February 22: In the 2015 Academy Awards announced today, Whiplash won three Oscars, including Best Supporting Actor, Best Film Editing, and Best Sound Mixing. It had also been nominated for Best Picture and Best Writing – Adapted Screenplay.
Directed by Damien Chazelle
ByTowne Cinema (November 14-27, varying times)
Whiplash starts with a drumbeat – one that becomes steadily faster and fiercer. We look down a long white corridor and there, silhouetted in a doorway, is Andrew Neiman [Miles Teller], playing his heart out on the drums late at night. And then an older man appears, listening carefully. When Andrew stops, he orders him to keep going – and play harder than ever.
That scene sets the tempo for this movie – a breakneck-paced examination of a toxic relationship between student and teacher. Full of unexpected twists and jolts, it's 106 minutes of psychological intensity almost to the level of breakdown.
As a piece of cinema, this film is brilliant: beautifully shot, tightly directed, and well-acted. But I suspect most jazz musicians (especially drummers) and educators are going to have problems with it, because its presentation of jazz and its processes is seriously warped.
Andrew is a first-year student at the fictional Shaffer Conservatory of Music in Manhattan [possibly based on the Juilliard School], which he describes as the greatest music school in the country. He has immersed himself in jazz and drumming for years, and hero-worships Buddy Rich.
Terence Fletcher [J.K. Simmons] is a jazz pianist and teacher at the conservatory, renowned for his high standards, and always on the prowl – even late at night – for new talent for his award-winning Studio jazz band. Cool and elegant in a tight black T-shirt and jeans, he seems the epitome of the ageless jazz musician and an obvious role model for Andrew.
Brian Browne Trio
NAC Fourth Stage, Ottawa
Saturday, November 15, 2014 – 7:30 p.m.
The energy was palpable inside the NAC Fourth Stage on Saturday, as pianist Brian Browne, bassist Neil Swainson, and drummer Terry Clarke began to play.
But it was almost as much from the audience as from the stage: these were listeners intent on and eager for the music. The room was completely packed, filling almost as soon as the doors opened, and there were lots of smiles on faces as first Clarke appeared, then Swainson, and finally Browne.
Clarke began the evening with a complex and changing series of patterns on his drum using brushes; after a minute or so, Swainson added in a steady, full-bodied bass riff; and then Browne entered with a strong swinging piano. It was a full-on trio production – lots of interplay, changing tempos alternating between more syncopated and more bluesy, and trading fours (alternating quick solos) between Clarke and Browne – before ending in a strong flourish.
The trio then slowed down for a delicate and heartfelt version of Burt Bacharach's “What the World Needs Now Is Love”. That set the pattern for the evening – varied but always melodic. Browne had no sheet music in front him, playing instead from memory, and the two sheets of paper on the piano just had some song titles jotted on them, not a formal, numbered set list.
Alex Goodman Trio
Brookstreet Hotel Options Jazz Lounge, Ottawa
Friday, November 14, 2014 – 8 p.m.
This July, Alex Goodman won first prize and the Public's Choice Award at the Montreux Jazz Festival International Guitar Competition. He is the first Canadian to ever win this competition.
Listeners at the Options Jazz Lounge on Friday could hear that technical skill – and considerable composing chops as well – when Goodman's trio appeared there last Friday. In three sets over three hours, the trio combined Goodman's originals and less-common standards for a fast-moving and enjoyable evening.
Goodman has released four albums, the latest being a series of solo guitar études released in 2013; his previous album, Bridges, was a quintet release and a JUNO nominee in 2011 for contemporary jazz album of the year.
For this show, he teamed up with a different trio than on his recordings: Fabio Ragnelli on drums and Rick Rosato on double bass. All three have considerable experience in the Canadian scene (Goodman and Ragnelli until recently in Toronto, and Rosato in Montreal), but currently live in New York City.
They opened with a Cole Porter number, “From this moment on”, fast and swinging with extended improvisation on guitar and bass. Goodman noted later that Porter was one of his favourite composers, and included another of his songs, “You Do Something to Me”, which also had lots of room for exploration while retaining the sweetness of the melody.
The Adam Saikaley Quartet
Mugshots (Nicholas Street Jail Hostel)
Saturday, November 15, 2014 – 10 p.m.
In order to get into Mugshots, you must cross the courtyard where convicted murderers were hanged. On a winter's night, it's dark and filled with shadows, and the grey metal door leading into the bar is more security-conscious than inviting.
But inside on Saturday night, the Adam Saikaley Quartet filled the room with bright, inviting music.
The bar is located on the ground floor of of Ottawa's former jail (now a hostel). It's a long low space, with thick stone walls, curving brick-lined ceilings, and heavy pillars marching down the centre of the room. Vibrations travel really well through the floors and walls – which only increased the intensity of the quartet's grooves.
A year ago, Saikaley started bringing his jazz quartet, with Linsey Wellman on sax and clarinet, Joe Hincke on bass, and Mike Essoudry on drums, for monthly shows at Mugshots. They've been playing there regularly ever since, with Marc Decho recently replacing Hincke. This fall, Saikaley wrote all new arrangements for the group, featuring everything from Ornette Coleman free bop, to 60s and 70s modal jazz, to Brazilian samba, to Afro-Cuban and African rhythms.
But always the groove, as was obvious Saturday. Guitarist Alex Moxon was sitting in for Wellman, and Saikaley's keyboards set up a strong Rhodes-like vibe which easily reached into every corner. Starting with classics like Freddie Hubbard's “Little Sunflower”, their first set had a strong jazz fusion feel. Lead lines on keyboards and electric guitar glided over propulsive rhythms on drumset and double bass, and the whole was warmly received by a generally-young crowd. When OttawaJazzScene.ca's editors left at midnight, there was still lots of energy in the room.
Tcha Limberger and Denis Chang
NECTAR (the New Edinburgh Community and Arts Centre)
Thursday, November 13, 2014 - 7 p.m.
Even arriving early on a cold winter night, you could hear the jazz. Shining violin and bright guitar music was spilling out of the room where the musicians were warming up, lively jazz standards that only increased the anticipation of the audience members waiting in the hall.
This all-acoustic concert featured Flemish-Gypsy prodigy Tcha Limberger on violin and occasional guitar, along with Montrealers Denis Chang and William Dickerson on guitar. It was billed as gypsy jazz – and there was certainly lots of that. But, the music covered a wider range, also not surprising given that Limberger's own musical interests go well beyond that genre.
Limberger is descended from a long line of Romany musicians on his father's side, several of whom are renowned in European Manouche circles and helped revive Gypsy jazz in the last 50 years. The trio opened with a piece which was composed by his uncle and grand-uncle, Fapy Lafertin and Biske Limberger. Chang said it was about old-style gypsy life: a bit clichéd but “very nicely put”. Sung in Romany, it was upbeat with a touch of nostalgia with lots of interplay between the violin and guitars.
On October 10, 2014 Rob Frayne returned to the stage before a sold-out audience at GigSpace with his original compositions, musical friends, good humour – and his tenor saxophone.
It was the first time he'd played the sax in a concert in almost a decade. Read our full interview.
Ten years ago (November, 2004), Frayne's car was hit by a truck, and he was badly injured. His return followed a long period of recovery, readjustment – and determination.
OttawaJazzScene.ca was there to capture this momentous occasion on video, and talk with Frayne about his music and his return as a saxophonist.
He'll be back at GigSpace for round two on Saturday, November 15, in Cooking with Courage 4. He will play bass and sax to support his partner and the group leader Martine Courage on piano and vocals; they will be joined by Mike Essoudry on drums and Laura Nerenberg on violin.
Updated November 12, 2014
At his NAC Fourth Stage performance this Saturday, Ottawa pianist Brian Browne will let the music flow. Each beloved jazz standard will inspire the next one, unconstrained by a set list.
“Most of the time I don't even know what I'm going to play until I go there. I don't even know when I'm there. As a matter of fact, a couple years ago, there's a joke about this, I wrote up a set list. I was forced to write a set list but when I got there I didn't do it. There's nothing more boring than to me than to do a set list.”
Browne said he starts with a “subconscious idea of flow” – what songs flow together well, rather than dictating the order in advance. He doesn't want to have to think about what tune comes next: “I don't want to be thinking – I just want to play. And sometimes if I'm playing a tune, when I'm into it, another tune might pop up into my head that should be next.”
And for Saturday's show, he'll be joined by two “top-drawer” Toronto jazz musicians who will have no trouble keeping up with that flow: bassist Neil Swainson and drummer Terry Clarke. Browne has known and performed with both for decades, but this will be the first time Ottawa audiences will hear them as a trio.
The show will be recorded for a possible CD, which would be Browne's 15th. That means his choice of music will be slightly more limited than usual.
“I don't want to record any songs I recorded on albums before, which is a awful lot of them. So I put a list of songs on a envelope here somewhere, and when the time comes, I'm going to do those. Some of them are just standards, standards like 'Come Rain or Come Shine' and 'Girl Talk' and a few things like that. Just stuff I haven't recorded before, that's all.”
One's a Montrealer, of Taiwanese-Canadian heritage. The other's from Belgium, of Flemish-Gypsy heritage.
But what guitarist Denis Chang and violinist Tcha Limberger have in common is a deep love of Manouche or Gypsy jazz – and the drive to spend years immersed in its culture and learning from its practitioners all over Europe.
And you can hear some of what they've learned in a trio concert in Ottawa this Thursday evening.
Limberger, 37, is blind. He has taught himself eight languages, most (including Hungarian, Romanian, Russian, and Spanish) to give him the background on and allow him to understand musicians from Eastern Europe, including those playing Gypsy jazz. In his teens, he learned Django Reinhardt-style guitar playing from masters such as Fapy Lafertin and Koen De Cauter. At 17, he started studying the violin, inspired by stories from his grandfather, the legendary Manouche musician Piotto Limberger, and recordings of Toki Horvath. By the time he was 21, he left Belgium for Budapest, where he took classical and tzigane classes from Horvath Bela. He has founded a traditional Magyar Nota band, played folk music from Transylvania in the Kalotaszeg Trio, and started the jazz violin quintet Les Violons de Bruxelles. He also plays completely improvised music with guitarist Herman Schamp.
Chang, 32, has repeatedly learned from Manouche players in trips to Europe, including learning to understand the Romany language. He has performed abroad with top Gypsy jazz musicians including the Rosenberg Trio, Joscho Stephan, Gonzalo Bergara, Paulus Schäfer, and Limberger, and has toured with his own Gypsy Jazz Quartet across Canada, including playing six shows at this year's Montreal Jazz Festival.
“The first time I heard Johnny Hartman, he left such an impression on me I never forgot about it. Even though I've gone back and liked other singers, I always come back to him,” vocalist Floyd Hutchinson told OttawaJazzScene.ca this week.
On Friday, he's stepping out front to give his own big nod to this jazz vocalist whom he has always admired, in what will be “a huge show” for him at GigSpace. He'll be performing with the Steve Boudreau Quartet: “four of Ottawa's premiere musicians,” he says, including Boudreau on piano, Jeff Asselin on drums, Brian Asselin on sax, and Joe Hincke on bass. They are musicians whom he has a musical history with and can put his full trust in for his important show.
“You have shows that define you as a musician. I think this is one of the shows that will define me, in my own brain, as a vocalist. I've sung a fair amount of shows [he had already sung two shows on the day we talked] but this is a show I've been waiting for a while. It was time for me to do the show.”
It's taken Hutchinson, who works for the Ottawa Police Service and is not a full-time musician, ten years of singing to get to this point – with almost 100 years of musical family history included in that. A related jazz singer in the 1920s. A second cousin who sings jazz standards in NYC. Relatives in a reggae band, and another relative who was a “heavy duty funk player in the 70s.” And more recently and influentially, “parents who always played music.”
“Maybe I'm just late coming out of the gate. But I'm not out of the show. Hugh O'Connor is still lighting up the town.”
Hutchinson grew up at a time when other music was wildly popular - but it didn't lead him astray.
“I went to my share of discos. I listened to my share of disco music too. But I never lost touch with listening to jazz. It's a very big part of my life. ...Mel and Nat, Count Basie, Duke Ellington, Coltrane, Dizzy, Cannonball Adderley, Clifford Brown, it's always been a part of kind of who I am.”
Friday's concert of mostly Johnny Hartman ballads won't be a flashback to sparkling glass balls and dancing shoes. He elaborated about the singer, with whom he has a close affinity.
Ernst Reijseger – Harmen Fraanje – Mola Sylla
Guelph Jazz Festival
River Run Centre, Cooperators Hall
Thursday, September 4, 2014 - 8 p.m.
Ernst Reijseger solo
Macdonald Stewart Art Centre
Friday, September 5, 2014 - 5 p.m.
Dutch cellist Ernst Reijseger has an enviable reputation – both for the purity and breadth of his technique and the imaginativeness of his collaborations and projects. After starting out playing early and Baroque music, he switched to the avant-garde and jazz. He's performed with top European free jazz musicians like Derek Bailey, Eric Vloeimans, Han Bennink, and Gerry Hemingway, has written and produced film scores for Werner Herzog, and has collaborated with world music artists as well as cellist Yo Yo Ma.
On stage, he's a wild man.
Both of his two concerts at the 2014 Guelph Jazz Festival featured jaw-dropping moments, as Reijseger expanded his audiences' understanding of how the cello could be played while producing lovely and unexpected music.
He turned the cello on its side and played it like a plump guitar – to audible gasps from some listeners. He hit the cello with his bow, and then ripped it savagely across the strings in an example of extreme bowing. He threaded his bow through the strings and then let the bow vibrate while plucking strings. He attached a plastic hair clip and wooden clothes pegs to the strings to dampen and mute their resonance, while still continuing to play. He let the cello swing in his hand, like a pendulum, as he played. He used the cello body as a drum, then shook it, and then moved its bottom spike in and out creating a creaking sound. He wetted his fingers to make the strings squeak. He whipped his bow through the air. He twirled around and around while playing.
Geri Childs “More Than Magic” CD Release Concert
NAC Fourth Stage
Friday, October 31, 2014 - 7:30 p.m.
Opening with “Sentimental Journey” and closing with “Just Friends”, Geri Childs sang about love and long-time friendship in her CD release concert on Friday.
In particular, she talked about her friendship and collaboration with Mark Ferguson, her musical director for the CD and the concert, how they met in (of all places!) a hired band providing music for Joe Clark's leadership campaign, and how they worked together in picking the new standards in the CD. But “everyone here is a friend”, she said at the end of the concert, and certainly there were lots of smiles and appreciative applause throughout.
On stage were the same musicians who played on More Than Magic – Ferguson on piano, trombone, and melodica, John Geggie on double bass, Rob Graves on percussion, and Margaret Tobolowska on cello. They were joined by René Gely, on four different guitars, and Sharon Timmins on backup vocals. Gely added an extra percussive element brightening the music, and allowed Ferguson to move off the piano to trombone on some of the jazzier numbers.
- Marianne Trudel Quintet: An exhilarating, subtle start to the 2014-15 NAC Presents jazz series (review)
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- Merrickville's Jazz Fest Day 3: polished vocals and joyful instrumentals
- Merrickville's Jazz Fest Day 2: crowded with music
- Marianne Trudel: the joy of being surprised, in the moment, by music
- Merrickville's Jazz Fest Day 1: full houses and happy listeners and dancers
- Norman Marshall Villeneuve brings his Message to Merrickville
- Adam Daudrich Trio at MJF: melodic and propulsive with a solid bass
- Blossom Dearie tribute is 'hip' at Merrickville's Jazz Fest (video)
- Brian Browne is MJF's first and busy artist-in-residence this year
- Sun Crescent Barbecue Stompers bring The Big Easy to Merrickville
- Rob Frayne is back, with a tenor sax
- Joel Miller Trio: quiet audiences make acoustic jazz come alive
- IMOOfest 2014 celebrates local talent as well as Canada's top improvisers
- Peter Liu: love songs and jazz cross cultural boundaries in Bamboo Groove
- ZenKitchen quietly launches new Wednesday Night Jazz (video)
- Ottawa benefit raises $900 for Canadian trumpeter and composer Kenny Wheeler (video)
- A cross-Canada celebration of poet P.K. Page in music and dance
- Ottawa audience enjoys Organic's groove (review)
- New Santé Restaurant jazz series will highlight male vocalists in October
- Bernie Senensky, in two voices
- David Braid, Jill Barber, Mike Rud, and John Geggie featured in NAC concerts in 2015
- ZenKitchen doubles its jazz, with musicians rarely heard in Ottawa
- Merrickville's Jazz Fest features new artists, and some greatest hits, for its 4th year
- Guelph 2014: John Heward and Barre Phillips are 80-year-olds with oomph (review)
- Guelph 2014: Pugs & Crows didn't live up to its talent (review)
- Local improvisers put on the spot at IMOO season opener (review)
- Guelph 2014: Lee Pui Ming and Dong-Won Kim astonish the audience (review)
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- OttawaJazzScene.ca - Into the next five years
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- The Christian McBride Trio fulfills the tradition; the Darius Jones Quartet fights with it
- Bobby McFerrin never forgets to experiment (review)
- Collaboration in two acts: Newport Festival Now 60 & the Norma Winstone Trio
- Real jazz is a big hit in Confederation Park, with Kirk MacDonald and Dianne Reeves
- Virtuosity in improvisation and composition: Colin Stetson & Hamid Drake, Darcy James Argue (review)
- Jane Bunnett and Maqueque bring Cuban passion to Ottawa
- Jane Bunnett spotlights the spirit & energy of female Cuban musicians in Maqueque
- The Patrick Smith Trio recreates history (video)
- Kellylee Evans celebrates Canada Day with 2 free concerts with the NAC Orchestra
- Branford Marsalis to open Music and Beyond; Oliver Jones also featured
- Myriad3 creates dramatic, percussive music (review)
- Kirk MacDonald explores symmetry in music
- CYJO celebrates its 5th anniversary with flair and many past faces
- Jazz Festival jams at new Albion Rooms treat listeners to fine musical moments
- High-profile Montreal and Ottawa jazz artists to perform in Aylmer this summer
- Ottawa Fringe Festival will present jazz for the first time
- Jon Ballantyne starts the Ottawa Jazz Festival with complex melodies (review)
- ZenKitchen may be closer to reopening after packed fundraiser
- Jazz Scene: Jazz Heard! OttawaJazzScene.ca celebrates 5 years, with a photo exhibit
- Vocalists, instrumentalists, Latin and more for free at the 2014 Montreal Jazz Festival
- Ottawa composers thrilled by JazzWorks Originals concert
- The Reis Demuth Wiltgen Trio swept the audience along with its vigorous music
- 2014 Geggie Invitational Concert: complex tapestries of music (review)
- Diana Krall to perform a free outdoor concert at the 2014 Montreal Jazz Festival
- What you - and we - learned from the OttawaJazzScene.ca Jazz Favourites Poll
- Some praise, some sorrow at jazz festival programming
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- OttawaJazzScene.ca Jazz Favourites Poll: Concert Venues
- OttawaJazzScene.ca Jazz Favourites Poll: Big bands
- NAC Presents to feature Petr Cancura, Marianne Trudel, and Tanya Tagaq this fall
- Prince Edward County Jazz Festival to offer “all jazz, all the time!" in August
- H'Art artists and Jesse Stewart collaborate for a multi-media musical theatre show
- After 75 years of playing, Oliver Jones still masterfully shares the joy of jazz (review)
- Kirk MacDonald shows 'next level of musicianship' at NACJB on Friday
- No Rideau Centre stage at the Ottawa Jazz Festival this year
- 2014 Chamberfest features clarinetist Don Byron in its genre-bending concerts
- Jacques Emond's jazz recordings play on, at Carleton University
- John Geggie reunites with favourite Canadians for an Invitational concert tonight
- Omer Klein gave an exhilarating and intense performance for his Canadian debut
- Omer Klein's lifelong love affair with the piano ... and improvisation
- The Mash Potato Mashers parade for their final time
- Steve Berndt and Brian Browne turn tasty leftovers into gold with "All Over Again"
- The Roddy Ellias Trio never stops talking with their music (video)
- Bumpin' Binary grooves on organ and drums
- The Adam Saikaley Quintet brings Miles Davis' Filles de Kilimanjaro to vivid life
- Beeched Wailers open a new jazz jam at the Rochester Pub & Eatery
- 2React takes hip-hop back to its roots in jazz
- Jesse Stewart brings renowned improviser William Parker to Ottawa for innovative concerts and lectures
- Jesse Stewart talks about the challenges of making music outdoors at -25C (video)
- After 30 years playing jazz, Phil Dwyer is going to law school
- Phil Dwyer Trio energizes BDT with a compelling collaboration (review)
- Three standing ovations for Jérôme Beaulieu Trio's first show outside Québec
- Café Nostalgica is bringing back jazz nights
- Matt Dusk and Molly Johnson to celebrate Christmas with the NAC Orchestra
- A Jazzy March in Ottawa-Gatineau
- Jérôme Beaulieu meets his audiences half-way, with melodic and unexpected jazz
- Jesse Stewart brings Jane Bunnett, one of his favourite musicians, to Ottawa
- Tonight is the last night for the iconic Cellar Jazz Club in Vancouver
- Warm and sincere, Denzal Sinclaire wows the orchestra audience
- Denzal Sinclaire pays tribute to his musical hero Nat King Cole - with orchestra
- Once a year, Michael Pytura celebrates his favourite big band jazz singers
- The Sicilian Jazz Project reached the audience's hearts (and made them dance)
- The Maskell-Cousineau Quintet: serious, accessible, and fun music
- Jesse Stewart brings 'Memories of Ice' to free Winterlude shows
- Juno Award nominations recognize many musicians who played in Ottawa-Gatineau
- FOLKRUM dreams big for a new Ottawa-Gatineau concert venue
- Ottawa-Gatineau's 2013 Jazz Score
- Afrocentric jazz returns to Le Petit Chicago after an intense and satisfying debut
- Roddy Ellias, Petr Cancura, and Andrew Downing form equal sides of trekan
- Clayton Connell shows his piano range Wednesday, before heading off to Austria
- Linsey Wellman's Wedding and Funeral Trio melds Balkan rhythms and jazz
- Jazzin' the Holidays creates holiday cheer for GigSpace (video)
- Gaby Warren hosts a baker's dozen of Christmas jazz jams
- AlphaSoul Café to close its doors after more than two years presenting jazz
- The Adrian Matte Quartet heated up AlphaSoul on a frosty night
- Jamie Baum and Jane Bunnett: two voices in close conversation (review)
- CYJO brings a century of music to life in first 2013-14 concert
- Ottawa Jazz Festival shows a 2013 surplus, mainly from non-jazz acts and beer
- Capital Vox remembers Dave Brubeck through both his words and music
- Jamie Baum and Jane Bunnett bring new, Indian-influenced music to life
- Bryn Roberts returns to making his own, lyrical music
- Diverse concerts sell out to Ottawa audiences
- Roddy Ellias stops fidgeting and hits the Record button
- Donations to jazz radio shows fall while CKCU exceeds funding target
- David Occhipinti in Ottawa Friday afternoon to debut his new chamber jazz CD
- An early and jazzy start to Christmas
- IMOOfest to return after financial break-even and artistic successes
- IMOOfest 2013 Night 3: unpacking the music (review)
- IMOOfest 2013 Night 2: stretching the rules (review)
- IMOOfest 2013 Night 1: a huge dynamic range (review)
- Will Accordion Conspiracy take over IMOOfest? (video)
- Organ-ic fusion fills the church (review)
- Phil Nimmons and David Braid reinvent their music with each concert
- Ensemble SuperMusique takes a chance with IMOO at Club SAW
- Mortimer Katz remembered: a very long life filled with bebop
- Guelph 2013: Wadada Leo Smith's Ten Freedom Summers moved from sorrow to triumph (review)
- Guelph 2013: The improvisers get improv'd
- Three Ottawa vocalists recreate classic Ella and Billie Newport concerts (video)
- Guelph Jazz Festival listeners treated to elevator music (review)
- William Parker tells Guelph 2013: You can't resurrect the jazz masters
- Guelph 2013: Bomata warmed a rainy-day audience with melodic yet unusual jazz
- Guelph 2013: Satoko Fujii and Kaze blew away preconceptions
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- Guelph 2013: Hamid Drake & Jesse Stewart share a creative imagination (review)
- Guelph Jazzfest's community-built concert reaches new heights
- Which Canadian jazz musicians did “NAC Presents” miss? (commentary)
- More Saturday night jazz at AlphaSoul Café
- Guelph 2013: Espousing music of the moment (review)
- NAC Presents instrumental jazz in its 2013-14 program
- Nick Fraser's CD is full of resonances
- Guelph 2013: Matt Brubeck pushes the cello's boundaries in a solo concert (review)
- Guelph 2013: The Indigo Trio soars and leaves the audience exalted (review)
- Steve Boudreau's back, with a new solo CD
- Adam Daudrich celebrates the tradition of the jazz piano trio with his own new music
- William Parker and Ken Aldcroft: subtle textures which filled the room (review)
- L'OFF Festival in Montreal and Le Festival de Jazz de Quebec announce lineups for October
- Guelph 2013: World Percussion Summit breaks the borders of rhythm (review)
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- The Montreal Jazz Festival pays an upbeat tribute to Dave Brubeck (review)
- Orchestre national de jazz Montréal scores with Joni Mitchell tribute (review)
- Jayme Stone melds chamber music, jazz, and bit of bluegrass into an intricate whole (review)
- The Lemon Bucket Orkestra: a dancing good time (review)
- Phil Dwyer and Don Thompson celebrate the long-lasting beauty of standards (review)
- Second annual IMOOfest in November
- Paul Tynan sees different big band styles on each side of the border
- An ensemble who enjoyed celebrating Horace Silver's music (review)
- The Element Choir brings an element of surprise and beauty (review)
- Henrique Cazes and Sambacana fill St. Brigid's with gentle Brazilian rhythms (review)
- Jayme Stone expands the horizons of the banjo, along with his favourite musicians
- Scott Thomson explains how he fills large spaces with resonant sound
- The Jesse Stewart Trio sparks everyone's imagination (review)
- Montréal Guitare Trio starts Chamberfringe on a strong note (review)
- Renée Yoxon and her Gentlemen Friends swing the park (review)
- Three young musicians bring new music and their new experiences back to Ottawa
- Joel Miller and Honeycomb at the Montreal Jazz Festival (review)
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- Trifolia: adventurous jazz at the Montreal Jazz Festival (review)
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- Christine Jensen, Ingrid Jensen, Gary Versace at the Montreal Jazz Festival (review)
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- Two exceptional percussionists play the Ottawa Jazz Festival this week (video)
- David Byrne talks about music and the music biz, in all its eclectic glory (book review)
- Roberto López combines Colombian rhythms and jazz into danceable music
- Festival pass awarded - and two more to be won!
- Listeners follow Ottawa Jazz Festival jams westward to AlphaSoul Cafe
- Jazzfest 2013: Great jazz from across Canada
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- Jazz at The Cube
- Jazzfest 2013: Hear our Ottawa Jazz Festival picks on CKCU FM
- 2013 Ottawa Jazz Festival jams move 3.5 km west to Hintonburg
- Jazzfest 2013: Local musicians you will want to hear
- Stellar year for young Ottawa musicians at 2013 MusicFest Canada
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