
- AlphaSoul jazzfest jams get jammed
- Alan Jones embraces risk with his all-Canadian, all-star sextet
- The Stretch Orchestra makes jazz bend
- Two exceptional percussionists play the Ottawa Jazz Festival this week (video)
- David Byrne talks about music and the music biz, in all its eclectic glory (book review)
- Roberto López combines Colombian rhythms and jazz into danceable music
- Festival pass awarded - and two more to be won!
- Listeners follow Ottawa Jazz Festival jams westward to AlphaSoul Cafe
- Jazzfest 2013: Great jazz from across Canada
- Jazzfest 2013: CKCU-FM previews the 2013 Ottawa Jazz Festival
- Three generations of music at Italian Week Festival
- Two jazz improvisers put on their cowboy boots
- Be Bop Duo does pho
- Jazz at The Cube
- Jazzfest 2013: Hear our Ottawa Jazz Festival picks on CKCU FM
- 2013 Ottawa Jazz Festival jams move 3.5 km west to Hintonburg
- Jazzfest 2013: Local musicians you will want to hear
- Stellar year for young Ottawa musicians at 2013 MusicFest Canada
- Gaby Warren's years as a jazz fan recognized at CD launch (review)
- Split Cycle plays intricately-woven modern jazz (review)
- Next concert in John Geggie Invitational series may be the last
- The community celebrates Ottawa Jazz Hero Roddy Ellias (video)
- Gaby Warren: a jazz fanatic steps to the other side of the footlights
- No Ottawa Jazz Festival jam sessions in 2013? Listeners object.
- Jeff Johnston Trio enraptures the audience (review)
- Kellylee Evans to appear again at NAC Presents
- Roddy Ellias: a humble Jazz Hero
- Jeff Johnston returns to his trio's musical roots and then moves forward with his new album
- Evandro Gracelli brings Brazilian warmth to Ottawa for three busy weeks
- Energetic music attracts a packed house at Rimbombante CD release show
- Expecting the unexpected at Saturday's GigSpace concert of improvising composers
- Listeners get JazzED at 2013 Ottawa Jazz Festival lineup announcement
- Capital Youth Jazz Orchestra - in the making (video)
- The Jivewires are on an upswing
- Ontario government funds jazz (and other Ottawa festivals)
- Three Ottawa vocalists to recreate classic Ella and Billie Newport concerts
- 2013 Chamberfest builds on past jazz successes, adds Phil Dwyer & Don Thompson
- Hamid Drake and Jesse Stewart fill GigSpace with complex sounds (review)
- Guitar Now! Festival to present workshops, concerts and jams in May
- Monday night jazz is returning to Le Petit Chicago
- ZenKitchen to offer jazz every second Sunday
- Hamid Drake and Jesse Stewart: percussion as you've never heard it before this Friday
- Laila Biali takes risks with choosing and playing music
- Molly Johnson ups the energy and vibe at a sold-out NAC show
- Brookstreet makes jazz the option seven nights a week
- Roddy Ellias Ensemble plays an intimate concert of intricate music
- Diana Krall invokes the spirit of the Glad Rag Dolls (review)
- Ottawa Jazz Festival announces Main Stage lineup for 2013: music of every style
- 2012-13 Geggie Series: In rich harmony (review)
- Melody into places far afield: Roddy Ellias with Gene Bertoncini (review)
- Ottawa's Souljazz Orchestra nominated for 2013 Juno Award
- "Morphology of a Lover": Intricate instrumental interactions (review)
- Chucho Valdés to play at 2013 Ottawa Jazz Festival
- Nick Maclean creates a new sound with Snaggle
- Ottawa jazz vocalist finalist for local arts award
- Elizabeth Shepherd plays bittersweet music for a full house (review)
- John Scofield at la Maison de la Culture (review)
- Elizabeth Shepherd marries a pop sensibility to a jazz aesthetic
- “I wouldn’t be playing what I play if it wasn’t for Miles”: an interview with John Scofield
- Florquestra Brasil launches their first album, Flortografia, with all-around enthusiasm
- Pressed jazz jam creates a happy vibe for the start of its second season
- Friends, colleagues pay tribute to Jacques Emond on special "Swing is in the Air"
- Cory Weeds Quartet with Steve Davis: remembering music and musicians past
- How do you run a successful jazz club? We ask The Cellar's Cory Weeds
- Cory Weeds swings across the country and into Ottawa
- Remembering Jacques Emond's life-long love of jazz
- Local jazz fans pack the house for last Monday jazz night at Le Petit Chicago
- What's inside Chocolate Hot Pockets ?
- Our favourite shows (Ottawa-Gatineau jazz in 2012)
- Bill Coon and Tim Bedner attract record crowd to ZenKitchen's jazz brunch
- Oswald, Thomson, Stewart play engaging improvisations at final 2012 IMOO concert
- Holly Cole Christmas at the NAC (review)
- 2013 Geggie series is shorter and starts later, but has the same spirit
- The Nepean All-City Jazz Band: never accepting "good enough"
- The Ottawa Junior Jazz Band: a passion to play
- Dave Brubeck, who thrilled record Ottawa audiences, dies at age 91
- Wayne Shorter, Wynton Marsalis featured at both 2013 Ottawa and Montreal jazz festivals
- Sonia Johnson: not playing it safe with jazz
- Ottawa Jazz Festival AGM talks money, not music
- Tim Bedner finds the right time for his first CD
- A musical connection which spans continents
- Chick Corea & Gary Burton: A fiery delight on a cold, wet night (review)
- IMOOfest 2012 Night 1: showing off variety in improvised music (review)
- Jesse Stewart brings the audience into his D.O.M.E at Electric Fields
- Larry Ochs and Hamid Drake at the Guelph Jazz Festival (review)
- Inaugural IMOOfest opens with a strong lineup, with more to follow tonight
- IMOO: Still making it up as they go, two years later (video)
- NAC Presents - an all-vocal jazz lineup for 2012-13
- The Happiness Project at the Guelph Jazz Festival (review)
- John Coltrane at the Guelph Jazz Festival (review)
- The gift of reverberation: Colin Stetson and Ben Grossman at the Guelph Jazz Festival (review)
- Huntsville: louder in Guelph, quieter in Ottawa?
- 2012 Guelph Jazz Festival: around the world and into new places
- You'll lose sleep over Guelph's Nuit Blanche
- Yoxon/Ferguson CD fundraising campaign reaches its goal
- A musical preview of Renée Yoxon's and Mark Ferguson's new CD
- Strong jazz lineup in Ottawa and Gatineau this fall
- Mark Fewer's violin extravaganza at Ottawa Chamberfest (review)
- John MacLeod Big Band (review)
- John MacLeod harnesses the creative energy of a big band with his Rex Hotel Jazz Orchestra
- Riverside (review)
- Carleton U Jazz Camp goes batty presenting a quartet of duos
- 2012 Chamberfest: "a real fascination with jazz"
- Trumpets, Trumpets at IMOO
- Chamber Elements: Many unique ways of listening to improvised music
- FestivAsia brings Jazz to Chinatown this summer
- Thomson, Hood, and Stewart: Poetry in motion at IMOO
- Rachel Therrien develops new sounds at IMOO
- Notes in Triplicate's world premiere at Avant-Garde
- 2012 Community Fundraising Campaign a great success - thanks to you!
- Love lost, music found (review)
- Happy birthday – with saxophones (review)
- Mash Potato Mashers attract the masses in Montreal
- The Souljazz Orchestra sets the beat at the Montreal Jazz Festival
- More jazz - in Montreal
- Marc Copland and Roddy Ellias: finding connections
- David Mott's Journey to the Land of Oz
- NAC to showcase three jazz artists next fall
- Last song for JazzWorks jam coordinator Peter Liu
- Two voices are more than one at Boy's Night Out
- Poetry inspires music at IMOO on Sunday
- CKCU host Ron Sweetman previews the 2012 Ottawa Jazz Festival line-up
- 2011-12 Geggie Series: Ballads and blues and quiet (review)
- Diane White: a career with unexpected twists
- Craig Pedersen explores Grey Areas with his new CD
- Hear about the new Jazz Festival CD
- Kelly Craig Sextet plays Adam Daudrich at the NAC 4th Stage (review)
- Ottawa Hard Bop Association co-leaders speak about their music
- Michael Snow: making music in the now
- It's Déjá Vu with Steve Berndt and Brian Browne
- Making the most of great songs (review)
- The benefits of experience (review)
- Brandi Disterheft Quartet brings an energetic vibe to the Fourth Stage (review)
- Alex Moxon talks about his new 4tet and his music
- Brandi Disterheft: "you can only be who you are, on stage"
- Norah Jones, Souljazz Orchestra, Lucas Haneman at Bluesfest 2012
- Jazzfest 2012: Jazz music highlights of the 2012 Ottawa Jazz Festival
- Renée Yoxon: making Dave Frishberg her pal
- Jazzfest 2012: Younger and a bit jazzier but definitely covered (an analysis)
- Oscar Peterson: Germans and Canadians celebrate music that transcends boundaries
- Amy Cervini: swinging in her own way with Blossom Dearie
- The Stretch Orchestra wins a 2012 Juno Award; tour delayed
- Three Ottawa vocalists await their critiques in the final NAC Manhattan on the Rideau masterclass
- Juno nominee Fern Lindzon: "whatever inspires"
- CYJO heats up Ottawa with a Latin vibe and 46 musicians
- Celebrating Katie Malloch's commitment to jazz
- Mike Rud tells stories with his guitar (review)
- 2011-12 Geggie Series: "It's not work, it's play" (review)
- 2011-12 Geggie Series: four musicians in concert (review)
- 2012 Ottawa Jazz Festival: pass prices increase
- The Walrus Guitar Quartet: all together
- Ottawa Winter Jazzfest engages audiences for Canadian and local artists
- Two personae of Patrick Breiner
- Pulse Mondiale warms up the Winter 2012 Ottawa Jazz Festival
- Our 2011 recap: jazz and improvisation probe the boundaries in Ottawa
- Guitar wizards satisfy audience (review)
- Full house, intent listeners greet Titanium Trio
- SSS Trio brings youthful energy to January Wednesdays
- David Occhipinti: beyond categories
- Kellylee Evans: body and soul (review)
- Franky Rousseau: thinking large
- Inside the Music: every musician has a story
- IMOO musicians explore new 'instruments' and new approaches
- Craig Pedersen Quartet CD Release Concert gets a bravo
- 2011-12 Geggie Series: two masters communicate (review)
- JunoFest: an opportunity for Ottawa-area jazz musicians
- Two modern big bands: one small bar
- Craig Pedersen, Hands-on musician
- Controversy over non-jazz acts reaches Ottawa Jazz Festival Annual Meeting
- NCC cuts funding for Canada Day jazz programming and Jazz Youth Summit
- Jensen / Geggie / Olin Trio: jazz flowing out into the quiet (review)
- Beatlemania: music for all ages
- Curiosity Killed the Quartet - Again
- Renée Yoxon: Two years of Monday late-night jazz
- Season tickets available for 2011-12 Geggie series
- Hear jazz artists on CBC before you see them!
- Alice Groves: a flowing lateral arabesque
- 2011 Guelph Jazz Festival: Creative Collective
- Standards singers overflow new GigSpace at Culture Days
- The 2011 OttawaJazzScene.ca Jazz Listener Survey Results
- Where there's no smoke there's Fire
- 2011 Guelph Jazz Festival: Tilting, and Plimley-Parker-Martin
- Bill Jupp Sextet packs in appreciative audience at Taste of Wellington
- IMOO's "quiet" concert #31 ends a successful first year
- Carleton University Jazz Camp: from the inside
- Jazz to look forward to in 2011-12
- NAC announces 2011-12 Manhattan on the Rideau masterclasses
- Roddy Ellias, Brian Browne, Michel Donato: emphasizing the melody
- Differences in ticket prices?
- Jerry Granelli interview on CBC, now on-line
- An improvised rock concert
- Carleton University Jazz Camp (from the vault)
- JazzWorks jams feeling the pressures of success
- Django Libre gets listeners out of their seats at Rendez-Vous Rideau Jazz Stage
- Nicole Ratté dresses Québec songs in jazz
- Jazzfest 2011: Megan Jerome brings unusual instrumentation and songs to Rendez-Vous Rideau Jazz Stage
- Jazzfest 2011: Renée Yoxon and René Gely
- Jazzfest 2011: Lucas Haneman Trio at Rendez-Vous Rideau Jazz Stage
- Jazzfest 2011: Angele Desbois Jazz Ensemble Rendez-Vous with their audience
- 'My First NAC' recognizes three promising Ottawa jazz artists
- PianoLessMonk plays IMOO
- Doug Martin undertakes an Odyssey
- Ottawa Jazz Festival's Catherine O'Grady receives award for Festival work
- Less outdoor and more indoor jazz at the 2011 Ottawa Jazz Festival
- Ottawa Jazz Festival Programmer Petr Cancura talks about the 2011 Festival
- One fewer stage at the 2011 Ottawa Jazz Festival
- Jazz Festival workshops gone
- 2011 Ottawa Jazz Festival lineup: what's on
- Inside the Scene: The Matt Aston Trio at Café Nostalgica
- Carleton University Contemporary Music Ensemble fills the Umi Café
- Pauline Oliveros and Jesse Stewart present unique concert on St. Patrick's Day
- The Denisons: a family playing jazz together
- Jazz in the woods attracts a large and quiet audience
- A tribute to Bill Jupp's lasting influence
- New Ottawa venue Flamingo wants to showcase jazz musicians
- Jesse Stewart talks about the link between art and sound
- Ottawa Jazz Festival names Petr Cancura as new programming director
- Our most memorable Ottawa-Gatineau jazz shows in 2010
- Peter Hum on the other side of the keyboards
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