The Record Centre
Sunday, December 11, 2016 – 4 to 5 p.m.
Every note was Canadian when 45north played the Record Centre Sunday afternoon.
The Ottawa jazz sextet specializes in music by fellow Canucks – both straight jazz and jazz fusion interpretations of pop and rock songs. So Joni Mitchell's “Both Sides Now” was followed by Mike Murley's “Stanstill”, and David Braid's “Cowboy Bebop” by the Powder Blues Band's “Doin' It Right”.
The combination – lively and upbeat, with horns – was a good antidote to the looming dark and frigid weather outside. The band played to customers who came and went and a varied group of listeners who stayed and clapped enthusiastically – adding to the beat during some songs as well as afterwards. Near the end of the show, a youngster in a blue snowsuit (and a 'Canada' toque) peered through the outer door from the sidewalk in fascination for almost 10 minutes, but couldn't be coaxed inside to hear the band directly.
The Ottawa Jazz Festival made a sliver of a surplus in 2016 after cutting its payments to musicians by more than a third, while staff and contract costs remained stable.
At the festival's annual general meeting on November 28, festival treasurer Lee Tessmer reported that “after two challenging years, we're back in the black”. The festival had a net income of $3,449 this year, after losses of $123K in 2015 and $141K in 2014.
But the tiny surplus did not come from greater ticket sales, which were down by almost 10% in 2016 from the previous year. (The weather during this year’s festival was primarily warm and sunny, with rain on only two days with ticketed concerts.) Similarly, grants were down 29% and corporate sponsorship down 24%, and advertising revenue was zero.
Instead, the festival cut costs – and particularly for musicians' fees. In 2016, it spent $954,671 on programming, compared to $1,459,246 in 2015 and $1,496,535 in 2014. This was despite 2016 being the festival's 35th anniversary.
The festival spent marginally more on non-musician wages and contract services, from $493K in 2015 to $497K in 2016. In 2015, according to the most recent Canadian Revenue Agency filings, the festival had three employees earning from $40,000 to $79,999, and one employee earning from $80,000 to $119,999.
Updated December 12, 2016
No need to feel hemmed in musically in the second week of December! There continues to be lots of jazz choice, with a few Christmas cookies as well.
On Thursday, December 8, you have a rare chance to hear three major jazz voices from Chicago in the All Star Ritual Trio at the Mercury Lounge. Saxophonist David Murray was a hit with audiences at the 2013 Ottawa Jazz Festival with his big band featuring R&B vocalist Macy Gray; he's also a founding member of the World Saxophone Quartet and has worked with greats like Elvin Jones, Jack DeJohnette, McCoy Tyner, Max Roach, and Randy Weston.
Percussionist Kahil El’Zabar is an AACM member and the leader of the Ethnic Heritage Ensemble, which played Ottawa annually for years. He's worked with Dizzy Gillespie, Paul Simon, Nina Simone, Pharoah Sanders, among others. Bassist Harrison Bankhead plays everything from straight-ahead to free jazz; OttawaJazzScene.ca was very impressed with his interpretive ability when we heard him with Nicole Mitchell in 2013. He's played with Fred Anderson, Roscoe Mitchell, Hamiet Bluiett, and many more.
Expect a deep understanding of the jazz tradition – and the ability to turn that tradition on its head. Ottawa saxophonist Petr Cancura's trio will play an opening set.
Also on December 8, you can hear four groups whose music ranges from free jazz to experimental music at Daïmôn in Gatineau. The show is called “Électrons Libres”, and it pairs sound artists and instrumentalists together for improvised sets. The show features Ottawa improvisers Instant Places (Laura Kavanaugh and Ian Birse) playing a short set with saxophonist Linsey Wellman, plus the touring American duo Elka Bong (Al Margolis and Walter Wright). Margolis is an experimental violinist and clarinetist whose works cover both fairly spontaneous studio constructions and more process-oriented composition, while Wright plays drums and electronics and includes electro-acoustic music and videos in his performance. Just don't expect to hear any Art Blakey here...
Harold Shenkman Hall, Shenkman Arts Centre
Friday, December 2, 2016 – 8 p.m.
Ranee Lee doesn't just sing: her voice is a flexible instrument that can softly caress a lyric – or jump, growl, and bop the night away..
At 8 p.m. on Friday, she sashayed onto the stage at the Shenkman Arts Centre, and, from then until 10:45 p.m., the energy never flagged. In two sets totaling 2¼ hours, the Montreal jazz vocalist performed jazz standards to pop ballads to lesser-known gems in a show which flowed easily and kept the audience entranced.
Lee's career has lasted more than 50 years – and the experience showed in how she gave each song an arrangement and the attention which allowed it to shine. She could project lyrics with blistering precision and speed, as she did in her opening number, or slowly bring out their beauty in a thoughtful “Lullaby of the Leaves”.
She used her expressive voice and her hands to underline the meaning of the lyrics – but also to incorporate her vocals as part of the overall sound. In that, she was well supported by her band of experienced Montreal jazz musicians: her husband, guitarist Richard Ring, plus drummer Dave Laing, double bassist Dave Watts, and pianist Taurey Butler. There was a comfortable, swinging vibe on stage, and an easy, quick communication among the musicians.
The concert was advertised as showcasing Lee's latest CD, What's Going On . I thought the pieces from that CD were among the highlights of the show, particularly when she was joined by the members of the Birds on a Wire string quartet, who contributed rich and lovely melodies to the mix.
Cellist Jane Chan was featured on “White Gardenia”, a plaintive ballad which Lee's long-time musical associate Roger Peace especially contributed to the album, along with Butler. Chan added full, melancholy cello lines and a solo, which underlined the lyrics' story of lost love, as did Ring's evocative guitar solo. Lee sang the elegy with care and deep emotion, letting her voice ring through the hall.
You don't have to be stuck in a Christmas carol jail this month. There's lots of non-seasonal jazz to keep you happy.
From big bands to jazz vocals, from creative exploration to jazz influenced by Gershwin or Shostakovich, there's a variety of interesting music available in December in Ottawa-Gatineau – as well as Christmas cheer!
The month opens with a holiday classic, with the Jerry Granelli Trio performing their annual Tales of a Charlie Brown Christmas at Dominion Chalmers United Church. Drummer Granelli is the only remaining musician who played on that iconic recording of Vince Guaraldi's music, and he's teamed up with two Canadian musicians – Chris Gestrin on piano and Simon Fisk on bass – to recreate it, this year with the The Cross Town Youth Chorus providing the vocals. You want comfort music – you've got it!
Also on December 1: the local jazz band Stay Tuned plays “accessible jazz” to raise money for refugees at a show at the Sheba's Cove restaurant in Westboro. There's no cover or minimum, but donations to assist refugees getting settled here in Ottawa will be welcomed. Or, if you like swinging across the dance floor, the Starlighters big band will be playing a Christmas-themed dance at the Ron Kolbus Centre on December 1.
More than 45 years ago, Ranee Lee chose Canada for love – and she's never regretted it.
The award-winning Montreal jazz vocalist will make a rare appearance in Ottawa on Friday at the Shenkman Arts Centre, performing music from her latest CD with an all-Canadian band, including a string quartet. And when OttawaJazzScene.ca spoke to her on Monday, she praised the many Canadians who contributed to that CD and to her career as a whole.
Canada has given her “every opportunity”, Lee said. “It's given me my life.”
“I don't like the attitude of small fish, big fish. I don't like that attitude, because I believe we all have to swim accordingly. I feel that the opportunities to raise a family, to be diverse enough to act, to sing, to dance, to play instruments – all of which was afforded me this opportunity through having my roots planted in Canada now.”
“I've toured most of the world as a Canadian ambassador, representing our art form in many countries. Just two months ago, we were in Johannesburg, South Africa, in a jazz festival there. So my Canadian roots have reached far and wide. And due to that, and the fact that I have a long history with McGill University as a vocal teacher there, I was given the Order of Canada. And you can't live anywhere else and get that!”
“So I believe that by fortune of birth I was given the opportunity to be born in the United States, which I don't regret. I had a wonderful childhood and a great family, and still do, and I got to see the best that the world could offer me, the best career that I could ever choose for myself.”
Lee has had a highly successful career as a musician, musical theatre performer, actress, and educator. She has released 12 jazz albums for the Canadian label Justin Time, and won a Juno for best vocal jazz album in 2010. In 2006, her joint album with pianist Oliver Jones was named Album of the Year at the National Jazz Awards. She was awarded a Dora Mavor Moore award for her performance as Billie Holiday in Lady Day at Emerson’s Bar and Grill, and produced and starred in the musical Dark Divas about the lives of seven renowned female jazz vocalists. She was named to the Order of Canada in 2006.
The Crooked Jazz Trio
The Record Centre
Sunday, November 20, 2016 – 4 p.m.
Outside was the first snowstorm of the season: wet, cold, slippery. Inside the Record Centre, the Crooked Jazz Trio performed music that ranged from toasty to sizzling.
The trio is Dave Schroeder on electric bass and guitar, Steve Boudreau on keyboards, and Jeff Asselin on drums – three Ottawa jazz musicians who each spent a great deal of time away from this city, studying and touring, and who are now back and playing jazz together.
But not straight-ahead jazz. Schroeder said that their name comes from their flexible approach to the music: “We're what could be called '"jazz'" but we are in no way bound to adhere to any stylistic limitations. And I play electric bass (though I do intend to play upright with the trio as well), and that is not a 'straight' or traditional approach to jazz. And we're all shifty and 'crooked' in that sense. So we're happy to corrupt any style of music!”
They opened Sunday's show with Boudreau's “Schraday”, a tip of the hat to Schroeder. It was a warm, inviting number, with a Dr. John vibe and an easy New Orleans-style groove, with Boudreau vamping on keyboards and Schroeder playing harmonica. They built up the pace in the next number, Boudreau's “Running Gun”, a more exploratory number with a strong forward momentum.
Schroeder and Boudreau are both former members of the local jazz band The Beeched Wailers, and they included “Harvest Stroll”, a piece Boudreau had written for that group – but given a quite different interpretation. This version opened slowly and slinkily, and created a integral groove with the bass line underlying the strong organ riffs. Asselin played brushes on his snares and cymbals, but still created emphatic rhythms underneath.
Schroeder said one reason he liked playing with this trio was that many of his tunes suited the line-up. “I don't generate as much music as Steve does, but I have tunes that will suit the trio. Playing with the Beeched Wailers, a lot of my music wasn't that effective with the quintet, but I really like to write for a trio. So it's nice to get those tunes off the ground.”
Safe Low Limit presented its music, which extends far into the bass clef, to appreciative listeners at Le Petit Chicago on Monday nights in November. This was their first public performance as a quartet.
OttawaJazzScene.ca's Inside the Scene interviewed all four members of the group: Steve Berndt (trombone and vocals), Ken Kanwisher (cello). Dr. Keith Walton (tuba), and Michel Delage (drums). All four enthusiastically shared their motivations for participating in this project, the challenges and pleasure of making this music, and what a Doctorate in tuba is all about (fascinating!) on-camera.
Our story also features excerpts from their performance of Steve Bendt's composition, Safe Low Limit.
– Brett Delmage
Dong-Won Kim is a master percussionist from South Korea. He has studied various forms of traditional Korean percussion music for three decades, including farmer’s drumming and dance, shamanic music, and Pansori accompaniment, and has performed throughout Europe, the U.S., Canada, Japan, and many other countries. He's also a member of cellist Yo Yo Ma's multi-national Silk Road Project.
His instruments include the jang-go, an hourglass-shaped drum with hide-covered ends; the buk, a round leather barrel drum; and bronze gongs.
But he's gone beyond that tradition – creating new possibilities in jazz and creative improvised music. And that's the type of music he'll be playing on Friday with GigSpace in two duo concerts with Juno Award-winning percussionist Jesse Stewart.
Kim created a notable stir with his inventive performances in several appearances at the Guelph Jazz Festival. He has played and recorded with Stewart both in Guelph and in Ottawa.
He's been living in Ottawa since mid-September, working as Carleton University's musical artist-in-residence for the fall term. He's taught weekly lessons in Korean rhythms, but also lectured on the theory and practice of improvisation and musical performance. His lecture topics have included “Rhythm for Designing Space”, “Composition in Improvisation”, and “Movement in Sound, Sound in Movement”.
OttawaJazzScene.ca editor Alayne McGregor interviewed Kim on Monday about Friday's concert, what he's been teaching at Carleton, and how he approaches music – but also about his experiences as a political prisoner in Korea in the 1980s, and how that solidified his determination to become a musician. This is an edited version of our conversation.
OttawaJazzScene.ca: What's it been like being in Ottawa?
Dong-Won Kim: Good! I'm very much enjoying being here in Ottawa. I really enjoy it. It's been a little longer than two months so far, and one more month to go.
OttawaJazzScene.ca: How did you first start studying traditional Korean percussion music?
Canada's National Arts Centre (NAC) announced its 2017 Canada Scene festival today, including a major tribute to Oscar Peterson with pianists Robi Botos, Oliver Jones, Jon Kimura Parker, Bill Charlap, Gerald Clayton, Benny Green, and Justin Kauflin.
The Canada Scene festival will run from June 15 to July 30, 2017 – the middle of Canada's 150th birthday year. It will feature artists from across Canada in music , dance, theatre, culinary and visual art, performing at the newly-renovated NAC. It will also be the culmination of seven previous “Scene” festivals at the NAC which celebrated different regions of Canada between 2003 and 2015.
Robi Botos opened the launch event playing a swinging and virtuosic rendition of Peterson's “Blues for Smedley”. He will be one of seven “renowned pianists and close friends of Peterson” included in the July 10 “Oscar, with Love” tribute in Southam Hall – playing on Peterson's own beloved Bösendorfer Imperial grand piano, which will travel to Ottawa for this occasion. The evening will be hosted by Peterson's daughter, Céline.
Fellow Canadians Oliver Jones and Jon Kimura Parker will also perform, along with Americans Bill Charlap, Gerald Clayton, Benny Green, and Justin Kauflin. They will be accompanied by renowned Canadian bassist Dave Young, who played with Peterson for 35 years, in appearances in the Oscar Peterson Trio all over the world up until Peterson’s death in 2007.
Young released an Aspects Of Oscar tribute album with Botos in 2011. In 2012, Young, Botos, and drummer Terry Clarke appeared at a star-studded tribute to Peterson in Ottawa, organized by the German Embassy to celebrate the historical connections between Germany and the Canadian jazz icon.
Botos, Jones, Charlap, Clayton, Green, Kauflin, and Young are also included on the recently-released Oscar with Love CD organized by Peterson's widow, Kelly Peterson, of performances on Peterson's Bösendorfer of never-before-heard Peterson compositions.
Miguel de Armas and Friends, with Claudia Salguero, Sylvio Módolo, and Juan-Luis Vasquez
The Ironstone Grill, The Marshes Golf Club
Friday, November 18, 2016 – 7:30 p.m.
Two well-known local Latin jazz musicians – pianist Miguel de Armas and vocalist Claudia Salguero – performed together for the first time Friday, to an enthusiastic crowd.
In two one-hour sets, they played songs from Brazil, Mexico, and Cuba – and some of their favourite American jazz standards as well. Together with Sylvio Módolo on bass and Juan-Luis Vasquez on percussion, they created a warm, lively vibe which kept almost the entire audience intent and smiling – and singing and clapping along at times as well.
De Armas plays many clubs around Ottawa, as well as concerts here and in other cities with his Latin Jazz Quartet. Since January, he has hosted a regular Friday night series at the The Marshes in Kanata, inviting different Ottawa musicians to perform with him – a wide cross-section of some of the best-known names in Ottawa jazz scene.
Salguero, on the other hand, is best known for the large-scale, sold-out shows she's mounted annually at the National Arts Centre, which feature her singing boleros and other Latin American love songs, backed by a band of local Latin musicians in arrangements created by Módolo.
Friday's show opened with the Antonio Carlos Jobim classic, “The Waters of March”, and moved smoothly through a series of songs in Spanish and English, mostly romantic ballads. But there were upbeat numbers, too: “Autumn Leaves” turned into an extended jam, with Salguero's voice swaying over the tight rhythms from piano, bass, and congas, while “Rayito de Luna” was a bright, sunny cha-cha-cha.
- Touring Dutch duo impressed by Canadians' response to jazz
- Amy Brandon creates altered states of guitar
- Safe Low Limit digs deep for Jazz Mondays in November
- Cole Porter without the words engages the audience at Brookstreet tribute show
- Maureen Kennedy's passion for finding hidden jazz standards
- Maqueque notches up its Afro-Cuban jazz energy with its second album
- The Ken Harper Trio brings commitment and energy to new concert series at Southminster
- Samuel Blaser and Gerry Hemingway perform music to feed the soul
- Sienna Dahlen's expressive music deserves an audience's full attention
- Tim Bedner & Elise Letourneau revisit their Thursday nights at Cafe Paradiso on Saturday
- The Canto Trio blends two sax voices and bass in an evening of classic jazz
- Two musicians make their sculpture sing in an Ottawa park
- John Stetch dramatically mixes folksong, classical, and TV themes into dynamic jazz
- Rachel Beausoleil shares the Brazilian popular music you don't know
- Marianne Trudel pays a rich tribute to Guelph Jazz Festival founder
- François Houle excited about new projects, long-time collaborations
- Francois Houle: just the clarinet
- Betty Ann Bryanton takes her musical revenge, to a happy full house
- Roddy Ellias and Megan Jerome create quiet beauty in a new collaboration at Irene's
- Musical friends return to 2016 Guelph Jazz Festival to celebrate founder's last year
- It's a new jazz season - and September sings!
- Conjunction: three jazz and three classical musicians make music that sings (review)
- A powerful jazz fusion outing for Modasaurus (review)
- The swinging style of Denielle Bassels
- Trumpet Bootcamp gives students a different perspective
- Kiran Ahluwalia filled the park with haunting melodies and circling rhythms
- Carleton U Jazz Camp faculty quintet enjoys the upbeat (review)
- The 2016 Merrickville's Jazz Fest gets funkier and celebrates John Lennon
- 'I got rhythm': Rob Frayne takes the helm at the JazzWorks jazz camp
- 2016 Carleton U Jazz Camp goes all-Ottawa, with afternoon concerts
- Gene DiNovi infuses Duke Ellington's music with his own life
- The Ottawa and Gatineau jazz scenes strut their stuff in August
- A flowing conversation among Ernst Reijseger, Jesse Stewart, and David Mott (review)
- A standing ovation for So Long Seven's mélange of rhythms and influences
- A show of thanks: Mike Rud honours jazz guitarist George Benson this weekend
- Chamberfest: A jarring juxtaposition of jazz and classical
- The Doug Martin Quartet gives a vibrant release to their 'Spirit of Survival' CD
- Jesse Stewart, David Mott & Ernst Reijseger share a passion for invention & improvisation
- Ernst Reijseger at Chamberfest: reinventing how audiences see and hear the cello
- Will Halifax Jazz Festival's Heather Gibson put jazz on NAC stages as the new NAC Presents producer?
- Oliver Jones takes on new challenges in his farewell tour
- Doug Martin revisits Cuba in music in his new CD, Spirit of Survival
- Take a Jazz Stay-cation: Ottawa jazz highlights in July
- Classical and jazz dance together at the 2016 Ottawa Chamberfest
- Canadian saxophonist P.J. Perry named to the Order of Canada
- A hard-driving quartet finds new corners of modern jazz
- Steve Bilodeau reaches the semi-finals in Montreux Jazz Festival International Guitar Competition
- Kirk MacDonald & Pat LaBarbera are back in town, celebrating musical friendships
- Brian Browne and Peter Woods fill the Record Centre with standards
- Ottawa's jazz fans discover new groups and new sounds in the 24 hours of the Jazz Ramble
- Two CDs by Nick Fraser create beautiful moments through collaborative improvisation
- The Amos Hoffman Quartet adds classical and Mid-East motifs to mainstream jazz
- A rural county excited by jazz: what Prince Edward County Jazz Festival does differently
- Finding new ways to develop young jazz talent at the Prince Edward County Jazzfest
- There's lots more live jazz than just the jazzfest in June
- The Bank Street Bonbons show the power of brass at Irene's
- The timeless beauty of jazz raises thousands for refugees
- This Sunday: discover jazz vocalists and support refugees
- The 2016 Prince Edward County Jazz Festival is showcasing the Canadian jazz it loves
- William O'Neill: a guitarist talks about his love of big band music
- Erin Saoirse Adair adds power to her anger with a jazz backing
- Ottawa jazz fans show their appreciation for Oliver Jones' 76-year career (review)
- The Rachel Therrien Trio rethinks and reenergizes jazz classics
- Andrew Ferderber's A+ graduation performance, and how he got there
- Sweet swing fills the church as the Hard Bop Association pays tribute to Duke Ellington
- Fawn Fritzen matches originals with vocal jazz classics in a finely-tuned show
- Ed Lister's hard-swinging tribute Wednesday to Duke Ellington's classic music
- Fawn Fritzen takes a fresh approach to jazz standards
- Jazz swings through May
- An expanded quartet rethinks the music (video)
- Miles Ahead, but not in reality (movie review)
- Michael Kaeshammer and his audience have fun with energetic and varied music
- Michael Kaeshammer plays the music he loves and that's in his fingers
- Song of Lahore shows jazz triumphing over intolerance (movie review)
- Sitar, violin, guitar & cajon entice the audience at high-energy Sultans of String show
- The Sultans of String create an improvised collaboration with Indian sitar
- Polished performances from the Carleton University student Jazz Ensemble
- Garry Elliott and Steve Boudreau add new voices and viewpoints to their music
- Students fuse genres to create new music in year-end Carleton University concert
- Raise a glass (or several!) to jazz in Ottawa in April
- 2016 Jazz Juno Awards winners: Allison Au, Robi Botos, and Emilie-Claire Barlow
- Born To Be Blue stays true to Chet Baker's music, but romanticizes his life (movie review)
- Vocalese with Steve Berndt and Christine Fagan: "A jazz adventure" (video)
- Olivier Babaz shines a world of music on his new jazz album
- Brazilian drumming inspires Rob Frayne's latest percussive project, DrumSwamp
- Only applause broke the silence as the Sonoluminescence Trio played the Record Centre
- Ottawa Jazz Festival announces summer line-up, including Chick Corea, Dan Brubeck 4tet, Wynton Marsalis, The SF Jazz Collective, and Colin Stetson
- Rob Frayne recruits for a jazz band on a mega-scale
- David Mott on the Sonoluminescence Trio in performance (video)
- Jazz to head to the NAC's Back Stage during construction
- James McGowan and Jesse Stewart improvise music from many streams
- First impressions: Friday Night Jazz at The Marshes with Miguel de Armas
- Have your ears stretched in March with jazz from unexpected places
- Rob McConnell's music is "the boss" at Sunday's CYJO concert
- The Harley Card Trio creates a layered and nuanced collaboration at Brookstreet
- David Renaud looks for grace and love in his new duo CD with Brian Browne
- René Lavoie pays hommage to Cannonball Adderley, the saxophonist who changed his life
- Laila Biali is letting her audiences hear songs in the making, in the spirit of jazz
- A wild night at Irene's with the Alive! Ensemble and the music of Grant Green (review)
- From all over the globe, the Florian Hoefner Group unites in presenting luminous jazz (review)
- HML Trio's weekly Brookstreet Options jazz jam celebrates three years of 'good music and a great hang' this week
- Nick Fraser stretches the boundaries of drumming with Justin Haynes' scores (review)
- Crossroads concert scribbled on genre boundaries while remaining true to Lynn Miles' songs (review)
- Vocalist Jeri Brown and drummer Jesse Stewart: 'things that I haven't heard before'
- Hear both the roots and the future of jazz in February
- 2016 Juno jazz nominations move westward, and in unexpected categories
- Linsey Wellman declares his bilingual Manifesto (video)
- Fraser Hollins picks long-time musical friends for his Jazzfest show: Brian Blade, Jon Cowherd, and Joel Miller
- Karen Oxorn reflects 60 years of loving music in her concerts this weekend (podcast)
- An immersion in music from Pauline Oliveros and friends
- Standing Room Only packs the dance floor at its first Ottawa tea dance
- The Ken Harper Trio creates organic rhythms at Irene's
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