Thursday, May 07, 2015
Text Size

Ottawa benefit raises $900 for Canadian trumpeter and composer Kenny Wheeler (video)

The musicians played Kenny Wheeler's compositions intently: (l-r) Michel Delage, Alex Bilodeau, Roddy Ellias, Peter Hum, Mark Ferguson, Christine Fagan ©Brett Delmage, 2014

Updated 2014 September 30 to add video interviews and concert excerpts

On Friday, a benefit concert in Ottawa for the late Canadian trumpeter and composer Kenny Wheeler raised $900, with more expected from those who couldn't attend.

The benefit was organized by guitarist Roddy Ellias and pianist Peter Hum. They recruited Mark Ferguson on trombone, Alex Bilodeau on bass, Michel Delage on drums, and Christine Fagan on vocals. Together, they honoured Wheeler and his major influence on jazz and big band music. In two sets, they played a wide range of compositions by Wheeler, to a very attentive, quiet, and appreciative full house at Zola's Restaurant in Bells Corners.

Watch the video


A cross-Canada celebration of poet P.K. Page in music and dance

Scott Thomson, Susanna Hood, Linsey Wellman at the Improvising Musicians of Ottawa-Outaouais show. Thomson and Hood will present an expanded version of this show in Montreal this week. ©Brett Delmage, 2014

Scott Thomson and Susanna Hood: The Muted Note
IMOO #107
Raw Sugar Café
Sunday, September 21, 2014 - 7 p.m.

Award-winning Canadian poet P.K. Page had her work interpreted as a one-woman play, as a documentary film, and as a print/calligraphy exhibition.

Now composer Scott Thomson has translated a number of Page's imagery-laden poems into music and movement. In collaboration with choreographer and vocalist Susanna Hood, he has produced a new album, The Muted Note, containing compositions based on Page's poems.

This month they began their cross-Canada tour, presenting the music as a dance/music collaboration, with Thomson on trombone and Hood singing and using her body to express the emotion in the words. On September 21, they appeared in Ottawa, performing several pieces from the album in the first half of the show, and then improvising with Ottawa saxophonist Linsey Wellman in the second half.

Many of Thomson and Hood's shows are only as a duo, but this week in Montréal (October 2 to 5), they're enhancing the show with three more dancers and three more musicians, as part of l'OFF Festival de Jazz. The expanded show was also presented in Toronto in early September.

At the Ottawa show, the duo presented six pieces based on Page's poems. Hood sung the words and interspersed them with wordless singing and movement, while Thomson played trombone. It was a quiet, intimate show, well-suited to the cramped space in the Raw Sugar Café (some furniture was moved to give Hood enough space to dance), and kept the audience raptly attentive throughout.

Read more: A cross-Canada celebration of poet P.K. Page in music and dance


Ottawa audience enjoys Organic's groove (review)

Nathan Hiltz and Mike Essoudry, in musical conversation. ©Brett Delmage, 2014

Nathan Hiltz's Organic, featuring Bernie Senensky
Zola's Restaurant
Thursday, September 25, 2014 – 7:30 p.m.

View photos of this performance

I love jazz organ music. There's something about the deep throb of a organ – whether a Hammond B3 or a church organ – that adds richness and immediacy to the music. And a lot of groove.

But there aren't that many real Hammond organs out there – or organists – so it was a treat to hear the Toronto quartet Organic in Ottawa for its first appearance Thursday.

Guitarist Nathan Hiltz and pianist/organist Bernie Senensky started playing together every Sunday night at a downtown Toronto club seven years ago. Senensky loved the sound of the club's Hammond B3; Hiltz was influenced by guitarists like Wes Montgomery and Grant Green who had regularly played with organists.

A few years later, they added tenor saxophonist Ryan Oliver and drummer Morgan Childs, and they've been performing weekly as Organic ever since. You could see and hear that familiarity in the quartet's playing: there was an ease and suppleness in how they switched leads and supported each other.

Read more: Ottawa audience enjoys Organic's groove (review)


New Santé Restaurant jazz series will highlight male vocalists in October

A new Wednesday evening “vocal-centric” jazz series at Santé Restaurant launched earlier this month, with a full room listening to vocalist Karen Oxorn and guitarist Tim Bedner. It continues in the weeks ahead with an uncommon lineup of talented male jazz vocalists.

Nicole Ratté  and Tim Bedner performed songs in all three official languages: English, French, and Jazz on September 17, in Sante Restaurant's new jazz series. ©2014 Brett DelmageThe new series, curated by Bedner. arose from a series of sessions his trio played at the restaurant during the Ottawa Jazz Festival in June, as part of the Downtown Rideau BIA's festival-related programming. Prior to that, Santé Restaurant presented eight mainstream and Latin jazz duos in 2012.

On Wednesday, September 17, when I heard Nicole Ratté perform with Bedner, the restaurant was approximately half-full of diners, who were reasonably quiet and appreciative, allowing me to clearly hear the music where I sat, almost at the back of the room.

Dominique Forest will be featured tonight. She's presenting a sneak preview – indeed the first live performance – of a few original songs from her upcoming first CD, which she will release in January. Bedner has been working with her on the project and was very excited when speaking about them, describing them as “beautiful, beautiful songs.”

In October, Bedner will play with a number of experienced male jazz vocalists singing in a variety of jazz styles, starting with Steve Berndt on October 1, followed by Jerry Sociedade (Oct. 8), and Floyd Hutchinson (Oct. 15).

Read more: New Santé Restaurant jazz series will highlight male vocalists in October


Bernie Senensky, in two voices

Audiences will be able to hear two voices of Bernie Senensky in two cities this week – grooving in an organ quartet, and more intimately in a piano-guitar duet.

Bernie Senensky (photo courtesy of Bernie Senensky)The Toronto pianist is best known for the 20 years he spent playing with and writing for jazz legend Moe Koffman. But he's performed with many more musical greats, including Dizzy Gillespie, Joe Williams, Art Pepper, and Elvin Jones. He's played piano duets with Oscar Peterson and Marian McPartland, and been a member of groups including Art Blakey and The Jazz Messengers, Rob McConnell’s Boss Brass, the and the Maynard Ferguson Orchestra.

This will be his first Ottawa appearance in years – in two very different shows. On Wednesday, he'll be on piano, opening the new Wednesday jazz listening series at ZenKitchen. On Thursday, he's playing organ with the Toronto quartet Organic at Zola's.

On Friday and Saturday, he's at the Résonance Café in Montreal: first with Organic, and then with his Organ Quartet, including Roddy Ellias.

Speaking to him on the phone Saturday, he was enthusiastic about both.

The ZenKitchen show is a duet with guitarist Roddy Ellias. It will feature “some original music but there also will be some familiar music and it will be more intuitive.” While the music will be more spare, that “doesn't mean every tune will be very slow – it's going to be all kinds of things.”

“I love Roddy's playing: we've played together a few times and I've known him for years,” Senensky said. When Ellias was in Toronto a few months ago, he sat in as guest with another organ group which Senensky plays with, “and that was really great. I think we have a great rapport.”

“We've both been playing this music for many decades so that breeds a closeness and a knowledge of the genre and the style. And it's beautiful the way the guitar and the piano can resound together, played by the right people.”

Senensky has had decades of experience playing with great jazz guitarists, starting with Lenny Breau, and including Herb Ellis, Sonny Greenwich, and Bucky Pizzarelli – and especially Ed Bickert.

Read more: Bernie Senensky, in two voices


David Braid, Jill Barber, Mike Rud, and John Geggie featured in NAC concerts in 2015

David Braid ©Brett Delmage, 2014

Read the review of the David Braid/Mike Rud concert on March 14, 2015.

Pianist David Braid, guitarist Mike Rud and singer Sienna Dahlen, pianist Emie R. Roussel, and singer Jill Barber are the new jazz additions to NAC Presents for 2015. The complete series lineup was announced this morning.

Additionally, Ottawa double bassist John Geggie returns for a single Geggie Invitational concert next April, this time with a two-reed front line with saxophonists Kelly Jefferson and Frank Lozano, along with drummer Jim Doxas.

NAC Presents is the National Arts Centre series showcasing popular music by Canadian musicians. In The Jazz Favourites Poll this spring, NAC Presents was chosen by Ottawa-Gatineau jazz fans as their favourite jazz series in 2013.

The NAC announced a total of 50 performances today for the series' fourth season, including folk, indie, pop, francophone – and jazz – shows. Some had previously been announced, including Brooklyn/Ottawa multi-instrumentalist Petr Cancura (October 30), Montreal pianist/composer Marianne Trudel (October 25), and throat singer/improviser Tanya Tagaq (November 7).

Those announced today include:

Montreal guitarist Mike Rud is a popular visitor to Ottawa, frequently playing guitar duets and with larger groups. But the one lineup Ottawa audiences have never seen is that on his album, Notes on Montreal. which won the 2013 Juno for Best Vocal Jazz Album. On January 22, he'll appear with Dahlen, as she recreates her vocals from that album and sings Rud's songs, which pay tribute to the great literature about Montreal.

Vancouver jazz singer Jill Barber was last seen in Ottawa in June at the Jazz Festival, performing in Dominion Chalmers United Church. Her NAC date on March 7 will be in a comparably large space: the NAC Theatre. She will be presenting songs from her sixth album, Fool’s Gold [2013], which is primarily jazz but with a few touches of country.

Read more: David Braid, Jill Barber, Mike Rud, and John Geggie featured in NAC concerts in 2015


ZenKitchen doubles its jazz, with musicians rarely heard in Ottawa

Updated October 26 to update dates and add more musicians.

See the video of the first night of this series.

Wednesday evenings have just become much more special for Ottawa jazz fans. Starting September 24, ZenKitchen is introducing a high-profile series of jazz shows, featuring many musicians rarely heard in Ottawa.

Roddy Ellias (l) and Tim Bedner (r) anchor ZenKitchen's two nights of jazz each week this fall. ©2014 Brett Delmage

Curated by guitarist Roddy Ellias, the series will run weekly at the Centretown gourmet vegan restaurant. It will bring in well-known jazz artists from Montreal and Toronto, including Joel Miller, Dave Young, Lorne Lofsky, Bernie Senensky, Jeri Brown, and Mike Rud, as well as high-profile Ottawa-based musicians like Diane White and John Geggie – and Ellias.

The list includes several Juno Award winners, and musicians who have played with Canadian jazz icons like Oscar Peterson, Rob McConnell, and Moe Koffman.

Although food and drink will be served, “The focus will be on listening”, Ellias said.

ZenKitchen co-founder Dave Loan said that this series will be building on the success of the Sunday jazz programming which the restaurant has been running for the past two years – but with a slightly different concept.

Read more: ZenKitchen doubles its jazz, with musicians rarely heard in Ottawa


Merrickville's Jazz Fest features new artists, and some greatest hits, for its 4th year

Going into its fourth year, Merrickville's Jazz Fest is facing the problems of success.

The festival, which runs from October 16-19 this year, sold out three shows in 2013. It received almost twice as many applications from musicians in 2014 compared to 2013. And it's added one more concert over last year to an already-packed schedule. (continued below)

Read and watch's full coverage of the 2014 Merrickville's Jazz Fest

Marc Decho

Marcie Campbell
Miguel de Armas and Caridad Cruz
Brian Browne
 René Fortier

Adam Daudrich

A few of the musicians you can hear at Merrickville's Jazz Fest this year   all photos ©Brett Delmage,

Its 2014 program features 17 concerts at locations around downtown Merrickville, including:

  • a tribute to unique vocalist Blossom Dearie
  • acclaimed Ottawa pianist Brian Browne
  • the quartet of Montreal bebop drummer Norman Marshall Villeneuve, with long-time Montreal jazz musicians Dave Turner, Eric Lagacé, and Félix Stüssi
  • Toronto swing and gypsy jazz vocalist Denielle Bassels, and
  • the trio of Montreal pianist and composer Adam Daudrich

along with shows by a wide range of Ottawa-Gatineau jazz musicians.

Read more: Merrickville's Jazz Fest features new artists, and some greatest hits, for its 4th year


Guelph 2014: John Heward and Barre Phillips are 80-year-olds with oomph (review)

Barre Phillips (bass) and John Heward (drums) ©Brett Delmage, 2014

John Heward and Barre Phillips 80th Birthday Celebration
Guelph Jazz Festival
Macdonald Stewart Art Centre
Wednesday, September 3, 2014 – 8 p.m.

Montreal jazz drummer John Heward is also renowned Canadian painter and sculptor John Heward, and he shows a similar experimental bent in both his artistic pursuits.

For the week of the Guelph Jazz Festival, the main floor walls of the Macdonald Stewart Art Centre featured several of his artworks: canvas painted and twisted into large-scale dramatic pieces. When he performed at the art centre as the first evening show of the festival – with some of his favourite musicians – there was a similar feeling of drama, uncertainty, and flair.

The concert and show were to celebrate Heward's 80th birthday – but only his 31st year as a professional musician. He played the drums as a teenager, but then concentrated on the visual arts. In 1983, at 49 years old, he bought a set of drums, and started playing improvised music. He's played in various avant-garde groups in Montreal, including Nicolas Caloia's Ratchet Orchestra, and PO (“Provocative Operations”). He leads the free jazz group Murray Street Band.

Read more: Guelph 2014: John Heward and Barre Phillips are 80-year-olds with oomph (review)


Guelph 2014: Pugs & Crows didn't live up to its talent (review)

Meredith Bates played propulsive violin at the Pugs & Crows concert at the Guelph Jazz Festival ©Brett Delmage, 2014

Pugs & Crows
Guelph Jazz Festival
Macdonald Stewart Art Centre
Thursday, September 4, 2014 – 5 p.m.

View photos of this performance

Pugs & Crows is a Vancouver-based instrumental group which creates “dramatic cinematic music” blending indie rock and modern jazz. Their most recent album, Fantastic Pictures, won the 2013 Juno Award for Instrumental Album of the Year.

They played an hour-long late afternoon show at the Guelph Jazz Festival, to an enthusiastic and packed crowd. Performing with lots of energy and tight arrangements, they went through a good selection of numbers from both their albums, plus a few new pieces.

The group has an unusual lineup, with piano (Cat Toren) and violin (Meredith Bates) joining electric guitar (Cole Schmidt) as lead instruments, together with double bass (Russell Sholberg) and drums (Ben Brown). For this show, their music was accented by guest Tony Wilson on electric guitar and slide guitar, adding fluid lines and strong emotional touches.

Read more: Guelph 2014: Pugs & Crows didn't live up to its talent (review)


Local improvisers put on the spot at IMOO season opener (review)

Rory Magill and Mark Molnar ©Brett Delmage, 2014

Concert #106
Improvising Musicians of Ottawa-Outaouais (IMOO)
Raw Sugar Café
Sunday, September 14, 2014

IMOO opened its fourth season on Sunday by returning to its roots in the local scene. It brought together a diverse collection of Ottawa-area improvisers in unexpected combinations, in its first evening in IMOO's new home of Raw Sugar Café.

IMOO organizers Linsey Wellman (alto sax) and David Jackson (guitar) arranged for Ian Birse (electronics and electric guitar), David Broscoe (alto sax, tuning forks, and noisemakers), Laura Kavanaugh (violin), Rory Magill (xylophone and percussion), and Mark Molnar (cello) to play in duos, trios, quartets, and all together. They tried a new format: each group who played would pick the next set of musicians to be thrown together to improvise.

Wellman, Jackson, and Magill began quietly, with shimmering guitar and low tones on sax, and became more intense, with Magill joining in with light taps on xylophone near the end. The collaborations which followed constantly changed textures and sounds: rough-edged violin and cello contrasting with shakers; rattling bells and ringing tuning forks alternating with with buzzing electronically-altered electric guitar and punctuated notes on saxophone. Near the end, there was even an (atypical) string quartet.

Read more: Local improvisers put on the spot at IMOO season opener (review)


Page 9 of 44

<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>