The Carleton University Jazz Camp is sticking closer to home this year.
The camp, which runs from August 8 to 12, will be featuring its long-time Ottawa faculty this year, and not bringing in any instructors from out of town. It also has moved its faculty concerts, which are open to the public, from the evening to the afternoon.
In its previous six years, the camp had been regularly including one to four instructors each year from elsewhere in Canada, and even renowned American saxophonist Dave Liebman in 2014.
The instructors are a who's-who of Ottawa's jazz scene, including double bassist John Geggie, drummer Mike Essoudry, trombonist/pianist Mark Ferguson, guitarist Tim Bedner, vocalist Elise Letourneau, trumpeter Nick Dyson, trombonist Ryan Purchase, guitarist Wayne Eagles, and camp director and saxophonist Mike Tremblay. Several are regular instructors at Carleton. Carleton music professor James McGowan will also be teaching at the camp.
Ferguson told OttawaJazzScene.ca that the camp had had “substantial” budget cuts this year, which meant they couldn't afford to bring instructors from outside Ottawa.
Tribute to Duke Ellington
Ottawa Chamberfest: Chamberfringe series
La Nouvelle Scène
Sunday, July 31, 2016 - 10 p.m.
Gene DiNovi is now 88 years old – a fine age for a pianist – but he's lost none of his verve or love of classic jazz, as was obvious in this concert's exploration of Duke Ellington and Billy Strayhorn's songbook.
DiNovi started playing in New York in the 1940s and moved to Toronto in 1972 – and has played with many major jazz names, including Benny Goodman, Artie Shaw, Lester Young, Peggy Lee, and Tony Bennett. He was Lena Horne's accompanist for eight years, as he mentioned in this show when he introduced several Ellington numbers which he played with her.
He's also a frequent face at Chamberfest, playing everything from classical-jazz crossovers to last year's Kings of Swing (Benny Goodman and Artie Shaw) show. And one of his most frequent collaborators, for more than 30 years, has been clarinetist James Campbell, who is most renowned for his classical work but also enjoys playing jazz.
For this show they teamed up with drummer Glenn Anderson and celebrated bassist Dave Young – also their frequent collaborators – as well as jazz violinist Drew Jurecka. It wasn't the first time they'd played this material this summer; they'd also been featured at Campbell's Festival of the Sound in Parry Sound the previous week.
Whether it was from these musicians' evident popularity with Chamberfest audiences, or the inherent appeal of Ellington's music, the 173-seat hall was overflowing. We arrived early and barely found seats. Chamberfest volunteers continued adding chairs near the front but finally had to give up. The last 30-odd listeners were left sitting in the outside foyer watching the show on a video screen – and they filled up all the chairs there, too!
It's a lower-key month in August, as the Ottawa jazz scene looks inwards.
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While some visiting musicians are back in Ottawa, including the Sultans of String, Boston saxophonist Benny Sharoni, NYC vocalist Kiran Ahluwalia and guitarist Rez Abbasi, Toronto vocalist Denielle Bassels, and Toronto bassist Dan Fortin, what you'll hear this month is mostly home-grown – and in some new combinations.
Look for high-profile shows featuring pianist Steve Boudreau, Afro-Cuban vocalist Caridad Cruz and pianist Miguel de Armas, guitarist Rômmel Ribeiro, and Modasaurus, as well as a tribute to ground-breaking jazz bassist and composer Charles Mingus.
OttawaJazzScene.ca's August jazz highlights are brought to you by PeggyÂ Holloway, AlrickÂ Huebener, NancyÂ Preston, RichardÂ Thibodeau, PeterÂ Turner, JuddÂ Richardson, ChrisÂ Smelser, MikeÂ Steinberg, and RiekÂ vanÂ denÂ Berg. We greatly appreciate their financial support that helps OttawaJazzScene.ca to continue serving the jazz community every day of the year.
Jesse Stewart, David Mott, and Ernst Reijseger
Ottawa Chamberfest: Chamberfringe series
La Nouvelle Scène
Tuesday, July 26, 2016 – 10:30 p.m.
You could call this a concert of intersecting friendships. Dutch cellist Ernst Reijseger and Canadian baritone saxophonist David Mott have played together off and on since 1985, when they met in Gerry Hemingway's quintet. Mott and Ottawa percussionist Jesse Stewart met in the mid-90s and have been firm musical friends since, most recently in the Sonoluminescence Trio.
Two years ago, they performed together in Toronto and recorded a CD, Different Dreams. This Chamberfest concert was the first time they'd performed together since then – and the show was delayed for 30 minutes because Reijseger's previous Chamberfest show had run late.
But when the 70-minute concert began, the mood was calm and quietly, opening the bag of possibilities slowly and with deliberate care.
Stewart started by bowing his waterphone, producing a light strand of sound echoing around the hall – followed by equally light strands from Mott's sax and Reijseger's cello. The music evolved quietly from there, using the dynamics of the space. Reijseger swung his cello back and forth as he played it to create a larger, vibrating sound; Stewart ran a mallet along the bottom and across the spines of his waterphone, and then hand-drummed the bottom of the instrument for a warm reverberating tone. Mott responded to these with deep circling tones on his sax, and by tapping its keys. Then Stewart bowed the edge of his cymbals, while Reijseger played a brief almost-Slavonic melody on his cello and then some slight dissonant lines, followed by deep punctuated notes on baritone, high attenuated cello, and light drumming, before ending quietly.
It all flowed quite naturally – completely improvised, but feeling logically consistent and appropriate.
So Long Seven
Parc de l'Imaginaire, Gatineau (Aylmer sector)
Wednesday, July 20, 2016 – 7:30 p.m.
So Long Seven is a mélange – and a delicious one, too, judging from the enthusiastic response to its recent show in Gatineau.
Its four musicians play guitar, violin, five-string banjo, and tablas. Its music – almost all originals – draws from folk, bluegrass, and world music, but with a strong jazz and improvisational focus.
That's not surprising given the backgrounds of these musicians: banjo player Tim Posgate from avant-garde jazz; guitarist Neil Hendry from jazz and blues; violinist William Lamoureux from pop and jazz. Tabla player and percussionist Ravi Naimpally is trained in Hindustani classical music and other world music traditions, but has also been featured in jazz groups.
They've been together as So Long Seven (formerly Oolong 7) for three years and recently released a debut CD.
It was a perfect summer evening for their free, outdoor show in Aylmer, and they drew a large crowd ranging from toddlers to seniors, almost filling the park. And appreciative, too – intently listening throughout.
“Torch River Rail Company”, their first song, exemplified their sound: a melodic ballad with intertwining lines on guitar, violin, and banjo, and propelled along by the insistent rhythm of the tablas. It was a style that instantly caught my attention – and kept it. Like most of their pieces, it was an instrumental.
I particularly liked Naimpally's “Aarti”, a fast, dancing, fun mixture of textures; Posgate's “Miles from Appalachia”, with blues and bluegrass accents and featuring a finely-attuned guitar solo with light harmonics; and Hendry's “Banjo Tequila”, which matched hard-edged banjo riffs against earthy tabla rhythms and a mournful violin melody.
Updated July 27 to include Thursday show in Montreal.
Montreal jazz guitarist and Juno-winning composer Mike Rud is a frequent visitor to Ottawa, most recently this month for a sold-out duo gig with Peter Bernstein. He's back this weekend for two nights at the Options Jazz Lounge at the Brookstreet Hotel in Kanata and a Sunday afternoon gig at the Record Centre, paying tribute to best-selling guitarist George Benson.
While Benson is best known for his Grammy-winning song, “On Broadway”, he's had a long jazz career, playing with Miles Davis, Stevie Wonder, and Freddie Hubbard, and winning 10 Grammys for albums spanning jazz, pop, and R&B. He performed at the Ottawa Jazz Festival in 2010.
The shows are part of drummer Michel Delage's continuing monthly tribute series at Brookstreet, and Rud will be playing with Delage and bassist Alex Bilodeau. But the choice of George Benson was all Rud's.
OttawaJazzScene.ca editor Alayne McGregor talked with Mike Rud about the shows, and his love of George Benson's music, earlier this month. This is an edited version of the interview.
OttawaJazzScene.ca: Why did you suggest doing a tribute to George Benson?
Mike Rud: Because, if I think of a particular artist whose artist I'm familiar enough with to feel like I've done a good review before going ahead – it would probably be Benson. There would only be two or three guys that I'd really feel that I'd listened to their whole catalogue, and Benson's certainly one of them.
OttawaJazzScene.ca: When did you first hear him?
Rud: I had a guitar teacher when I was in high school named Brian Hughes, who's an adult contemporary jazz guitar star. He lives in California now. And it was Brian who turned me on to George Benson. Brian used to play a couple of tunes from Benson's catalogue in his show, and he gave me the source recordings. He said, 'Well, if you like that, you should listen to this record.' I got them, and I just couldn't believe it!
Da Costa and Wood
Ottawa Chamberfest, Chamberfringe series
La Nouvelle Scène
Saturday, July 23, 2016 – 10 p.m.
Pianist and modern composer Claude Bolling wrote a whole series of suites for classical instruments – flute, cello, guitar, and violin – teamed up with a jazz piano trio. His Suite for Violin and Jazz Piano Trio, written in 1977, was the third in this series, a commission from violinist (and former National Arts Centre music director) Pinchas Zukerman.
Alexandre da Costa, a Juno-winning classical violinist from Montreal, decided to revive the composition for a concert at Chamberfest, appropriately placed in the festival's late-night, and edgier, Chamberfringe series. The suite was is billed as a crossover between classical and jazz – but to my mind, it was more of a wrestling match, where the jazz definitely had the edge.
This was not because of any lack of skill or commitment on da Costa's part, but rather from a compositional design that didn't always gel.
Besides da Costa, the concert featured two well-known Montreal jazz musicians, Dave Laing on drums and Alec Walkington on double bass, and Australian jazz pianist Graham Wood. Da Costa is now Head of Strings at the Edith Cowan University in Perth, Australia, where Wood is Dean of Teaching and Learning. Wood performs with a wide range of Australian jazz musicians in Perth as well as American imports like Joel Frahm and George Garzone.
The Doug Martin Quartet Spirit of Survival CD Release (night 2)
Options Jazz Lounge, Brookstreet Hotel
Saturday, July 9, 2016 – 8 p.m.
Ottawa saxophonist Doug Martin has based his new album, Spirit of Survival, on his perceptions of Cuba's people, history, and culture, as he has encountered them on his travels there. On July 8 and 9, he brought the music back home for a two-night stand at Brookstreet Options Jazz Lounge.
Playing with Ian Card on piano, Tom McMahon on bass, and Tom Denison on drums on the Saturday, he opened with the CD's vibrant and memorable title track. The group then combined originals with upbeat standards, for a fast-paced show.
Highlights of the four sets included the full-bodied and rhythmic “On The Malecón”, and the deeply lovely and elegiac “Tainos' Lament” (both from the new album), as well as a never-recorded original, “First Steps”, with its punctuated and swinging vibe.
|(l-r) Jesse Sterwart, David Mott, and Ernst Reijseger |
share a common passion for making music
in the moment photos ©Brett Delmage
When Dutch cellist Ernst Reijseger, Toronto baritone saxophonist David Mott, and Ottawa percussionist Jesse Stewart first played together in Toronto in 2014, it was a memorable concert.
“He's a showman,” Stewart recalls. “The concert we did in Toronto, it was actually at David's karate dojo. Towards the end of the concert we knew this was going to be the last piece and Ernst stood up and was playing while he was walking.
“And he left the room, and he was still playing! He was in another room where there was all David's martial arts equipment and while he was still playing cello and walking, he started knocking stuff over with his foot. We could hardly play because we were laughing so hard. It was so, so funny! But, yes, he's a showman, that's for sure. But also incredibly musical and just a wonderful improviser.”
The three will reunite in Ottawa on Tuesday, July 26, for a late-night Chamberfringe concert. It's one of several concerts which Reijseger is performing at the 2016 Ottawa Chamber Music Festival, but, unlike the others, this concert will be leaning much more in the direction of free jazz.
Ernst Reijseger was exhausted.
The celebrated Dutch cellist and composer had just finished two back-to-back recording sessions for film soundtracks, one for Werner Herzog's latest documentary and the other for an American feature film, when OttawaJazzScene.ca interviewed him on July 15.
But one thing did energize him – the thought of just playing, in a series of concerts at the 2016 Ottawa Chamber Music Festival from July 23 to 26.
“Just taking my cello and playing – I'm really looking forward to that.”
This week, he's in Ottawa for the very first time, playing four concerts (two free, two ticketed) at the festival. They'll range from a short introductory concert and interview, to a solo show for children, to a celebration of the cello with 11 other cellists, to completely free improvised jazz. But all of them will be informed by Reijseger's iconoclastic approach to the cello and the different sounds he creates with it.
Heather Gibson, the newly appointed producer of NAC Presents and the current executive director of the Halifax Jazz Festival, has a greater familiarity with jazz than her predecessor. But it's unclear if she has the mandate and will take the opportunity to present jazz on Canada's National Arts Centre (NAC) stages which will represent the breadth and quality of Canadian jazz musicians.
Citing her extensive and relevant experience, the NAC enthusiastically announced her appointment today. "We are so fortunate to be welcoming Heather Gibson to the National Arts Centre where she will help us deepen our relationship with Canada’s best singer-songwriters,” said Peter Herrndorf, the President and CEO of the National Arts Centre.
Gibson takes her post on September 20, in advance of the formal October 13 launch of NAC Presents.
The series is the only NAC series which can present jazz at the NAC, although a few jazz performances were part of the Orchestra's performances in recent years. NAC Presents announced the first half of its 2016-17 season in May, with relatively few jazz-related performances. More concerts will be announced in October. Based on previous years, the 31 shows listed on July 20 are half of a normal 60-show series.
This fall at the NAC, listeners will be able to hear hear Diana Krall, and a young jazz trio from Montreal, and the return of Petr Cancura's Crossroads series – plus several other jazz crossover shows. But the scheduled concerts nowhere near reflect the diversity of jazz in Canada, both in styles and where musicians are from, or its quality and popularity – or what listeners just heard at Gibson's own Halifax Jazz Festival.
- Oliver Jones takes on new challenges in his farewell tour
- Doug Martin revisits Cuba in music in his new CD, Spirit of Survival
- Take a Jazz Stay-cation: Ottawa jazz highlights in July
- Classical and jazz dance together at the 2016 Ottawa Chamberfest
- Canadian saxophonist P.J. Perry named to the Order of Canada
- A hard-driving quartet finds new corners of modern jazz
- Ottawa Jazz Festival blacklists OttawaJazzScene.ca for 6th year
- Steve Bilodeau reaches the semi-finals in Montreux Jazz Festival International Guitar Competition
- Kirk MacDonald & Pat LaBarbera are back in town, celebrating musical friendships
- Brian Browne and Peter Woods fill the Record Centre with standards
- Ottawa's jazz fans discover new groups and new sounds in the 24 hours of the Jazz Ramble
- Two CDs by Nick Fraser create beautiful moments through collaborative improvisation
- The Amos Hoffman Quartet adds classical and Mid-East motifs to mainstream jazz
- A rural county excited by jazz: what Prince Edward County Jazz Festival does differently
- Finding new ways to develop young jazz talent at the Prince Edward County Jazzfest
- There's lots more live jazz than just the jazzfest in June
- The Bank Street Bonbons show the power of brass at Irene's
- The timeless beauty of jazz raises thousands for refugees
- This Sunday: discover jazz vocalists and support refugees
- The 2016 Prince Edward County Jazz Festival is showcasing the Canadian jazz it loves
- William O'Neill: a guitarist talks about his love of big band music
- Erin Saoirse Adair adds power to her anger with a jazz backing
- Ottawa jazz fans show their appreciation for Oliver Jones' 76-year career (review)
- The Rachel Therrien Trio rethinks and reenergizes jazz classics
- Andrew Ferderber's A+ graduation performance, and how he got there
- Sweet swing fills the church as the Hard Bop Association pays tribute to Duke Ellington
- Fawn Fritzen matches originals with vocal jazz classics in a finely-tuned show
- Ed Lister's hard-swinging tribute Wednesday to Duke Ellington's classic music
- Fawn Fritzen takes a fresh approach to jazz standards
- Jazz swings through May
- An expanded quartet rethinks the music (video)
- Miles Ahead, but not in reality (movie review)
- Michael Kaeshammer and his audience have fun with energetic and varied music
- Michael Kaeshammer plays the music he loves and that's in his fingers
- Song of Lahore shows jazz triumphing over intolerance (movie review)
- Sitar, violin, guitar & cajon entice the audience at high-energy Sultans of String show
- The Sultans of String create an improvised collaboration with Indian sitar
- Polished performances from the Carleton University student Jazz Ensemble
- Garry Elliott and Steve Boudreau add new voices and viewpoints to their music
- Students fuse genres to create new music in year-end Carleton University concert
- Raise a glass (or several!) to jazz in Ottawa in April
- 2016 Jazz Juno Awards winners: Allison Au, Robi Botos, and Emilie-Claire Barlow
- Born To Be Blue stays true to Chet Baker's music, but romanticizes his life (movie review)
- Vocalese with Steve Berndt and Christine Fagan: "A jazz adventure" (video)
- Olivier Babaz shines a world of music on his new jazz album
- Brazilian drumming inspires Rob Frayne's latest percussive project, DrumSwamp
- Only applause broke the silence as the Sonoluminescence Trio played the Record Centre
- Ottawa Jazz Festival announces summer line-up, including Chick Corea, Dan Brubeck 4tet, Wynton Marsalis, The SF Jazz Collective, and Colin Stetson
- Rob Frayne recruits for a jazz band on a mega-scale
- David Mott on the Sonoluminescence Trio in performance (video)
- Jazz to head to the NAC's Back Stage during construction
- James McGowan and Jesse Stewart improvise music from many streams
- First impressions: Friday Night Jazz at The Marshes with Miguel de Armas
- Have your ears stretched in March with jazz from unexpected places
- Rob McConnell's music is "the boss" at Sunday's CYJO concert
- The Harley Card Trio creates a layered and nuanced collaboration at Brookstreet
- David Renaud looks for grace and love in his new duo CD with Brian Browne
- René Lavoie pays hommage to Cannonball Adderley, the saxophonist who changed his life
- Laila Biali is letting her audiences hear songs in the making, in the spirit of jazz
- A wild night at Irene's with the Alive! Ensemble and the music of Grant Green (review)
- From all over the globe, the Florian Hoefner Group unites in presenting luminous jazz (review)
- HML Trio's weekly Brookstreet Options jazz jam celebrates three years of 'good music and a great hang' this week
- Nick Fraser stretches the boundaries of drumming with Justin Haynes' scores (review)
- Crossroads concert scribbled on genre boundaries while remaining true to Lynn Miles' songs (review)
- Vocalist Jeri Brown and drummer Jesse Stewart: 'things that I haven't heard before'
- Hear both the roots and the future of jazz in February
- 2016 Juno jazz nominations move westward, and in unexpected categories
- Linsey Wellman declares his bilingual Manifesto (video)
- Fraser Hollins picks long-time musical friends for his Jazzfest show: Brian Blade, Jon Cowherd, and Joel Miller
- Karen Oxorn reflects 60 years of loving music in her concerts this weekend (podcast)
- An immersion in music from Pauline Oliveros and friends
- Standing Room Only packs the dance floor at its first Ottawa tea dance
- The Ken Harper Trio creates organic rhythms at Irene's
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