Geri Childs “More Than Magic” CD Release Concert
NAC Fourth Stage
Friday, October 31, 2014 - 7:30 p.m.
Opening with “Sentimental Journey” and closing with “Just Friends”, Geri Childs sang about love and long-time friendship in her CD release concert on Friday.
In particular, she talked about her friendship and collaboration with Mark Ferguson, her musical director for the CD and the concert, how they met in (of all places!) a hired band providing music for Joe Clark's leadership campaign, and how they worked together in picking the new standards in the CD. But “everyone here is a friend”, she said at the end of the concert, and certainly there were lots of smiles and appreciative applause throughout.
On stage were the same musicians who played on More Than Magic – Ferguson on piano, trombone, and melodica, John Geggie on double bass, Rob Graves on percussion, and Margaret Tobolowska on cello. They were joined by René Gely, on four different guitars, and Sharon Timmins on backup vocals. Gely added an extra percussive element brightening the music, and allowed Ferguson to move off the piano to trombone on some of the jazzier numbers.
Marianne Trudel Quintet
NAC Fourth Stage
Saturday, October 25, 2014 – 7:30 p.m.
Marianne Trudel appeared spent but exhilarated at the end of her quintet's concert at the NAC Fourth Stage Saturday night. The Montreal pianist had just released a new album, La Vie Commence Ici, and this was the last stop on a week-long tour to promote it.
With notable improvisers like Ingrid Jensen and Trudel herself on stage, the show was far more than just a reenactment of the recording. The quintet – the same musicians as on the CD – expanded upon the music, adding new interpretations and texture, in an energetic yet subtle concert.
If the star power in the quintet was provided by Jensen on trumpet, the other four musicians (who played together on Trudel's 2007 live recording) created equally interesting musical moments. It was very much a joint endeavour, with sax and trumpet frequently playing in unison, with several trumpet-piano duets, and with creative bass and drums working together to propel the music forward.
Soul Station Tribute Concert
The Manx Pub
Monday, October 6, 2014
I can't remember where I first heard about Hank Mobley, but I suspect it may have been because one of the musicians in this tribute concert was raving about him.
Mobley was a jazz musicians' musician – especially if you're into hard bop and bebop. A tenor saxophonist, he played with Max Roach, Dizzy Gillespie, Horace Silver, Lee Morgan, and Art Blakey – and even for a brief period with Miles Davis.
Between 1955 and 1970, he recorded many albums for Blue Note Records – and Soul Station (1960) is generally considered one of his best. The Penguin Guide to Jazz describes it as the “one Mobley album that should be in every collection”, and praises his rhythmic subtlety, “accenting unexpected beats and planting emphases in places that take his phrasing out of the realms of cliché”.
When Lara Solnicki abandoned opera and chose jazz, she went all out – and succeeded.
The Toronto vocalist, who will make her first Ottawa appearance on Saturday at GigSpace with guitarist Roddy Ellias, is a classically-trained singer with a four-octave range. She originally intended a career in opera, but in 2008, radically changed her direction – to jazz and creative music.
“I totally changed my technique and my voice. If you do it properly you're not supposed to be on the fence about it.”
She's now reached the point where Radio-Canada's primary jazz radio host, Stanley Péan, offered to write the liner notes for her just-released second CD. He praised Solnicki's “striking sense of nuance that characterizes her style as an interpreter, a lyricist and a composer,” and said that the new album reaffirmed “without doubt, her sure position in Canadian contemporary jazz.”
At the time she changed direction, Solnicki had been listening to jazz (for example, Dianne Reeves and Cassandra Wilson) for years, and had taken some jazz vocal lessons a decade before in New York City. “When I came back to Toronto, I didn't stay with jazz for some reason”, and instead took a degree in classical voice from the Glenn Gould School at the Royal Conservatory of Music. “I listened to jazz all through my classical degree, too, but I never thought of singing it at that point.”
However, she realized she wanted more opportunities to compose, to combine her poetry with music, to be more creative, which she couldn't get with classical voice. “I started writing poetry when I finished my degree. I decided that it would be interesting to get into new music and do some collaborative stuff, and then I really did make a conscious decision, that if I wanted to be more of a creator type, that it would be better for me to move into jazz and creative music.”
“I wasn't at that point really that glued to singing Italian opera any more. So I gave it about a solid year, or year and a half, when I started trying out jazz and taking a few lessons, to make a decision whether or not I was going to go all the way with it.”
And the jazz choice worked: she started singing jazz regularly in restaurants around Toronto; she collaborated with well-known jazz musicians like guitarist Ted Quinlan and bassist George Koller; she released a well-reviewed album of jazz standards in 2010.
Merrickville's Jazz Fest closed on Sunday, October 19, with a celebration of polished jazz vocals, complementing the afternoon's instrumental concerts from Brian Browne and Peter Woods, and Norman Marshall Villeneuve's Jazz Message.
A Tribute to Blossom Dearie
The main evening event was a tribute to Blossom Dearie, in a revival of the show featuring three local vocalists – Karen Oxorn, Caroline Gibson, and Marcie Campbell – which debuted in 2010 at the National Arts Centre. All three were in good voice and again easily conveyed their love of the iconic American vocalist/pianist and her repertoire. It was a fresh performance that was a little shorter and had a smaller band than the original.
Blossom Dearie knew how to deliver a lyric so that it made people laugh, or even get a bit uncomfortable. In between more conventional standards, she interspersed witty songs by Dave Frishberg and Bob Dorough and herself, which ended up being the pieces she was best remembered for.
And Marcie Campbell would have done Dearie proud with her dead-on rendition of “Bruce”. Her helpful advice to a female impersonator without dress sense had the entire audience chortling. She also scored with Dearie's signature tune, “I'm Hip”, delivered with a bop feel in the music and gentle satire in the lyrics.
Dearie's own “Blossom's Blues” is bluesy in form, and quite blue in content. Caroline Gibson, assisted by Mark Ferguson on trombone and Brian Browne on piano, had lots of fun playing with the risqué lyrics, and got the audience laughing at them, too. Browne also cracked a few smiles, as he underlined lines like “My nightly occupation is stealing other women's men” with strong blues chords, and Gibson paid credit to him by changing “Ray” to “Brian” in “Ray Brown told me that I was built for speed.”
Denielle Bassels Quintet
Probably the biggest surprise at this year's Merrickville's Jazz Fest was Toronto vocalist Denielle Bassels. She was an unknown quantity when she walked onto the stage of the Baldachin Ballroom on Saturday, October 18, but her charisma and her quintet's swinging music quickly grabbed the audience's attention.
Playing to a packed room, the quintet combined swing, jazz, gypsy jazz, and a touch of funk. They took jazz standards, songs made popular by Nina Simone and Edith Piaf, a movie theme, and a pop song, and then added originals by Bassels and guitarist Andy Mac. The jazzified result got several audience members dancing, and then everyone on their feet for a standing ovation, followed by an encore.
They opened with “Gypsy Summer”, the title track of their recently-released EP. You could immediately see this was going to be a high energy show, with Bassels' scatting soaring over Mac's fast Django Reinhardt-influenced guitar, and Jacob Gorzhaltsan's bright clarinet solos curlicuing over and under.
The first jazz singer Bassels heard and loved was Nina Simone. She included several Simone numbers in the show, including some lesser-known ones. “Forbidden Fruit”, the story of Eve and the apple, was introduced with a slinky groove on Gorzhaltsan's tenor sax and Mac's guitar. Bassels sung it in a call-and-response gospel style, clearly dramatizing the story, accented by growls on tenor. The result was very catchy, and the audience responded with strong applause.
Montreal pianist Marianne Trudel's new jazz CD – which she releases October 19, and debuts in Ottawa at the National Arts Centre on October 25 – is about paying attention to life, about being in the moment.
Entitled La Vie Commence Ici (Life Begins Here), it's her reaction to a life in which “we're constantly stimulated by so many things. We're often doing two, three things at the same time, talking on the phone, checking email, doing this and that. It's hard to get a feeling of full presence and attention to one thing and attend at the same time, to be fully present in the moment and at peace.”
Looking at the people around her on Montreal's Metro, “everybody's on their iPhone doing stuff. Nobody looks at each other. Nobody is even aware of what's going on around them, and it frightens me. I don't like it , and I'm guilty of it, too.”
“So La Vie Commence Ici means in this specific moment, right now, there is La Vie happening. Life is there and we need to be aware and thankful and respectful.”
For Trudel, music is her way to “be present, open, in real relation with my band.” It's how she's related to music – a full immersion – since she was six years old and first put her hands on the keys of a piano.
So it's not surprising that the music on her new CD is rich, multi-threaded, and melodic, with intricate compositions leavened by improvisation. It's not music you only give half your attention to.
OttawaJazzScene.ca's first day at Merrickville's Jazz Fest ended on a high note. In fact a very high note, part of a rousing trumpet line, It was followed by clapping, cheering, and hooting.
The final act of that Friday, Marc Decho's Sun Crescent Barbecue Stompers, had just played a 100-minute, sold-out show celebrating the music of New Orleans. They were an immediate hit: audience members danced to the music and clapped along to the mixture of old-time gospel and blues, all delivered through a jazz and Dixieland lens.
And very powerfully: the front line of Ed Lister on trumpet and Richard Page on clarinet and baritone sax could really punch out the melodies and swing, strongly supported by Lucas Haneman on guitar, Decho on double bass, and Mike Essoudry on drums. Despite it being an all-acoustic set-up, the music was clear and well-balanced and worked well in the Goose and Gridiron Pub with its low ceilings and snug space.
They'd only played a few bars of their first number, "Just a Closer Walk with Thee", before the floor started to shake as both the audience and the band stomped along with the bluesy trumpet and clarinet lines, and the bright accents on mandolin from Haneman.
Highlights of their set included an extended version of "Jesus on the Mainline", which opened with Decho getting the audience to clap in rhythm, and then featured an intense baritone solo from Page, fast trumpet from Lister and syncopated guitar from Haneman, and an echoing drum solo from Essoudry – all adding to energy that got several listeners up dancing. In "St. James Infirmary", Lister deployed his trumpet mutes to good effect, using them to add to the tragic mood and to give a Dixieland sound. In "Basin Street Blues", Lister and Page seemed to be pushing each other to higher and wilder heights, ending up laughing at their own energy.
The most unusual number was "People Get Ready" by 70s soul/R&B/funk icon Curtis Mayfield – I had initially pegged it as a traditional hymn. It featured an evocative trumpet line over inflected mandolin and bass.
In a fifty-year career, Norman Marshall Villeneuve has brought the message of bebop to Canada.
The 76-year-old drummer, who brings his Jazz Message to Merrickville this Sunday afternoon, has been across the border many times, including playing for months in the United States with his cousin, pianist Oliver Jones. And he almost got to go on tour with the Duke Ellington Orchestra.
But, although he tells young jazz musicians to go south to build their careers, Villeneuve has built his just fine staying in Montreal and Toronto, playing with almost every major jazz musician in their scenes, and many international touring stars.
As he reminiscences, the names and stories just pile up: Jackie McLean, Ray Draper, Julius Watkins, Charlie Rouse. Blossom Dearie, Lorenzo Conyers of the Ink Spots, Paul Gonsalves, Cat Anderson. Peter Leitch, Sadiq Hakim, Barry Harris. He was called in to play three nights at the Chicken Deli in Toronto with saxophonist Sonny Stitt when “nothing was happening” with the first night's drummer – and “we just hit it off like good friends right away”.
And the Canadian musicians who built the jazz scenes in Montreal and Ottawa: pianist Oliver Jones, bassist Charlie Biddle, guitarist Nelson Symonds, saxophonist Vernon Isaac.
In Merrickville, listeners will hear the results of that experience – and how it's taught him to keep the music understandable and what “people want to hear.”
"Art Blakey is my hero"
Villeneuve's role model – right from the beginning – has been drummer Art Blakey and his band the Jazz Messengers. “He's my hero, my mentor.”
Adam Daudrich is excited to be performing with renowned bass player Ron Seguin for his piano trio show Saturday afternoon at Merrickville's Jazz Fest.
In June, Daudrich started playing with Seguin: “He's a joy to work with. He has a very different beat. He articulates the bass differently, his sustain is longer, his intonation is more modern.”
And he and Daudrich have something in common: they're both originally from Ottawa, and have spent years playing jazz in Montreal. “I knew that he was a legend. He's very well-respected here and in Ottawa. So when I played the gig with him, I really liked his beat, so I said I'm going to hire him, to see what he brings to the mix.”
Seguin's credits include working with many well-known American musicians including Steve Grossman, Dave Liebman, Tony Scott, Dewey Redman, Ben Monder, and Greg Burk, as well as Canadians Peter Leitch, Pat LaBarbera, Phil Dwyer, Kirk McDonald, and Ben Charest. He recorded two albums with the legendary Montreal guitarist Sonny Greenwich. After many years in the Montreal scene, he moved to Italy in the mid-1990s but has recently returned to Montreal and has been playing there regularly.
Ottawa guitarist Roddy Ellias, who brought Seguin to Ottawa for a show in 2010, described him then as “one of my favourite bass players and musicians. He's a joy and inspiration to play with.”
Four years ago, three Ottawa vocalists paid tribute to one of their favourite jazz singers, Blossom Dearie, singing
some of her most famous songs, both ballads and teasing upbeat numbers. Their show at the NAC Fourth Stage was enthusiastically received.
But that was it – until this month, when Karen Oxorn, Marcie Campbell, and Caroline Gibson will revive the show as the closing concert for Merrickville's Jazz Fest. OttawaJazzScene.ca videoed the original concert in 2010. We have combined clips from that show with a recent interview with Oxorn and Campbell, looking back to the first show and forward to its revival. Watch it to get a taste of what you will be able to see and hear on October 19 at Merrickville's Jazz Fest.
– Brett Delmage
- Brian Browne is MJF's first and busy artist-in-residence this year
- Sun Crescent Barbecue Stompers bring The Big Easy to Merrickville
- Rob Frayne is back, with a tenor sax
- Joel Miller Trio: quiet audiences make acoustic jazz come alive
- IMOOfest 2014 celebrates local talent as well as Canada's top improvisers
- Peter Liu: love songs and jazz cross cultural boundaries in Bamboo Groove
- ZenKitchen quietly launches new Wednesday Night Jazz (video)
- Ottawa benefit raises $900 for Canadian trumpeter and composer Kenny Wheeler (video)
- A cross-Canada celebration of poet P.K. Page in music and dance
- Ottawa audience enjoys Organic's groove (review)
- New Santé Restaurant jazz series will highlight male vocalists in October
- Bernie Senensky, in two voices
- David Braid, Jill Barber, Mike Rud, and John Geggie featured in NAC concerts in 2015
- ZenKitchen doubles its jazz, with musicians rarely heard in Ottawa
- Merrickville's Jazz Fest features new artists, and some greatest hits, for its 4th year
- Guelph 2014: John Heward and Barre Phillips are 80-year-olds with oomph (review)
- Guelph 2014: Pugs & Crows didn't live up to its talent (review)
- Local improvisers put on the spot at IMOO season opener (review)
- Guelph 2014: Lee Pui Ming and Dong-Won Kim astonish the audience (review)
- Guelph Jazz Festival helps kids find their voices through technology
- OttawaJazzScene.ca - Into the next five years
- Guelph Jazzfest celebrates Sun Ra, features Vijay Iyer and Randy Weston for its 21st year
- The Christian McBride Trio fulfills the tradition; the Darius Jones Quartet fights with it
- Bobby McFerrin never forgets to experiment (review)
- Collaboration in two acts: Newport Festival Now 60 & the Norma Winstone Trio
- Real jazz is a big hit in Confederation Park, with Kirk MacDonald and Dianne Reeves
- Virtuosity in improvisation and composition: Colin Stetson & Hamid Drake, Darcy James Argue (review)
- Jane Bunnett and Maqueque bring Cuban passion to Ottawa
- Jane Bunnett spotlights the spirit & energy of female Cuban musicians in Maqueque
- The Patrick Smith Trio recreates history (video)
- Kellylee Evans celebrates Canada Day with 2 free concerts with the NAC Orchestra
- Branford Marsalis to open Music and Beyond; Oliver Jones also featured
- Myriad3 creates dramatic, percussive music (review)
- Kirk MacDonald explores symmetry in music
- CYJO celebrates its 5th anniversary with flair and many past faces
- Jazz Festival jams at new Albion Rooms treat listeners to fine musical moments
- High-profile Montreal and Ottawa jazz artists to perform in Aylmer this summer
- Ottawa Fringe Festival will present jazz for the first time
- Jon Ballantyne starts the Ottawa Jazz Festival with complex melodies (review)
- ZenKitchen may be closer to reopening after packed fundraiser
- Jazz Scene: Jazz Heard! OttawaJazzScene.ca celebrates 5 years, with a photo exhibit
- Vocalists, instrumentalists, Latin and more for free at the 2014 Montreal Jazz Festival
- Ottawa composers thrilled by JazzWorks Originals concert
- The Reis Demuth Wiltgen Trio swept the audience along with its vigorous music
- 2014 Geggie Invitational Concert: complex tapestries of music (review)
- Diana Krall to perform a free outdoor concert at the 2014 Montreal Jazz Festival
- What you - and we - learned from the OttawaJazzScene.ca Jazz Favourites Poll
- Some praise, some sorrow at jazz festival programming
- Great teachers make the difference for jazz camps
- Local jazz CDs inspire many viewpoints - but they're not well enough known
- Jazz fans vote for radio shows with longest and newest hosts as favourites
- Jazz fans head west for their favourite bars, cafés, and restaurants
- OttawaJazzScene.ca Jazz Favourites Poll: Concert Venues
- OttawaJazzScene.ca Jazz Favourites Poll: Big bands
- NAC Presents to feature Petr Cancura, Marianne Trudel, and Tanya Tagaq this fall
- Prince Edward County Jazz Festival to offer “all jazz, all the time!" in August
- H'Art artists and Jesse Stewart collaborate for a multi-media musical theatre show
- After 75 years of playing, Oliver Jones still masterfully shares the joy of jazz (review)
- Kirk MacDonald shows 'next level of musicianship' at NACJB on Friday
- No Rideau Centre stage at the Ottawa Jazz Festival this year
- 2014 Chamberfest features clarinetist Don Byron in its genre-bending concerts
- Jacques Emond's jazz recordings play on, at Carleton University
- John Geggie reunites with favourite Canadians for an Invitational concert tonight
- Omer Klein gave an exhilarating and intense performance for his Canadian debut
- Omer Klein's lifelong love affair with the piano ... and improvisation
- The Mash Potato Mashers parade for their final time
- Steve Berndt and Brian Browne turn tasty leftovers into gold with "All Over Again"
- The Roddy Ellias Trio never stops talking with their music (video)
- Bumpin' Binary grooves on organ and drums
- The Adam Saikaley Quintet brings Miles Davis' Filles de Kilimanjaro to vivid life
- Beeched Wailers open a new jazz jam at the Rochester Pub & Eatery
- 2React takes hip-hop back to its roots in jazz
- Jesse Stewart brings renowned improviser William Parker to Ottawa for innovative concerts and lectures
- Jesse Stewart talks about the challenges of making music outdoors at -25C (video)
- After 30 years playing jazz, Phil Dwyer is going to law school
- Phil Dwyer Trio energizes BDT with a compelling collaboration (review)
- Three standing ovations for Jérôme Beaulieu Trio's first show outside Québec
- Café Nostalgica is bringing back jazz nights
- Matt Dusk and Molly Johnson to celebrate Christmas with the NAC Orchestra
- A Jazzy March in Ottawa-Gatineau
- Jérôme Beaulieu meets his audiences half-way, with melodic and unexpected jazz
- Jesse Stewart brings Jane Bunnett, one of his favourite musicians, to Ottawa
- Tonight is the last night for the iconic Cellar Jazz Club in Vancouver
- Warm and sincere, Denzal Sinclaire wows the orchestra audience
- Denzal Sinclaire pays tribute to his musical hero Nat King Cole - with orchestra
- Once a year, Michael Pytura celebrates his favourite big band jazz singers
- The Sicilian Jazz Project reached the audience's hearts (and made them dance)
- The Maskell-Cousineau Quintet: serious, accessible, and fun music
- Jesse Stewart brings 'Memories of Ice' to free Winterlude shows
- Juno Award nominations recognize many musicians who played in Ottawa-Gatineau
- FOLKRUM dreams big for a new Ottawa-Gatineau concert venue
- Ottawa-Gatineau's 2013 Jazz Score
- Afrocentric jazz returns to Le Petit Chicago after an intense and satisfying debut
- Roddy Ellias, Petr Cancura, and Andrew Downing form equal sides of trekan
- Clayton Connell shows his piano range Wednesday, before heading off to Austria
- Linsey Wellman's Wedding and Funeral Trio melds Balkan rhythms and jazz
- Jazzin' the Holidays creates holiday cheer for GigSpace (video)
- Gaby Warren hosts a baker's dozen of Christmas jazz jams
- AlphaSoul Café to close its doors after more than two years presenting jazz
- The Adrian Matte Quartet heated up AlphaSoul on a frosty night
- Jamie Baum and Jane Bunnett: two voices in close conversation (review)
- CYJO brings a century of music to life in first 2013-14 concert
- Ottawa Jazz Festival shows a 2013 surplus, mainly from non-jazz acts and beer
- Capital Vox remembers Dave Brubeck through both his words and music
- Jamie Baum and Jane Bunnett bring new, Indian-influenced music to life
- Bryn Roberts returns to making his own, lyrical music
- Diverse concerts sell out to Ottawa audiences
- Roddy Ellias stops fidgeting and hits the Record button
- Donations to jazz radio shows fall while CKCU exceeds funding target
- David Occhipinti in Ottawa Friday afternoon to debut his new chamber jazz CD
- An early and jazzy start to Christmas
- IMOOfest to return after financial break-even and artistic successes
- IMOOfest 2013 Night 3: unpacking the music (review)
- IMOOfest 2013 Night 2: stretching the rules (review)
- IMOOfest 2013 Night 1: a huge dynamic range (review)
- Will Accordion Conspiracy take over IMOOfest? (video)
- Organ-ic fusion fills the church (review)
- Phil Nimmons and David Braid reinvent their music with each concert
- Ensemble SuperMusique takes a chance with IMOO at Club SAW
- Mortimer Katz remembered: a very long life filled with bebop
- Guelph 2013: Wadada Leo Smith's Ten Freedom Summers moved from sorrow to triumph (review)
- Guelph 2013: The improvisers get improv'd
- Three Ottawa vocalists recreate classic Ella and Billie Newport concerts (video)
- Guelph Jazz Festival listeners treated to elevator music (review)
- William Parker tells Guelph 2013: You can't resurrect the jazz masters
- Guelph 2013: Bomata warmed a rainy-day audience with melodic yet unusual jazz
- Guelph 2013: Satoko Fujii and Kaze blew away preconceptions
- Garry Elliott and Steve Boudreau share the improvising spirit in their new CD
- Guelph 2013: Hamid Drake & Jesse Stewart share a creative imagination (review)
- Guelph Jazzfest's community-built concert reaches new heights
- Which Canadian jazz musicians did “NAC Presents” miss? (commentary)
- More Saturday night jazz at AlphaSoul Café
- Guelph 2013: Espousing music of the moment (review)
- NAC Presents instrumental jazz in its 2013-14 program
- Nick Fraser's CD is full of resonances
- Guelph 2013: Matt Brubeck pushes the cello's boundaries in a solo concert (review)
- Guelph 2013: The Indigo Trio soars and leaves the audience exalted (review)
- Steve Boudreau's back, with a new solo CD
- Adam Daudrich celebrates the tradition of the jazz piano trio with his own new music
- William Parker and Ken Aldcroft: subtle textures which filled the room (review)
- L'OFF Festival in Montreal and Le Festival de Jazz de Quebec announce lineups for October
- Guelph 2013: World Percussion Summit breaks the borders of rhythm (review)
- Jesse Stewart's Gnomon Variations a timely arrival for 20th Guelph Jazzfest
- Cool and groovin' - with gelato
- The Montreal Jazz Festival pays an upbeat tribute to Dave Brubeck (review)
- Orchestre national de jazz Montréal scores with Joni Mitchell tribute (review)
- Jayme Stone melds chamber music, jazz, and bit of bluegrass into an intricate whole (review)
- The Lemon Bucket Orkestra: a dancing good time (review)
- Phil Dwyer and Don Thompson celebrate the long-lasting beauty of standards (review)
- Second annual IMOOfest in November
- Paul Tynan sees different big band styles on each side of the border
- An ensemble who enjoyed celebrating Horace Silver's music (review)
- The Element Choir brings an element of surprise and beauty (review)
- Henrique Cazes and Sambacana fill St. Brigid's with gentle Brazilian rhythms (review)
- Jayme Stone expands the horizons of the banjo, along with his favourite musicians
- Scott Thomson explains how he fills large spaces with resonant sound
- The Jesse Stewart Trio sparks everyone's imagination (review)
- Montréal Guitare Trio starts Chamberfringe on a strong note (review)
- Renée Yoxon and her Gentlemen Friends swing the park (review)
- Three young musicians bring new music and their new experiences back to Ottawa
- Joel Miller and Honeycomb at the Montreal Jazz Festival (review)
- Caridad Cruz and Miguel de Armas ignite their audience
- Trifolia: adventurous jazz at the Montreal Jazz Festival (review)
- Kellylee Evans charms Montreal audience with hip-hop and jazz (review)
- Prairie jazz wins the Grand Prix de Jazz (review)
- Guelph Jazz Festival celebrates 20th Anniversary with World Artist Summit Sep 3-8
- Ten Years of the Triplets of Belleville, in Ottawa et Montreal (review)
- Finding the patterns in Tim Berne's free jazz (review)
- A romantic evening: The Thomas Enhco Trio and the Steve Kuhn Trio at the Montreal Jazz Festival (review)
- Christine Jensen, Ingrid Jensen, Gary Versace at the Montreal Jazz Festival (review)
- 2013 Montreal Jazz Festival celebrates pianists – and the late Dave Brubeck
- Almonte's JazzN announces new house concerts, reflects on successful first year
- AlphaSoul jazzfest jams get jammed
- Alan Jones embraces risk with his all-Canadian, all-star sextet
- The Stretch Orchestra makes jazz bend
- Two exceptional percussionists play the Ottawa Jazz Festival this week (video)
- David Byrne talks about music and the music biz, in all its eclectic glory (book review)
- Roberto López combines Colombian rhythms and jazz into danceable music
- Festival pass awarded - and two more to be won!
- Listeners follow Ottawa Jazz Festival jams westward to AlphaSoul Cafe
- Jazzfest 2013: Great jazz from across Canada
- Jazzfest 2013: CKCU-FM previews the 2013 Ottawa Jazz Festival
- Three generations of music at Italian Week Festival
- Two jazz improvisers put on their cowboy boots
- Be Bop Duo does pho
- Jazz at The Cube
- Jazzfest 2013: Hear our Ottawa Jazz Festival picks on CKCU FM
- 2013 Ottawa Jazz Festival jams move 3.5 km west to Hintonburg
- Jazzfest 2013: Local musicians you will want to hear
- Stellar year for young Ottawa musicians at 2013 MusicFest Canada
- Gaby Warren's years as a jazz fan recognized at CD launch (review)
- Split Cycle plays intricately-woven modern jazz (review)
- Next concert in John Geggie Invitational series may be the last
- The community celebrates Ottawa Jazz Hero Roddy Ellias (video)
- Gaby Warren: a jazz fanatic steps to the other side of the footlights
- No Ottawa Jazz Festival jam sessions in 2013? Listeners object.
- Jeff Johnston Trio enraptures the audience (review)
- Kellylee Evans to appear again at NAC Presents
- Roddy Ellias: a humble Jazz Hero
- Jeff Johnston returns to his trio's musical roots and then moves forward with his new album
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