Wednesday, 2 November 2016
Tribute to Cole Porter with Michel Delage, Allison Au, Todd Pentney, and Alex Bilodeau
Options Jazz Lounge, Brookstreet Hotel
Saturday, October 29, 2016 – 8 p.m.
Songwriter Cole Porter famously said (quoting one of his teachers) that “Words and music must be so inseparably wedded to each other that they are like one.” And yet jazz instrumentalists ranging from Miles Davis to Artie Shaw to Max Roach have had hits with Cole Porter's tunes because, even without Porter's witty lyrics, the melodies are memorable and full of joie de vivre.
Michel Delage's quartet showed off that joy and fun in a dynamic second night of a two-night stand at Brookstreet's Options Jazz Lounge this weekend. Delage on drums and Alex Bilodeau on double bass teamed up with two Torontonians – Juno-winning composer Allison Au on alto sax and her frequent collaborator, Todd Pentney, on piano – to celebrate Porter's music as part of Delage's monthly series of jazz tributes.
Over three sets, they performed songs written between 1929 and 1954, almost all for Broadway shows. The first two sets were fast-paced, including well-known pieces like “You'd Be So Nice to Come Home To” and “Get Out of Town”, while the third slowed down to concentrate on ballads like “Easy to Love”.
There's a lot to explore in a Cole Porter song. Porter was a notable innovator in song form: for example, the alternating major and minor key changes in “What Is This Thing Called Love?”, or the 108-measure length of “Begin the Beguine”. Au, in particular, used the songs as a jumping-off point for exploration, while staying true to their melodies and themes. In “I Concentrate on You”, she created tender, warm, extended lines of melody, while “Just One of Those Things” was taken at a break-neck pace with circling riffs.