The bright sounds and beats of summer heated up GigSpace Thursday night, as Jane Bunnett and her new AfroCuban band, Maqueque, played their first two of four Ottawa shows. They return for 7 and 9 p.m. shows tonight.
The Toronto saxophonist/flutist has teamed up with five young women musicians from Cuba for this new band. Their music combines AfroCuban rhythms with four soaring voices, for a dynamic and melodic show.
Bunnett and vocalist Daymé Arceno each contributed several songs for the shows. They even included a soulful version of Bill Withers' “Ain't no sunshine when she's gone”, reimagined with a Latin beat, for this performance. Bunnett told the audience that she heard the tune on Holger Petersen's blues show on CBC as she was preparing to record the group's album, and realized how perfectly it would fit the group.Each song gave lots of room for all the musicians: Yissy García with impressively intense and exact drumming, Yusa providing melodic bass solos that crossed into guitar territory, Danae playing rippling and beautiful piano solos, Magdelys switching effortlessly among the percussion instruments surrounding her to give the music its AfroCuban edge, Daymé's show-stopping vocals bouncing the energy level of the room up by several notches, and Bunnett's soprano sax and flute adding both sweetness and sharpness to the music.
The jazz face which Cuba has shown to the outside world has been primarily male. But Jane Bunnett is working to change that with her new group, Maqueque.
The Toronto jazz flutist/saxophonist is famed for her decades-long championing of Cuban music, and for being a mentor to many well-known Cuban jazz musicians who have come north to learn and to perform. But until now, those Cubans she mentored in Canada were all male.
This new group, though, consists of five young women musicians from Cuba, plus Bunnett – the first all-female group she's led. They've just released their first CD and are currently touring across Canada.
The band's name, “Maqueque”, means “the spirit or the energy of a little girl,” Bunnett said. “We went to the lead vocalist – well I can't really say she's the lead but she's the foundation of how the whole group started – Daymé went to her grandmother who's very steeped in the Afro-Cuban religion and asked her for a good name for the group when we formed. And she came up with about five different names and that was the one that I really liked. I liked the sound of it and then I liked the idea of the feisty young little girl. I picture how I was as a child – I was feisty!”
The Cuban musicians are young: with one exception, they're in their very early 20s. All graduates of Cuban music conservatories, they come from several different Cuban provinces, including Santiago de Cuba and Havana, each of which has a different musical tradition and vibe. They play a wide range of instruments: drums (Yissy García), percussion (Daymé Arceno), tres guitar and fretless bass (Yusa), piano (Danae), and batás and congas (Magdelys).
And four of the five are also strong vocalists. “They all could stand up on a stage and sing as lead singers. They're all very, very strong voices. So when they pool their voices together, it gives a very dynamic sound that happens within the band. It's very different.”
That makes the band's sound distinctive, she said: tight vocal harmonies within a Cuban jazz perspective.
Bunnett said she was excited about the group both because of its musical potential, and because of the message it sent of possibilities for young female musicians.
Jazz musicians often refer to favourite albums, or quote tiny passages. But most don't get so far into their favourites that they try to play the entire album as is.
Saxophonist Patrick Smith initially didn't like what turned out to be his favourite album. But as he kept listening to it, he realized what a great ensemble record this 1960s classic really was. And that inspired him to persuade two other local young jazz musicians to join him in paying the most sincere compliment they could to that record and to those late musicians: to play the album in public from front to back, paying tribute without copying.
On Friday, June 13, the trio, with Ben Heard on double bass and Keagan Eskritt on drums, did exactly that for patrons of Gaia Java, a small coffeehouse in Stittsville which often offers jazz on Friday nights. They received a warm response.
In our video of that concert, you can hear the trio playing and listen to them explain what they learned from the experience. And you can learn the name of the album, too!
And you can hear all three musicians live on Friday, July 4, at Pressed – but in different combinations, and playing their own original music.
Kellylee Evans is used to having quiet Canada Days with her family. This year, she'll be on the main stage of the National Arts Centre, with almost 400 other musicians around her.
The Ottawa-based jazz vocalist will be the headliner with the NAC Orchestra for its annual Canada Day concerts, playing in the air-conditioned 2,323-seat Southam Hall. Both concerts, at 2:30 and 7:30 p.m. are free.
When she talked with OttawaJazzScene.ca, she was bubbling with excitement, because this was her very first official Canada Day gig. “I'd got used to not doing anything on Canada Day. I've lived here for so long, and I don't think I'm on the National Capital's radar.”
“I never knew the NAC did anything [on July 1]. So when they wrote me I was shocked ... and happy. What an honour! And it was absolute like yes, right away.”
Besides the 50-odd orchestra musicians, Evans will also be joined by her jazz trio – and the Unisong Choir, composed of 72 local and over 250 visiting choristers from across the country. “It's a really tight space.”
Evans' share of the program will be four songs, each of which has been rearranged for the orchestra. She will perform “Free”, a song she wrote in honour of Nelson Mandela, with the Unisong Choir. She said she picked that song and “Feeling Good”, from her Juno-winning album, Nina, because both are “message songs, songs that I felt would be really great for Canada Day.”
The remaining two are from her most recent album, I Remember When: the title track and “My Name is”. That song was inspired by two Eminem songs, “so the NAC Orchestra is going to be playing music inspired by Eminem – I'm sure that's a first!”
Updated June 8, 2014
Music and Beyond will feature two celebrated jazz musicians – American saxophonist Branford Marsalis and Canadian pianist Oliver Jones – in its July lineup.
The Ottawa-based chamber music festival opens with a gala featuring Marsalis on Saturday, July 5, at Dominion Chalmers United Church. Marsalis will play a selection of classical pieces in the first half, and perform with his jazz quartet in the second.
On July 15, Oliver Jones will show three sides of himself as musician. The renowned Montreal pianist will perform solo, with his jazz trio, and with classical musicians. The concert, also at Dominion Chalmers, will also feature the Nepean All-City Jazz Band.
Julian Armour, the festival's artistic and executive director, told OttawaJazzScene.ca that, while he is a long-time jazz fan, “Our goal is not to do anything that belongs at the Jazz Festival – or anywhere else – but to do something that's totally different. Branford is creating this show just for us, and so is Oliver.”
He said he had always admired Marsalis' classical playing, and the concert had been two years in the making. “What's really great about a guy like that coming is that he's coming from quite a different world. He's going to play exactly the notes and the way it's written, but the way he plays classical music is so refreshingly different that it's a really nice thing for us to showcase.”
Having Marsalis as the opening show of the festival “was to just really go out to all of Ottawa to say 'Here's a name that you're familiar with, here's a concert that you'll love' so that we'll open in a really fun, inviting way.”
Armour was particularly pleased that Marsalis would be performing an uncommon concerto for alto saxophone and string orchestra, by Russian composer Alexander Glazunov
Myriad3 also played the Montreal Jazz Festival on Saturday, June 28. They were a contestant in the festival's Grand Prix contest for Canadian jazz groups.
2014 Ottawa Jazz Festival, Day 7: Myriad3 (Great Canadian Jazz), Earth, Wind & Fire (Concerts Under the Stars)
Thursday, June 26, 2014
Myriad3 is the Toronto-based trio of pianist Chris Donnelly, drummer Ernesto Cervini, and bassist Dan Fortin. If not precisely a super-group, this group consists of three prolific composers who had thriving separate jazz careers well before getting together in 2012.
Although I had enjoyed hearing Donnelly and Cervini before, at Café Paradiso and elsewhere, I had missed the first time they'd played Ottawa this March – so I was particularly looking forward to this concert.
Their hour-long show primarily featured music from their new album, The Where, which was only released a few weeks ago, plus a few numbers from their first album,Tell [Alma Records, 2013]. All three contributed compositions, but they fit well into a unified whole, each piece becoming a conversation among all three.
Listening to them, I was immediately reminded that their instruments – piano, bass, drums – are essentially percussive. Beginning with forceful piano chords and hard drumming in “First Flight”, they consistently used individual quick notes on bass and piano, rather than sustained notes, to develop their melodies. It gave their music a strong forward push, and a danceability that was unfortunately not acted upon by the audience.
Their one non-original hinted at a possible origin for this style: Donnelly had rearranged Oscar Peterson's arrangement of the Duke Ellington classic, “C Jam Blues”, and you could certainly hear the Peterson-style strong bass lines and hard swinging in both piano and bass in that number.
Their songs also had a huge dynamic range: moving from full-out to quiet and back again, sometimes very quickly: Fortin's “The Strong One” changed from formal and stately to all-out frantic in only a minute or so. Donnelly's “For All the World” swept the listeners up in its momentum and its intersecting patterns. It steadily built from its initial single notes and simple chords on piano to insistent piano chords and hard drumming, until it resolved into light notes again. Cervini's “Fractured” (dedicated to trumpeter Nadje Noohuis) was a mosaic of sound, with contrasting riffs building and changing throughout.
The title of Kirk MacDonald's new album is Symmetry, and listening to it you can hear all the connotations of that word: poise, proportion, and beauty.
“The underlying goal of all of that really is to compositionally find balance. Balance the elements so that we're seeing all sides ... two sides of the coin, or ying and yang,” MacDonald told OttawaJazzScene.ca.
Ottawa audiences can hear this new music for the first time on Wednesday, June 25, as MacDonald's quartet performs in Confederation Park for the Ottawa Jazz Festival. The group will also play at the Rex as part of the Toronto Jazz Festival on June 26.
After several big band albums, the Juno-Award-winning saxophonist moved back to a smaller group for this album. It's his first quintet CD in almost 25 years. He teamed up with three musicians with whom he's played for many years: pianist Brian Dickinson and bassist Neil Swainson, both from Toronto, and American drummer Dennis Mackrel.
They'll be playing with MacDonald in Ottawa and Toronto next week. But the CD is augmented by another voice: renowned American trumpeter Tom Harrell.
Harrell was one of the first musicians MacDonald considered when planning the CD in early 2013. “I first heard him in the late 70s. I was just knocked out with his playing and I'm a huge fan of his writing.”
They had met again in 2012 when Harrell came to Humber College to do a clinic with his group, “and we talked a bit and I gave him a few recordings to listen to, and I thought, 'OK, that'll be the end of it'. [laughs] And he got back in touch and said 'Listen, I really love your recordings and your writing and your playing and it would be nice to ...' Basically he just reached out and said thank you for the music, [he] really enjoyed it.”
That inspired MacDonald to develop a project which could combine both their musical voices.
2014 Ottawa Jazz Festival, Day 3: Capital Youth Jazz Orchestra's Fifth Anniversary Concert
Jean Pigott Place, Ottawa City Hall
Sunday, June 22, 2014 – 3 p.m.
“The Capital Youth Jazz Orchestra is 5 1/2 years old now, but who's counting? Well, actually we are!”
CYJO director Nicholas Dyson sounded proud and delighted at the success of his creation, as the young musicians in the orchestra presented their fifth anniversary concert at the Ottawa Jazz Festival. Their concert was the last in a series of six presented by youth big bands at the 2014 festival.
As part of the celebration, the orchestra reprised several numbers from previous concerts, including a full-bodied rendition of “Mermaid Beach” by local composer Mark Ferguson. Other numbers ranged from classics made famous by Duke Ellington and Buddy Rich, to pieces by Canadian composers Maynard Ferguson and Paul Tynan, to the modern “That's How We Roll” by Gordon Goodwin's Big Phat Band.
Over CYJO's five-year history, Dyson has consistently featured big band charts by Canadian and local composers, most recently by Ottawa jazz composer Rob Frayne. And as he has done at every concert, Dyson told the audience about each piece and who had performed it, sharing his clear love of big band music.
2014 Ottawa Jazz Festival, Day 2: Festival jam session
The Albion Rooms, Novotel Hotel
Saturday, June 21, 2014 – 10:30 p.m. to almost 2 a.m.
I heard almost all of the late-night jam session Saturday night, and was treated to some fine musical moments with local and visiting musicians, including pianist Ethan Iverson of The Bad Plus, guitarist Alex Goodman and his trio, alto saxophonist Matt Woroshyl, trumpeter Itamar Borochov, and tenor saxophonist Jonathan Greenstein.
The jams are happening in The Albion Rooms, a restaurant in a walled-off section of the lobby of the Novotel Hotel (on Nicholas Street, just south of Rideau Street and north of Arts Court). The Albion Rooms are also the late-night dining spot for the Fringe Festival; however, there seemed to be little conflict between the two roles, with almost everyone in the main room aware of the music and mostly listening.
This is the 2014 lineup. Read about this year's (2015) festival.
This July and August, you can hear Ottawa vocalist Kellylee Evans, high-profile Montreal jazz musicians Michel Donato and François Bourassa, and local Latin group Rimbombante, all in free outdoor concerts in Aylmer.
The Festival de Jazz Desjardins, now in its 28th year, is again featuring Ottawa and Quebec jazz musicians, performing on four consecutive evenings in a park in the Aylmer sector of Gatineau, Quebec.
This year's festival runs from July 30 to August 2, 2014, and opens with Kellylee Evans on Wednesday, July 30. A crowd-pleasing performer who can't help moving with the joy of her music, Evans won a Juno in 2011 for Nina, her tribute to Nina Simone. She also placed second in the highly-competitive Thelonious Monk International Jazz Vocals Competition in 2004.
She has repeatedly sold-out ever-larger stages at the National Arts Centre; her two free concerts at the 2013 Montreal Jazz Festival filled almost an entire block of rue Ste-Catherine with listeners. Her latest album, I Remember When, features well-known hip-hop songs taken into the jazz sphere.
Rimbombante (Thursday, July 31) is an Ottawa-based group whose Spanish name denotes something flamboyant or having a strong resonance. Its music is inspired by Latin America, and it combines Latin, jazz, and world music influences. Led by saxophonist Dean Pallen, who is also its main composer, the group's members include several well-known local Cuban, Mexican, and Brazilian instrumentalists. This summer, Rimbombante is planning to record its second album. Car Crash.
The Ottawa Fringe Festival, best known for its theatre shows, will present jazz for the first time in the next week. Three local jazz groups will play free shows, starting with 2React tonight.
Why jazz? “They're great bands with their music. First and foremost, it's just awesome musicians,” says festival music programmer Greggory Clark.
“For me it's important that we put on the sort of music that just about anyone could show up at Waller Park and have a smile put on their face by whatever's playing. So funk music, hip-hop music like 2React plays, the sort of gypsy hot jazz that Django Libre plays. It can be appreciated as musicians' music on that level, but in another sense for someone who's coming down to the park to enjoy the party, it adds something wonderfully positive to the atmosphere.”
The bands will play on an outdoor stage in Waller Park, to the east of Arts Court, just off Nicholas Street at Daly Avenue. The schedule includes:
Wednesday, June 18: 2React, which takes hip-hop back to its roots in jazz.
Monday, June 23: Django Libre, which evokes the 1930's world of hot jazz and flapper girls with the music and styles of Stéphane Grappelli and Django Reinhardt.
Wednesday, June 25: The Adam Saikaley Quintet, which will present its interpretation of the landmark Miles Davis album, Filles de Kilimanjaro.
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- What you - and we - learned from the OttawaJazzScene.ca Jazz Favourites Poll
- Some praise, some sorrow at jazz festival programming
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- OttawaJazzScene.ca Jazz Favourites Poll: Concert Venues
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- Prince Edward County Jazz Festival to offer “all jazz, all the time!" in August
- H'Art artists and Jesse Stewart collaborate for a multi-media musical theatre show
- After 75 years of playing, Oliver Jones still masterfully shares the joy of jazz (review)
- Kirk MacDonald shows 'next level of musicianship' at NACJB on Friday
- No Rideau Centre stage at the Ottawa Jazz Festival this year
- 2014 Chamberfest features clarinetist Don Byron in its genre-bending concerts
- Jacques Emond's jazz recordings play on, at Carleton University
- John Geggie reunites with favourite Canadians for an Invitational concert tonight
- Omer Klein gave an exhilarating and intense performance for his Canadian debut
- Omer Klein's lifelong love affair with the piano ... and improvisation
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- The Roddy Ellias Trio never stops talking with their music (video)
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- The Adam Saikaley Quintet brings Miles Davis' Filles de Kilimanjaro to vivid life
- Beeched Wailers open a new jazz jam at the Rochester Pub & Eatery
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- Jesse Stewart brings renowned improviser William Parker to Ottawa for innovative concerts and lectures
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- After 30 years playing jazz, Phil Dwyer is going to law school
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- Three standing ovations for Jérôme Beaulieu Trio's first show outside Québec
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- A Jazzy March in Ottawa-Gatineau
- Jérôme Beaulieu meets his audiences half-way, with melodic and unexpected jazz
- Jesse Stewart brings Jane Bunnett, one of his favourite musicians, to Ottawa
- Tonight is the last night for the iconic Cellar Jazz Club in Vancouver
- Warm and sincere, Denzal Sinclaire wows the orchestra audience
- Denzal Sinclaire pays tribute to his musical hero Nat King Cole - with orchestra
- Once a year, Michael Pytura celebrates his favourite big band jazz singers
- The Sicilian Jazz Project reached the audience's hearts (and made them dance)
- The Maskell-Cousineau Quintet: serious, accessible, and fun music
- Jesse Stewart brings 'Memories of Ice' to free Winterlude shows
- Juno Award nominations recognize many musicians who played in Ottawa-Gatineau
- FOLKRUM dreams big for a new Ottawa-Gatineau concert venue
- Ottawa-Gatineau's 2013 Jazz Score
- Afrocentric jazz returns to Le Petit Chicago after an intense and satisfying debut
- Roddy Ellias, Petr Cancura, and Andrew Downing form equal sides of trekan
- Clayton Connell shows his piano range Wednesday, before heading off to Austria
- Linsey Wellman's Wedding and Funeral Trio melds Balkan rhythms and jazz
- Jazzin' the Holidays creates holiday cheer for GigSpace (video)
- Gaby Warren hosts a baker's dozen of Christmas jazz jams
- AlphaSoul Café to close its doors after more than two years presenting jazz
- The Adrian Matte Quartet heated up AlphaSoul on a frosty night
- Jamie Baum and Jane Bunnett: two voices in close conversation (review)
- CYJO brings a century of music to life in first 2013-14 concert
- Ottawa Jazz Festival shows a 2013 surplus, mainly from non-jazz acts and beer
- Capital Vox remembers Dave Brubeck through both his words and music
- Jamie Baum and Jane Bunnett bring new, Indian-influenced music to life
- Bryn Roberts returns to making his own, lyrical music
- Diverse concerts sell out to Ottawa audiences
- Roddy Ellias stops fidgeting and hits the Record button
- Donations to jazz radio shows fall while CKCU exceeds funding target
- David Occhipinti in Ottawa Friday afternoon to debut his new chamber jazz CD
- An early and jazzy start to Christmas
- IMOOfest to return after financial break-even and artistic successes
- IMOOfest 2013 Night 3: unpacking the music (review)
- IMOOfest 2013 Night 2: stretching the rules (review)
- IMOOfest 2013 Night 1: a huge dynamic range (review)
- Will Accordion Conspiracy take over IMOOfest? (video)
- Organ-ic fusion fills the church (review)
- Phil Nimmons and David Braid reinvent their music with each concert
- Ensemble SuperMusique takes a chance with IMOO at Club SAW
- Mortimer Katz remembered: a very long life filled with bebop
- Guelph 2013: Wadada Leo Smith's Ten Freedom Summers moved from sorrow to triumph (review)
- Guelph 2013: The improvisers get improv'd
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- Guelph Jazz Festival listeners treated to elevator music (review)
- William Parker tells Guelph 2013: You can't resurrect the jazz masters
- Guelph 2013: Bomata warmed a rainy-day audience with melodic yet unusual jazz
- Guelph 2013: Satoko Fujii and Kaze blew away preconceptions
- Garry Elliott and Steve Boudreau share the improvising spirit in their new CD
- Guelph 2013: Hamid Drake & Jesse Stewart share a creative imagination (review)
- Guelph Jazzfest's community-built concert reaches new heights
- Which Canadian jazz musicians did “NAC Presents” miss? (commentary)
- More Saturday night jazz at AlphaSoul Café
- Guelph 2013: Espousing music of the moment (review)
- NAC Presents instrumental jazz in its 2013-14 program
- Nick Fraser's CD is full of resonances
- Guelph 2013: Matt Brubeck pushes the cello's boundaries in a solo concert (review)
- Guelph 2013: The Indigo Trio soars and leaves the audience exalted (review)
- Steve Boudreau's back, with a new solo CD
- Adam Daudrich celebrates the tradition of the jazz piano trio with his own new music
- William Parker and Ken Aldcroft: subtle textures which filled the room (review)
- L'OFF Festival in Montreal and Le Festival de Jazz de Quebec announce lineups for October
- Guelph 2013: World Percussion Summit breaks the borders of rhythm (review)
- Jesse Stewart's Gnomon Variations a timely arrival for 20th Guelph Jazzfest
- Cool and groovin' - with gelato
- The Montreal Jazz Festival pays an upbeat tribute to Dave Brubeck (review)
- Orchestre national de jazz Montréal scores with Joni Mitchell tribute (review)
- Jayme Stone melds chamber music, jazz, and bit of bluegrass into an intricate whole (review)
- The Lemon Bucket Orkestra: a dancing good time (review)
- Phil Dwyer and Don Thompson celebrate the long-lasting beauty of standards (review)
- Second annual IMOOfest in November
- Paul Tynan sees different big band styles on each side of the border
- An ensemble who enjoyed celebrating Horace Silver's music (review)
- The Element Choir brings an element of surprise and beauty (review)
- Henrique Cazes and Sambacana fill St. Brigid's with gentle Brazilian rhythms (review)
- Jayme Stone expands the horizons of the banjo, along with his favourite musicians
- Scott Thomson explains how he fills large spaces with resonant sound
- The Jesse Stewart Trio sparks everyone's imagination (review)
- Montréal Guitare Trio starts Chamberfringe on a strong note (review)
- Renée Yoxon and her Gentlemen Friends swing the park (review)
- Three young musicians bring new music and their new experiences back to Ottawa
- Joel Miller and Honeycomb at the Montreal Jazz Festival (review)
- Caridad Cruz and Miguel de Armas ignite their audience
- Trifolia: adventurous jazz at the Montreal Jazz Festival (review)
- Kellylee Evans charms Montreal audience with hip-hop and jazz (review)
- Prairie jazz wins the Grand Prix de Jazz (review)
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- Ten Years of the Triplets of Belleville, in Ottawa et Montreal (review)
- Finding the patterns in Tim Berne's free jazz (review)
- A romantic evening: The Thomas Enhco Trio and the Steve Kuhn Trio at the Montreal Jazz Festival (review)
- Christine Jensen, Ingrid Jensen, Gary Versace at the Montreal Jazz Festival (review)
- 2013 Montreal Jazz Festival celebrates pianists – and the late Dave Brubeck
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- AlphaSoul jazzfest jams get jammed
- Alan Jones embraces risk with his all-Canadian, all-star sextet
- The Stretch Orchestra makes jazz bend
- Two exceptional percussionists play the Ottawa Jazz Festival this week (video)
- David Byrne talks about music and the music biz, in all its eclectic glory (book review)
- Roberto López combines Colombian rhythms and jazz into danceable music
- Festival pass awarded - and two more to be won!
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- Jazzfest 2013: Great jazz from across Canada
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- Stellar year for young Ottawa musicians at 2013 MusicFest Canada
- Gaby Warren's years as a jazz fan recognized at CD launch (review)
- Split Cycle plays intricately-woven modern jazz (review)
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- The community celebrates Ottawa Jazz Hero Roddy Ellias (video)
- Gaby Warren: a jazz fanatic steps to the other side of the footlights
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- Jeff Johnston Trio enraptures the audience (review)
- Kellylee Evans to appear again at NAC Presents
- Roddy Ellias: a humble Jazz Hero
- Jeff Johnston returns to his trio's musical roots and then moves forward with his new album
- Evandro Gracelli brings Brazilian warmth to Ottawa for three busy weeks
- Energetic music attracts a packed house at Rimbombante CD release show
- Expecting the unexpected at Saturday's GigSpace concert of improvising composers
- Listeners get JazzED at 2013 Ottawa Jazz Festival lineup announcement
- Capital Youth Jazz Orchestra - in the making (video)
- The Jivewires are on an upswing
- Ontario government funds jazz (and other Ottawa festivals)
- Three Ottawa vocalists to recreate classic Ella and Billie Newport concerts
- 2013 Chamberfest builds on past jazz successes, adds Phil Dwyer & Don Thompson
- Hamid Drake and Jesse Stewart fill GigSpace with complex sounds (review)
- Guitar Now! Festival to present workshops, concerts and jams in May
- Monday night jazz is returning to Le Petit Chicago
- ZenKitchen to offer jazz every second Sunday
- Hamid Drake and Jesse Stewart: percussion as you've never heard it before this Friday
- Laila Biali takes risks with choosing and playing music
- Molly Johnson ups the energy and vibe at a sold-out NAC show
- Brookstreet makes jazz the option seven nights a week
- Roddy Ellias Ensemble plays an intimate concert of intricate music
- Diana Krall invokes the spirit of the Glad Rag Dolls (review)
- Ottawa Jazz Festival announces Main Stage lineup for 2013: music of every style
- 2012-13 Geggie Series: In rich harmony (review)
- Melody into places far afield: Roddy Ellias with Gene Bertoncini (review)
- Ottawa's Souljazz Orchestra nominated for 2013 Juno Award
- "Morphology of a Lover": Intricate instrumental interactions (review)
- Chucho Valdés to play at 2013 Ottawa Jazz Festival
- Nick Maclean creates a new sound with Snaggle
- Ottawa jazz vocalist finalist for local arts award
- Elizabeth Shepherd plays bittersweet music for a full house (review)
- John Scofield at la Maison de la Culture (review)
- Elizabeth Shepherd marries a pop sensibility to a jazz aesthetic
- “I wouldn’t be playing what I play if it wasn’t for Miles”: an interview with John Scofield
- Florquestra Brasil launches their first album, Flortografia, with all-around enthusiasm
- Pressed jazz jam creates a happy vibe for the start of its second season
- Friends, colleagues pay tribute to Jacques Emond on special "Swing is in the Air"
- Cory Weeds Quartet with Steve Davis: remembering music and musicians past
- How do you run a successful jazz club? We ask The Cellar's Cory Weeds
- Cory Weeds swings across the country and into Ottawa
- Remembering Jacques Emond's life-long love of jazz
- Local jazz fans pack the house for last Monday jazz night at Le Petit Chicago
- What's inside Chocolate Hot Pockets ?
- Our favourite shows (Ottawa-Gatineau jazz in 2012)
- Bill Coon and Tim Bedner attract record crowd to ZenKitchen's jazz brunch
- Oswald, Thomson, Stewart play engaging improvisations at final 2012 IMOO concert
- Holly Cole Christmas at the NAC (review)
- 2013 Geggie series is shorter and starts later, but has the same spirit
- The Nepean All-City Jazz Band: never accepting "good enough"
- The Ottawa Junior Jazz Band: a passion to play
- Dave Brubeck, who thrilled record Ottawa audiences, dies at age 91
- Wayne Shorter, Wynton Marsalis featured at both 2013 Ottawa and Montreal jazz festivals
- Sonia Johnson: not playing it safe with jazz
- Ottawa Jazz Festival AGM talks money, not music
- Tim Bedner finds the right time for his first CD
- A musical connection which spans continents
- Chick Corea & Gary Burton: A fiery delight on a cold, wet night (review)
- IMOOfest 2012 Night 1: showing off variety in improvised music (review)
- Jesse Stewart brings the audience into his D.O.M.E at Electric Fields
- Larry Ochs and Hamid Drake at the Guelph Jazz Festival (review)
- Inaugural IMOOfest opens with a strong lineup, with more to follow tonight
- IMOO: Still making it up as they go, two years later (video)
- NAC Presents - an all-vocal jazz lineup for 2012-13
- The Happiness Project at the Guelph Jazz Festival (review)
- John Coltrane at the Guelph Jazz Festival (review)
- The gift of reverberation: Colin Stetson and Ben Grossman at the Guelph Jazz Festival (review)
- Huntsville: louder in Guelph, quieter in Ottawa?
- 2012 Guelph Jazz Festival: around the world and into new places
- You'll lose sleep over Guelph's Nuit Blanche
- Yoxon/Ferguson CD fundraising campaign reaches its goal
- A musical preview of Renée Yoxon's and Mark Ferguson's new CD
- Strong jazz lineup in Ottawa and Gatineau this fall
- Mark Fewer's violin extravaganza at Ottawa Chamberfest (review)
- John MacLeod Big Band (review)
- John MacLeod harnesses the creative energy of a big band with his Rex Hotel Jazz Orchestra
- Riverside (review)
- Carleton U Jazz Camp goes batty presenting a quartet of duos
- 2012 Chamberfest: "a real fascination with jazz"
- Trumpets, Trumpets at IMOO
- Chamber Elements: Many unique ways of listening to improvised music
- FestivAsia brings Jazz to Chinatown this summer
- Thomson, Hood, and Stewart: Poetry in motion at IMOO
- Rachel Therrien develops new sounds at IMOO
- Notes in Triplicate's world premiere at Avant-Garde
- 2012 Community Fundraising Campaign a great success - thanks to you!
- Love lost, music found (review)
- Happy birthday – with saxophones (review)
- Mash Potato Mashers attract the masses in Montreal
- The Souljazz Orchestra sets the beat at the Montreal Jazz Festival
- More jazz - in Montreal
- Marc Copland and Roddy Ellias: finding connections
- David Mott's Journey to the Land of Oz
- NAC to showcase three jazz artists next fall
- Last song for JazzWorks jam coordinator Peter Liu
- Two voices are more than one at Boy's Night Out
- Poetry inspires music at IMOO on Sunday
- CKCU host Ron Sweetman previews the 2012 Ottawa Jazz Festival line-up
- 2011-12 Geggie Series: Ballads and blues and quiet (review)
- Diane White: a career with unexpected twists
- Craig Pedersen explores Grey Areas with his new CD
- Hear about the new Jazz Festival CD
- Kelly Craig Sextet plays Adam Daudrich at the NAC 4th Stage (review)
- Ottawa Hard Bop Association co-leaders speak about their music
- Michael Snow: making music in the now
- It's Déjá Vu with Steve Berndt and Brian Browne
- Making the most of great songs (review)
- The benefits of experience (review)
- Brandi Disterheft Quartet brings an energetic vibe to the Fourth Stage (review)
- Alex Moxon talks about his new 4tet and his music
- Brandi Disterheft: "you can only be who you are, on stage"
- Norah Jones, Souljazz Orchestra, Lucas Haneman at Bluesfest 2012
- Jazzfest 2012: Jazz music highlights of the 2012 Ottawa Jazz Festival
- Renée Yoxon: making Dave Frishberg her pal
- Jazzfest 2012: Younger and a bit jazzier but definitely covered (an analysis)
- Oscar Peterson: Germans and Canadians celebrate music that transcends boundaries
- Amy Cervini: swinging in her own way with Blossom Dearie
- The Stretch Orchestra wins a 2012 Juno Award; tour delayed
- Three Ottawa vocalists await their critiques in the final NAC Manhattan on the Rideau masterclass
- Juno nominee Fern Lindzon: "whatever inspires"
- CYJO heats up Ottawa with a Latin vibe and 46 musicians
- Celebrating Katie Malloch's commitment to jazz
- Mike Rud tells stories with his guitar (review)
- 2011-12 Geggie Series: "It's not work, it's play" (review)
- 2011-12 Geggie Series: four musicians in concert (review)
- 2012 Ottawa Jazz Festival: pass prices increase
- The Walrus Guitar Quartet: all together
- Ottawa Winter Jazzfest engages audiences for Canadian and local artists
- Two personae of Patrick Breiner
- Pulse Mondiale warms up the Winter 2012 Ottawa Jazz Festival
- Our 2011 recap: jazz and improvisation probe the boundaries in Ottawa
- Guitar wizards satisfy audience (review)
- Full house, intent listeners greet Titanium Trio
- SSS Trio brings youthful energy to January Wednesdays
- David Occhipinti: beyond categories
- Kellylee Evans: body and soul (review)
- Franky Rousseau: thinking large
- Inside the Music: every musician has a story
- IMOO musicians explore new 'instruments' and new approaches
- Craig Pedersen Quartet CD Release Concert gets a bravo
- 2011-12 Geggie Series: two masters communicate (review)
- JunoFest: an opportunity for Ottawa-area jazz musicians
- Two modern big bands: one small bar
- Craig Pedersen, Hands-on musician
- Controversy over non-jazz acts reaches Ottawa Jazz Festival Annual Meeting
- NCC cuts funding for Canada Day jazz programming and Jazz Youth Summit
- Jensen / Geggie / Olin Trio: jazz flowing out into the quiet (review)
- Beatlemania: music for all ages
- Curiosity Killed the Quartet - Again
- Renée Yoxon: Two years of Monday late-night jazz
- Season tickets available for 2011-12 Geggie series
- Hear jazz artists on CBC before you see them!
- Alice Groves: a flowing lateral arabesque
- 2011 Guelph Jazz Festival: Creative Collective
- Standards singers overflow new GigSpace at Culture Days
- The 2011 OttawaJazzScene.ca Jazz Listener Survey Results
- Where there's no smoke there's Fire
- 2011 Guelph Jazz Festival: Tilting, and Plimley-Parker-Martin
- Bill Jupp Sextet packs in appreciative audience at Taste of Wellington
- IMOO's "quiet" concert #31 ends a successful first year
- Carleton University Jazz Camp: from the inside
- Jazz to look forward to in 2011-12
- NAC announces 2011-12 Manhattan on the Rideau masterclasses
- Roddy Ellias, Brian Browne, Michel Donato: emphasizing the melody
- Differences in ticket prices?
- Jerry Granelli interview on CBC, now on-line
- An improvised rock concert
- Carleton University Jazz Camp (from the vault)
- JazzWorks jams feeling the pressures of success
- Django Libre gets listeners out of their seats at Rendez-Vous Rideau Jazz Stage
- Nicole Ratté dresses Québec songs in jazz
- Jazzfest 2011: Megan Jerome brings unusual instrumentation and songs to Rendez-Vous Rideau Jazz Stage
- Jazzfest 2011: Renée Yoxon and René Gely
- Jazzfest 2011: Lucas Haneman Trio at Rendez-Vous Rideau Jazz Stage
- Jazzfest 2011: Angele Desbois Jazz Ensemble Rendez-Vous with their audience
- 'My First NAC' recognizes three promising Ottawa jazz artists
- PianoLessMonk plays IMOO
- Doug Martin undertakes an Odyssey
- Ottawa Jazz Festival's Catherine O'Grady receives award for Festival work
- Less outdoor and more indoor jazz at the 2011 Ottawa Jazz Festival
- Ottawa Jazz Festival Programmer Petr Cancura talks about the 2011 Festival
- One fewer stage at the 2011 Ottawa Jazz Festival
- Jazz Festival workshops gone
- 2011 Ottawa Jazz Festival lineup: what's on
- Inside the Scene: The Matt Aston Trio at Café Nostalgica
- Carleton University Contemporary Music Ensemble fills the Umi Café
- Pauline Oliveros and Jesse Stewart present unique concert on St. Patrick's Day
- The Denisons: a family playing jazz together
- Jazz in the woods attracts a large and quiet audience
- A tribute to Bill Jupp's lasting influence
- New Ottawa venue Flamingo wants to showcase jazz musicians
- Jesse Stewart talks about the link between art and sound
- Ottawa Jazz Festival names Petr Cancura as new programming director
- Our most memorable Ottawa-Gatineau jazz shows in 2010
- Peter Hum on the other side of the keyboards
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