You can hear music in the making, this Tuesday and Wednesday, in an art space in downtown Gatineau.
Ottawa jazz musician Linsey Wellman will be recording a new solo saxophone album live over two evenings, and is inviting jazz fans to listen for free. The only requirement: show up on time – in fact, early – so you don't disturb the recording.
Wellman performs in a wide variety of contexts, from mainstream jazz to Punjabi folk/fusion to calypso to Balkan marching band to prog-noise, but is best known for playing avant-garde or free jazz and as a co-founder of the Improvising Musicians of Ottawa-Outaouais (IMOO). In 2010, he released his first solo album, Ephemera, a suite of guided improvisations for saxophone.
The working title for this new CD is Manifesto, and Wellman says it reflects the solo performances he's been doing over the past few years. It's a “culmination of a lot of performing and a lot of ideas and a lot of the things that I've been doing. I don't think people will be surprised by what comes out. People who have heard me play a lot – there's some stuff people will have heard. There's at least one or two things that I haven't recorded but that I've played in solo saxophone settings.”
At least one of the pieces is a natural outgrowth of the material on Ephemera, he said, and the format is similar: both solo alto saxophone pieces of about the same length.
“But there's a lot of new material. I'm going to guess that this one is a little more 'out'. There's a little bit more textural playing than this one than on Ephemera, which had a lot of shifting tonal centres, whereas this one there's going to be a fair bit of textural playing. Clicking keys, a lot of multiphonics, and extra extended technique-sort of sounds. But not all that: there's definitely going to be some melodic sections, too.”
On both Tuesday and Wednesday, Wellman will play two approximately 20-minute sets, performing “Manifesto”, the material which he has been composing for the album. He will follow that with a third set, of about the same length, which will be entirely improvised.
That third set could go anywhere. “Who knows? If it's good it might find its way onto a recording. Or maybe it's so much better than the other stuff, that that's what I want to put on a recording. I'm excited about doing that, because my solo playing to date has been very scripted. I mean obviously there's a lot a freedom in what I've written and a lot of it is more guidelines but it's been very scripted and I'm excited about the idea of just playing free for at least a section of the show.”
For the past 15 years, Ottawa's Rake-star Arkestra has tried to capture the joy and passion of jazz iconoclast Sun Ra, with music which can range from the sublime to the chaotic.
After an extended hiatus, they're back – for an Improvising Musicians of Ottawa-Outaouais (IMOO) concert at the Raw Sugar Café on Sunday, and on February 28 at Mugshots.
“We're just doing because it's fun,” said Rake-star co-founder and percussionist Rory Magill. “Everybody loves to do it. Everyone in the group has an abiding love of Sun Ra and his music and his inspiration. So it's just an opportunity for everyone to get together and share that passion and explore ... it's a pretty free outfit, so there's tons of creative room for everybody to move.”
Magill said there has been “a shift in the sound” in the band to a combination of saxes and percussion, with a Hammond organ and baritone saxes providing the deep bass bottom of the music. But there's still lots of continuity: this edition of the group includes nine local musicians, five of whom have been with the band since it started in 2000 – and almost all of whom are very well known on the local jazz scene.
They primarily play Sun Ra's compositions, rearranged for their line-up, combined with some originals inspired by his music.
Sun Ra was a extraordinarily original musician, and a major figure in avant-garde jazz from the 50s to the early 90s. He started out in big bands in the 1940s, and was influenced by bebop, but then shifted into very much his own large-group sound with his Arkestra. To his jazz roots he added elements of avant-garde classical music; he was a pioneer in using electronic keyboards; and he believed in the power of spectacle, with his Arkestra usually dressed in bright, flamboyant costumes, and occasionally including jugglers or stilt-walkers. He became obsessed with Egyptology and the possibility that Earth had been visited by travelers from outer space, and much of his music referenced those ideas.
It made for a very diverse body of music over the decades.
“Ra loved the tradition,” Magill said. “He worked for Fletcher Henderson as an arranger and rehearsal pianist for years and that was his foundation in jazz. So he loved that stuff and he admired Duke Ellington and he's got that side. We [Rake-star] have some earlier sounds before from things reflecting his earlier days. But a lot of the tunes that we do are probably 60s/70s. Later on, the last couple recordings, he was going back in a sense to traditional big band, with a twist obviously, but far more subtle than his totally out-there astro-infinity.”
Dominique Forest's new CD is more personal – and more of a risk – than she had ever planned.
The Ottawa jazz vocalist has made her name over the last dozen years as an assured interpreter of the Great American Songbook, a repertoire she loves. When she finally decided in 2013 to record her first CD, she put together a list of her favourite standards. And then she thought she'd add one original song. And then another...
On Saturday at the NAC Fourth Stage, Forest will launch the CD – a completely original album of her own compositions. Called C'est à moi – the English translation is “It's up to me” – it's also a very personal effort.
All the songs “tell a little bit about a life lived. If I had written this body of work three years ago, it would have been a very different album. This particular time in my life, it was one of hope and of joy and I really wanted to bring out reflections. It's reflective and introspective.”
The title song was particularly important to her: “ 'C'est à moi' is the first song that I wrote for this album. The words of the song are it's up to me to move forward and to find my way. I can't let grief or anything else stop me. And so it just made sense that if I was doing this album, as soon as I agreed that if I'm doing this body of work, then that's going to be the title song.”
The songs range in style from funk to pop to chanson, as well as more classic swinging jazz numbers and ballads. Some are directly personal – a tribute to her parents, a joyful celebration of a sister's recovery from illness – while others are just for fun.
Updated February 23, 2015
Whiplash, the controversial new film about the toxic relationship between a professor and an aspiring drummer at a renowned (fictional) jazz conservatory, has received considerable notice in the 2015 Academy Awards race, with three Oscar wins out of five nominations.
The indie film, based on its director's own experiences as an aspiring big band jazz drummer, was nominated for:
- Best Picture
- Best Actor in a Supporting Role (J.K. Simmons as the professor)
- Best Film Editing
- Best Sound Mixing
- Best Writing – Adapted Screenplay (also by director Damien Chazelle)
It won Best Actor in a Supporting Role, Best Film Editing, and Best Sound Mixing.
2014 was a year of milestones – some worth celebrating, some unfortunate – in Ottawa-Gatineau's jazz scene.
There were several major anniversaries, including OttawaJazzScene.ca's fifth birthday in July! The Capital Youth Jazz Orchestra and the Carleton University Jazz Camp also turned five. It was the JazzWorks Jazz Camp's 21st anniversary, and the Apex Jazz Band's 40th.
The National Arts Centre – still the most prestigious jazz location in Ottawa – announced a major renovation over the next two years, to be finished for Canada's sesquicentennial (and the centre's 48th birthday) in 2017. It will substantially improve the centre's acoustics and facilities, but – as OttawaJazzScene.ca revealed – will mean closing the Fourth Stage (where most NAC jazz shows are staged) for several months; the exact timing and impact of that closure have not yet been determined.
This spring, OttawaJazzScene.ca initiated its Jazz Favourites Poll, which allowed local fans to identify and celebrate the successes in Ottawa-Gatineau's jazz scene. We were delighted at the warm response. More than 350 jazz fans voted on their favourites in nine categories covering many aspects of the local jazz and improvised music scene, from venues to CDs. But even more importantly, they told us why, in some fascinating comments which said a lot more. In some cases, the results were closely contested. In almost all cases, they were diverse, reflecting the many different types of music under the jazz umbrella, and the many ways to enjoy it.
The JazzWorks Sunday afternoon jazz jams are moving to a new space with a new vibe this weekend, and hoping to attract a new, broader audience.
They'll be held at Festival House (the Bluesfest School of Music and Art) in Westboro, a more family-friendly, quiet location – and will feature coaching from a series of highly experienced local jazz teachers.
“The primary goal of the Sunday sessions is to get people out playing music. People who have never had a chance, people who love to play and want to play on a Sunday,” said JazzWorks board member Peggy Cameron, who has been involved in planning the sessions.
She said the Sunday jams would be “much more relaxed, much less pressure” than JazzWorks' long-running evening jams.
“People who might have been intimidated by the Thursday night jams – the number of people and the quality of the music – might think, 'Well if I go Sunday afternoon, maybe I can play'. People who have been a little bit fearful maybe in the past, young people [for whom] Thursday night is too late for them. [We want to] get a different bunch of people involved.”
This Sunday's jam, which will run from 2 to 5 p.m., will be mentored by JazzWorks' Artistic Director and double bassist John Geggie. In a posting on the JazzWorks website, Geggie said that this first jam would be “concentrating on the basics”, starting with two easy tunes which work for singers and instrumentalists of all descriptions: a blues, “Bag's Groove”, and George Gershwin's “I Got Rhythm”.
This week, Ottawa saxophonist Doug Martin is having an adventure at the Havana Jazz Festival – one that may provide inspiration for a new album.
He has been invited to perform three shows in theatres in the Cuban capital, as part of the festival. But he'll be playing with musicians he's never even met before.
“The only one whose name I know is Miguel de Armas, jr ,” Martin told OttawaJazzScene.ca shortly before he departed for Havana last week.
Yes, the son of Ottawa-based Cuban pianist Miguel de Armas, who began playing here in the spring of 2012, and has quickly made a splash in the Ottawa and Montreal jazz scenes.
“When I finally realized I wasn't going to be taking any musicians from here, and that I wanted to use Cuban musicians, I approached Miguel and asked if his son would be willing to play for me. And so the son, Miguel junior, is picking the other two musicians and I'm not sure who they are.”
The band will be de Armas jr. on piano, plus bass and drums, and possibly one or more conga players. They'll be playing primarily Martin's compositions, plus a few standards. He's looking forward to hearing an Afro-Cuban take on his music, which is mainstream modern jazz.
“I'm sure they'll have their own ideas, their own style, their own way of doing things. A lot of my tunes have never had a conga player in them, so it will be interesting to hear what that turns out to be.”
He's already sent his charts to Cuba and was hoping to rehearse for a few days before the group's first show at on Wednesday, December 17, at the Jardines del Teatro Mella theatre. They will also perform on Friday at Café Miramar, and on Saturday at Pabellón Cuba.
But he expected a fair amount of improvisation – not only in the music, but also in the arrangements. “Definitely it's going to be one minute to the next. I don't know what's going to happen. It will be an adventure for sure.”
The adventure first started in October, 2012, when Martin visited Cuba, and brought a few copies of his most recent CD, Odyssey, with him. “I never thought anything would happen, but just by chance I happened to meet a guy who had a jazz show on Radio Taino in Havana. And I gave him a couple CDs and he checked them out and he really liked them, so they started playing them on the radio down there.”
Update December 19: The Ottawa Jazz Festival finally confirmed part of its Winter Jazz Festival lineup, just a few hours before its office closed for the Christmas holidays. See the updated listing here.
In the program for Requiem for Fourteen Roses was an advertisement for the 2015 Ottawa Winter Jazz Festival, which provides a not-completely-confirmed peek at the Winter Jazz Festival's line-up. This information has not been yet published on the Ottawa Jazz Festival's website or Twitter feed or Facebook page.
Here's your first notice:
- Oliver Mtukudzi & the Black Spirits
- Megan Jerome, Fred Guignon, and Mike Essoudry
- The Matt Wilson Quartet
- The Nancy Walker Quintet
- The Roddy Ellias Septet plays the Music of Kenny Wheeler
- The Tigran Trio
The National Arts Centre (NAC) announced an extensive renovation today – one that may disrupt jazz shows and the jazz festival in Ottawa in 2016.
The renovation will surround the current building with new glass wings on three sides, move the centre's primary entrance to Elgin Street, and upgrade the performance spaces, washrooms, and lobbies. It is scheduled to be ready in 2017, in time for Canada's 150th birthday.
But its construction will require the closure of the Fourth Stage (which fronts on Elgin Street) for an indeterminate period in 2016. The NAC's Director of Communications, Rosemary Thompson, said “we don't actually know exactly how long it will take to reconstruct that portion of the building. The entire construction phase is 12 to 18 months. But that face of the building I don't exactly know yet.”
In the OttawaJazzScene.ca Jazz Favourites Poll this spring, the Fourth Stage was voted as local jazz fans' Favourite Jazz Concert Venue. The stage is heavily used by the NAC Presents series and by local musicians to present jazz and other shows.
The Ottawa Jazz Festival, which runs in late June, has regularly held its Improv Invitational series in the Fourth Stage, with two or three shows every night. The jazz festival is already facing the loss of its main outdoor venue in 2016, with Confederation Park undergoing major renovations, and has not yet found a substitute outdoor space.
Thompson said NAC Presents programming would not be affected for 2015, and she expected the Fourth Stage will continue to be open for the next 12 months. “It's 2016 that's the issue, and we'll have more clarity in the next weeks and months to come.”
Requiem for 14 Roses
Saturday, December 6, 2014
Knox Presbyterian Church, Ottawa
It began with 14 ringing notes on a gong, the sound of each note rising and falling throughout Knox Presbyterian Church.
Then long lines of flickering candlelights slowly moved down the church's nave. They were held by 40 female and male choristers, there to sing the premiere of Elise Letourneau's Requiem for 14 Roses, and to remember the women killed in the École Polytechnique Massacre, exactly 25 years before.
As the music continued, first the men and then the women singers moved to the front of the church, singing the emotion-filled and deeply solemn music.
Letourneau combined choral passages, eloquent soloists (including jazz vocalist Sienna Dahlen and local cantor Jeremy Burko), and instrumental sections in her requiem. While remaining within the standard requiem form, she interposed 14 short instrumental passages throughout, featuring two trombones and two flugelhorns, to commemorate each of the women murdered, the melodies emphasizing the promise and loss of lives cut short.
Concert #111: Phil Minton
Improvising Musicians of Ottawa-Outaouais (IMOO)
Raw Sugar Café
Sunday, December 7, 2014
British vocalist Phil Minton has taken the human voice to completely unexpected places and possibilities in the last 40-odd years. His improvisations don't use words – nor even word-like sounds. Instead, through extended vocal techniques, Minton creates a huge variety of sounds with different textures and timbres and rhythms.
His voice produces snake-like hisses, bird whistles, and guttural lion growls, and he fits them together into coherent sonic landscapes that range from barely audible whispering to crack-the-whip shrieks to what sounds remarkably like static. He turns the voice into a percussive instrument, but also a sibilant and even a tuneful one, and adds considerable emotional depth as well. To listen to Minton is to be constantly – and happily – surprised.
Ottawa's A B Series, which presents musical and literary events, brought Minton back to Ottawa for a long weekend starting last Friday. Over the weekend, he taught Ottawa volunteers how to sing in his Feral Choir, teaching them that anyone who can breathe can create beautiful or interesting sounds – outside of standard cultural references.
Tonight (Monday, December 8), he will conduct the Feral Choir in a free concert at St John's Anglican Church at Somerset and Elgin downtown at 7:30 p.m., and then perform solo there in a ticketed concert at 9 p.m.
Minton also collaborated with a wide collection of Ottawa's most dedicated improvisers at an IMOO concert Sunday evening – a concert which broke down the barriers between vocal and instrumental music.
- Requiem for Fourteen Roses: hope and remembrance after 25 years
- New jazz jam has a popular opening set
- CYJO's sixth season commences with eight decades of big band music
- A Super Awesome Fusion
- Ottawa Jazz Festival loses money in 2014, needs new home in 2016
- Roddy Ellias returns to GigSpace alone (video)
- Whiplash drums up the tension, but doesn't do justice to jazz (movie review)
- The Brian Browne Trio shows why the jazz piano trio has enduring appeal (review)
- The Alex Goodman Trio presents a wide-ranging show of fast, fluid jazz (review)
- The Adam Saikaley Quartet sets the walls to grooving at Mugshots (review)
- A memorable evening of Gypsy Jazz & more with Tcha Limberger and Denis Chang (review)
- Sold-out audience applauds Rob Frayne's return to the sax (video)
- The unpredictable Brian Browne
- Tcha Limberger and Denis Chang: a passion for finding the sources of Gypsy jazz
- A nod to Johnny Hartman and a defining concert for Floyd Hutchinson
- Guelph 2014: Ernst Reijseger plays the cello as you have not heard it before (review)
- Geri Childs sings about long-time friendship in More than Magic CD release (review)
- Marianne Trudel Quintet: An exhilarating, subtle start to the 2014-15 NAC Presents jazz series (review)
- Evoking the soul of Hank Mobley (review)
- Lara Solnicki chose jazz, but added a classical twist
- Merrickville's Jazz Fest Day 3: polished vocals and joyful instrumentals
- Merrickville's Jazz Fest Day 2: crowded with music
- Marianne Trudel: the joy of being surprised, in the moment, by music
- Merrickville's Jazz Fest Day 1: full houses and happy listeners and dancers
- Norman Marshall Villeneuve brings his Message to Merrickville
- Adam Daudrich Trio at MJF: melodic and propulsive with a solid bass
- Blossom Dearie tribute is 'hip' at Merrickville's Jazz Fest (video)
- Brian Browne is MJF's first and busy artist-in-residence this year
- Sun Crescent Barbecue Stompers bring The Big Easy to Merrickville
- Rob Frayne is back, with a tenor sax
- Joel Miller Trio: quiet audiences make acoustic jazz come alive
- IMOOfest 2014 celebrates local talent as well as Canada's top improvisers
- Peter Liu: love songs and jazz cross cultural boundaries in Bamboo Groove
- ZenKitchen quietly launches new Wednesday Night Jazz (video)
- Ottawa benefit raises $900 for Canadian trumpeter and composer Kenny Wheeler (video)
- A cross-Canada celebration of poet P.K. Page in music and dance
- Ottawa audience enjoys Organic's groove (review)
- New Santé Restaurant jazz series will highlight male vocalists in October
- Bernie Senensky, in two voices
- David Braid, Jill Barber, Mike Rud, and John Geggie featured in NAC concerts in 2015
- ZenKitchen doubles its jazz, with musicians rarely heard in Ottawa
- Merrickville's Jazz Fest features new artists, and some greatest hits, for its 4th year
- Guelph 2014: John Heward and Barre Phillips are 80-year-olds with oomph (review)
- Guelph 2014: Pugs & Crows didn't live up to its talent (review)
- Local improvisers put on the spot at IMOO season opener (review)
- Guelph 2014: Lee Pui Ming and Dong-Won Kim astonish the audience (review)
- Guelph Jazz Festival helps kids find their voices through technology
- OttawaJazzScene.ca - Into the next five years
- Guelph Jazzfest celebrates Sun Ra, features Vijay Iyer and Randy Weston for its 21st year
- The Christian McBride Trio fulfills the tradition; the Darius Jones Quartet fights with it
- Bobby McFerrin never forgets to experiment (review)
- Collaboration in two acts: Newport Festival Now 60 & the Norma Winstone Trio
- Real jazz is a big hit in Confederation Park, with Kirk MacDonald and Dianne Reeves
- Virtuosity in improvisation and composition: Colin Stetson & Hamid Drake, Darcy James Argue (review)
- Jane Bunnett and Maqueque bring Cuban passion to Ottawa
- Jane Bunnett spotlights the spirit & energy of female Cuban musicians in Maqueque
- The Patrick Smith Trio recreates history (video)
- Kellylee Evans celebrates Canada Day with 2 free concerts with the NAC Orchestra
- Branford Marsalis to open Music and Beyond; Oliver Jones also featured
- Myriad3 creates dramatic, percussive music (review)
- Kirk MacDonald explores symmetry in music
- CYJO celebrates its 5th anniversary with flair and many past faces
- Jazz Festival jams at new Albion Rooms treat listeners to fine musical moments
- High-profile Montreal and Ottawa jazz artists to perform in Aylmer this summer
- Ottawa Fringe Festival will present jazz for the first time
- Jon Ballantyne starts the Ottawa Jazz Festival with complex melodies (review)
- ZenKitchen may be closer to reopening after packed fundraiser
- Jazz Scene: Jazz Heard! OttawaJazzScene.ca celebrates 5 years, with a photo exhibit
- Vocalists, instrumentalists, Latin and more for free at the 2014 Montreal Jazz Festival
- Ottawa composers thrilled by JazzWorks Originals concert
- The Reis Demuth Wiltgen Trio swept the audience along with its vigorous music
- 2014 Geggie Invitational Concert: complex tapestries of music (review)
- Diana Krall to perform a free outdoor concert at the 2014 Montreal Jazz Festival
- What you - and we - learned from the OttawaJazzScene.ca Jazz Favourites Poll
- Some praise, some sorrow at jazz festival programming
- Great teachers make the difference for jazz camps
- Local jazz CDs inspire many viewpoints - but they're not well enough known
- Jazz fans vote for radio shows with longest and newest hosts as favourites
- Jazz fans head west for their favourite bars, cafés, and restaurants
- OttawaJazzScene.ca Jazz Favourites Poll: Concert Venues
- OttawaJazzScene.ca Jazz Favourites Poll: Big bands
- NAC Presents to feature Petr Cancura, Marianne Trudel, and Tanya Tagaq this fall
- Prince Edward County Jazz Festival to offer “all jazz, all the time!" in August
- H'Art artists and Jesse Stewart collaborate for a multi-media musical theatre show
- After 75 years of playing, Oliver Jones still masterfully shares the joy of jazz (review)
- Kirk MacDonald shows 'next level of musicianship' at NACJB on Friday
- No Rideau Centre stage at the Ottawa Jazz Festival this year
- 2014 Chamberfest features clarinetist Don Byron in its genre-bending concerts
- Jacques Emond's jazz recordings play on, at Carleton University
- John Geggie reunites with favourite Canadians for an Invitational concert tonight
- Omer Klein gave an exhilarating and intense performance for his Canadian debut
- Omer Klein's lifelong love affair with the piano ... and improvisation
- The Mash Potato Mashers parade for their final time
- Steve Berndt and Brian Browne turn tasty leftovers into gold with "All Over Again"
- The Roddy Ellias Trio never stops talking with their music (video)
- Bumpin' Binary grooves on organ and drums
- The Adam Saikaley Quintet brings Miles Davis' Filles de Kilimanjaro to vivid life
- Beeched Wailers open a new jazz jam at the Rochester Pub & Eatery
- 2React takes hip-hop back to its roots in jazz
- Jesse Stewart brings renowned improviser William Parker to Ottawa for innovative concerts and lectures
- Jesse Stewart talks about the challenges of making music outdoors at -25C (video)
- After 30 years playing jazz, Phil Dwyer is going to law school
- Phil Dwyer Trio energizes BDT with a compelling collaboration (review)
- Three standing ovations for Jérôme Beaulieu Trio's first show outside Québec
- Café Nostalgica is bringing back jazz nights
- Matt Dusk and Molly Johnson to celebrate Christmas with the NAC Orchestra
- A Jazzy March in Ottawa-Gatineau
- Jérôme Beaulieu meets his audiences half-way, with melodic and unexpected jazz
- Jesse Stewart brings Jane Bunnett, one of his favourite musicians, to Ottawa
- Tonight is the last night for the iconic Cellar Jazz Club in Vancouver
- Warm and sincere, Denzal Sinclaire wows the orchestra audience
- Denzal Sinclaire pays tribute to his musical hero Nat King Cole - with orchestra
- Once a year, Michael Pytura celebrates his favourite big band jazz singers
- The Sicilian Jazz Project reached the audience's hearts (and made them dance)
- The Maskell-Cousineau Quintet: serious, accessible, and fun music
- Jesse Stewart brings 'Memories of Ice' to free Winterlude shows
- Juno Award nominations recognize many musicians who played in Ottawa-Gatineau
- FOLKRUM dreams big for a new Ottawa-Gatineau concert venue
- Ottawa-Gatineau's 2013 Jazz Score
- Afrocentric jazz returns to Le Petit Chicago after an intense and satisfying debut
- Roddy Ellias, Petr Cancura, and Andrew Downing form equal sides of trekan
- Clayton Connell shows his piano range Wednesday, before heading off to Austria
- Linsey Wellman's Wedding and Funeral Trio melds Balkan rhythms and jazz
- Jazzin' the Holidays creates holiday cheer for GigSpace (video)
- Gaby Warren hosts a baker's dozen of Christmas jazz jams
- AlphaSoul Café to close its doors after more than two years presenting jazz
- The Adrian Matte Quartet heated up AlphaSoul on a frosty night
- Jamie Baum and Jane Bunnett: two voices in close conversation (review)
- CYJO brings a century of music to life in first 2013-14 concert
- Ottawa Jazz Festival shows a 2013 surplus, mainly from non-jazz acts and beer
- Capital Vox remembers Dave Brubeck through both his words and music
- Jamie Baum and Jane Bunnett bring new, Indian-influenced music to life
- Bryn Roberts returns to making his own, lyrical music
- Diverse concerts sell out to Ottawa audiences
- Roddy Ellias stops fidgeting and hits the Record button
- Donations to jazz radio shows fall while CKCU exceeds funding target
- David Occhipinti in Ottawa Friday afternoon to debut his new chamber jazz CD
- An early and jazzy start to Christmas
- IMOOfest to return after financial break-even and artistic successes
- IMOOfest 2013 Night 3: unpacking the music (review)
- IMOOfest 2013 Night 2: stretching the rules (review)
- IMOOfest 2013 Night 1: a huge dynamic range (review)
- Will Accordion Conspiracy take over IMOOfest? (video)
- Organ-ic fusion fills the church (review)
- Phil Nimmons and David Braid reinvent their music with each concert
- Ensemble SuperMusique takes a chance with IMOO at Club SAW
- Mortimer Katz remembered: a very long life filled with bebop
- Guelph 2013: Wadada Leo Smith's Ten Freedom Summers moved from sorrow to triumph (review)
- Guelph 2013: The improvisers get improv'd
- Three Ottawa vocalists recreate classic Ella and Billie Newport concerts (video)
- Guelph Jazz Festival listeners treated to elevator music (review)
- William Parker tells Guelph 2013: You can't resurrect the jazz masters
- Guelph 2013: Bomata warmed a rainy-day audience with melodic yet unusual jazz
- Guelph 2013: Satoko Fujii and Kaze blew away preconceptions
- Garry Elliott and Steve Boudreau share the improvising spirit in their new CD
- Guelph 2013: Hamid Drake & Jesse Stewart share a creative imagination (review)
- Guelph Jazzfest's community-built concert reaches new heights
- Which Canadian jazz musicians did “NAC Presents” miss? (commentary)
- More Saturday night jazz at AlphaSoul Café
- Guelph 2013: Espousing music of the moment (review)
- NAC Presents instrumental jazz in its 2013-14 program
- Nick Fraser's CD is full of resonances
- Guelph 2013: Matt Brubeck pushes the cello's boundaries in a solo concert (review)
- Guelph 2013: The Indigo Trio soars and leaves the audience exalted (review)
- Steve Boudreau's back, with a new solo CD
- Adam Daudrich celebrates the tradition of the jazz piano trio with his own new music
- William Parker and Ken Aldcroft: subtle textures which filled the room (review)
- L'OFF Festival in Montreal and Le Festival de Jazz de Quebec announce lineups for October
- Guelph 2013: World Percussion Summit breaks the borders of rhythm (review)
- Jesse Stewart's Gnomon Variations a timely arrival for 20th Guelph Jazzfest
- Cool and groovin' - with gelato
- The Montreal Jazz Festival pays an upbeat tribute to Dave Brubeck (review)
- Orchestre national de jazz Montréal scores with Joni Mitchell tribute (review)
- Jayme Stone melds chamber music, jazz, and bit of bluegrass into an intricate whole (review)
- The Lemon Bucket Orkestra: a dancing good time (review)
- Phil Dwyer and Don Thompson celebrate the long-lasting beauty of standards (review)
- Second annual IMOOfest in November
- Paul Tynan sees different big band styles on each side of the border
- An ensemble who enjoyed celebrating Horace Silver's music (review)
- The Element Choir brings an element of surprise and beauty (review)
- Henrique Cazes and Sambacana fill St. Brigid's with gentle Brazilian rhythms (review)
- Jayme Stone expands the horizons of the banjo, along with his favourite musicians
- Scott Thomson explains how he fills large spaces with resonant sound
- The Jesse Stewart Trio sparks everyone's imagination (review)
- Montréal Guitare Trio starts Chamberfringe on a strong note (review)
- Renée Yoxon and her Gentlemen Friends swing the park (review)
- Three young musicians bring new music and their new experiences back to Ottawa
- Joel Miller and Honeycomb at the Montreal Jazz Festival (review)
- Caridad Cruz and Miguel de Armas ignite their audience
- Trifolia: adventurous jazz at the Montreal Jazz Festival (review)
- Kellylee Evans charms Montreal audience with hip-hop and jazz (review)
- Prairie jazz wins the Grand Prix de Jazz (review)
- Guelph Jazz Festival celebrates 20th Anniversary with World Artist Summit Sep 3-8
- Ten Years of the Triplets of Belleville, in Ottawa et Montreal (review)
- Finding the patterns in Tim Berne's free jazz (review)
- A romantic evening: The Thomas Enhco Trio and the Steve Kuhn Trio at the Montreal Jazz Festival (review)
- Christine Jensen, Ingrid Jensen, Gary Versace at the Montreal Jazz Festival (review)
- 2013 Montreal Jazz Festival celebrates pianists – and the late Dave Brubeck
- Almonte's JazzN announces new house concerts, reflects on successful first year
- AlphaSoul jazzfest jams get jammed
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