Nominations are now open for a two-year term on the board of directors of the Ottawa Jazz Festival. The board is responsible for the festival, including decisions on the overall artistic direction such as the balance of jazz and non-jazz, overall size and budget of the festival, and the role of the festival in the community.

If you want to take an active role in directing the festival, this is your only opportunity to apply, once a year.

Nominations must be received by Wednesday, October 31, 2018. Anyone can run for the board, but you must be nominated by an active festival volunteer. A list of volunteers was printed in the summer festival program guide.

Besides a completed nomination form, the festival asks for a resume, and a letter explaining how you can contribute to the Board/Festival. Fax this information to 613-241-5774 or email it to Catherine O'Grady at This email address is being protected from spambots. You need JavaScript enabled to view it..

Cuban violinist Elizabeth Rodriguez was very lonely four years ago, in her first full winter after arriving in Canada. But she turned that experience into a song of hope.

“I was 23. I was extremely sad, and I didn't even know why. I started writing, and this one is about how hard it is to leave Cuba, and all things that I left behind: my family, my mother, my country, my language. And even though I really wanted to leave Cuba for the longest time, I found myself missing home and missing my family, and missing everything I knew. The only thing I had was hope, here, because it was a new country and a new life.”

OKAN (Elizabeth Rodriguez and Magdelys Savigne) performs music whose core comes from their Afro-Cuban heritage, but which has absorbed many influences from their new home in Canada (photo provided by the group)

The song has become the title track of the debut album by OKAN, the Afro-Cuban band which Rodriguez co-leads with percussionist Magdelys Savigne. With the album release this month, the band is touring Ontario, including two joint concerts this weekend with Afro-Cuban jazz pianist Miguel de Armas at the National Arts Centre in Ottawa

Rodriguez called her song (and the album) “Laberinto”, which means “labyrinth” in Yoruba, an Afro-Cuban dialect. “It's like a journey that we went through. I wrote it as a ballad years ago, and then Magdelys was the one that made the full arrangement with percussion. The percussion is representing the journey, the constant movement that we had to go through as immigrants.”

Both Rodriguez and Savigne originally came to Canada as members of Maqueque, the award-winning, all-female Cuban jazz group led by Canadian saxophonist/flutist Jane Bunnett. Savigne was a founding member, while Rodriguez joined a year later. Both appeared on Maqueque's most recent album, Oddara, and when Maqueque performed in Ottawa in 2016.

Rodriguez, in fact, almost didn't stay. She arrived in Canada in February, 2013, and returned home 11 days later. “I was like, 'No! I ain't staying here.' Even though I really wanted to leave Cuba. In February, it was so, so, so extremely cold.” She returned that summer and realized the Canadian climate could be nice – and was able to brave the next winter.

©Brett Delmage, 2018
Toronto jazz vocalist Tia Brazda sang her own songs and made them sound like jazz/pop hits from 60 years ago, in two vibrant sets with her well-attuned band (including guitarist Mike Freedman) at Live! on Elgin Friday night. She's on an extended cross-border tour, and plays in Montreal at Upstairs on Saturday. ©Brett Delmage, 2018
Kellylee Evans and Peter Liu ©Brett Delmage, 2017
Jazz vocalists Kellylee Evans and Peter Liu are two of the headliners at the 2018 Merrickville's Jazz Fest. They're performing separately, on two different evenings ©Brett Delmage, 2017

Kellylee Evans, Ori Dagan, Rafael Zaldivar, and Nick Maclean will headline the 2018 edition of Merrickville's Jazz Fest (MJF) – along with a Saturday night swing dance with Peter Liu and the Pollcats.

The festival, now in its 8th year, runs from Thursday, October 11, to Sunday, October 14 in Merrickville, a small, historic town about an hour's drive (77 km) south of Ottawa. Jazz will again animate the venues known warmly to MJF audiences: local restaurants, churches, the Baldachin Hotel ballroom, the town's community centre, and its arts centre.

MJF continues to uphold its firm commitment to the jazz mainstream, with no side trips into rock and pop acts. Its 2018 line-up showcases a wide variety of jazz styles, from standards, to Afro-Cuban and Latin, to funk and groove, to contemporary jazz. It mixes promising and established jazz artists, vocals and instrumental jazz, local musicians with those from Toronto and Montreal, and familiar jazz faces with those new to this area.

Ottawa jazz vocalist Karen Oxorn will open the festival with a completely new collaboration, “Vocals and Violin”. She's teaming up with three veteran Toronto jazz musicians, performing standards by some of the group’s favourite performers and songwriters to the accompaniment of guitar, bass, and violin. The Thursday evening concert is free to anyone who has bought a festival pass or ticket to another festival show.

Saxophonist Samuel Blais is an important voice in Montreal's jazz scene, playing in groups small and large, including l'Orchestre Nationale de Jazz de Montreal. He's had long-time collaborations with musicians from both sides of the border (New York City and Montreal). 

Samuel Blais at the Montreal Jazz Festival ©Brett Delmage, 2012
Samuel Blais at the Montreal Jazz Festival
©Brett Delmage, 2012

His current quartet features some of the strongest younger voices from his own city, who are also known for creating their own music: pianist Jérôme Beaulieu (MISC and Bellflower), bassist Olivier Babaz, and drummer Alain Bourgeois (Parc X).

After a four-year break, Blais has just released a new CD with this quartet. He's on tour this week in Quebec and Ontario to showcase the CD, Equilibrium. They'll perform on Friday, September 28, at Record Runner Rehearsal Studios in Ottawa. editor Alayne McGregor talked to Blais on the phone this week, before his second show in Toronto. This is a lightly edited version of the interview. What are you playing at Record Runner?

Blais: We’re going to play all the nine tunes from the new record, and probably one or two from previous albums. How did you team up with this all-Montreal quartet? I was looking back at your previous Ottawa shows, and, five years ago, you were doing more cross-border collaborations.

©Brett Delmage, 2018
Satoko Fujii's This Is It! at IMOO Fest 2018 ©Brett Delmage, 2018

Japanese pianist Satoko Fujii looked slightly bemused as she addressed the near-capacity audience at IMOO Fest 2018 in GigSpace Saturday evening.

"We've had such a special week", she said, with a tornado and a power outage. But this "special treatment" hasn't been too bad so far, she assured the crowd.

IMOO Fest 2018, which Fujii and her trio were headlining, had showed considerable resilience this weekend. The music never stopped, even when the power did for most of Ottawa due to the damage caused by two tornados (EF/3 and EF/2) late Friday afternoon.

The festival concludes this evening (Sunday) with four hour-long shows at GigSpace starting at 6 p.m., including a solo piano set by Fujii and her conducting the IMOO Orchestra in one of her large-scale compositions.

Enthusiastic listeners make a vibrant jazz scene.

Brad Evans (by window) listens to the first IMOO house concert, which he hosted ©Brett Delmage, 2017
Brad Evans (right, by window) hosted the first IMOO house concert in his basement ©Brett Delmage, 2017

Our first Listener of the Month, Brad Evans is, without question, one of these listeners.

Like many other jazz fans, Evans doesn’t have formal music training. That hasn’t stopped him from organizing a music festival this weekend which includes renowned Canadian jazz musicians and Japanese improvisers: IMOO Fest 2018.

He talked with me about his journey into jazz listening. This is an edited version of our conversation. How many shows on average have you seen in the last year?

Brad Evans:I go out about twice a week from about May to November and hibernate a bit in the winter. It depends on the weather and road conditions, and sometimes even my mood. If it’s pitch black at a 6 p.m. on a Sunday, sometimes I can’t get motivated.

IMOOfest 2013 ©Brett Delmage, 2013
Brad Evans (lower right) in the audience at IMOOfest 2013. This weekend he's organizing IMOO Fest 2018. ©Brett Delmage, 2013

“Doing something like this is something I daydreamed about for a few years”, says Brad Evans, the driving force, financial backer, and very much hands-on organizer of IMOO Fest 2018. The festival, which runs from this Friday through Sunday, features top jazz and improving musicians from Ottawa, Toronto, Montreal, and Japan performing original music that won’t be heard the same way again.

Evans is a software developer by day, and a very enthusiastic live music fan during the evenings and weekends. We’ve seen him at many, many live performances over the years, and he's a regular at the biweekly Improvising Musicians of Ottawa/Outaouais (IMOO) shows. It isn’t surprising that he is’s first Listener of the Month this month. He’s had a fascinating journey into jazz and improvised music.

Improvisation is normally thought of as happening on the stage, as it will happen on the stages this weekend at IMOO Fest. But Evans has also invoked his own improvisational magic – and determination – in the past year to bring together his dream festival, which other listeners can enjoy with him this weekend.

He shared with me how IMOO Fest 2018 came to be, from daydream to tickets you can buy. This is an edited transcript of our conversation. How did you get involved in IMOO Fest 2018?

Brad Evans: It was June of last year, 15 months ago, I was looking ahead to this year. I knew that at some point this year my house would be paid off, so I could do something stupid with my money after that [he laughs].

Updated November 26, 2018
This fall, GigSpace has filled every concert slot it can manage, with groups coming from NYC, Toronto, and Ottawa.

©Brett Delmage, 2013
Two listeners in an overflow crowd listen to a 2013 IMOOFest concert inside GigSpace. The festival returns on September 22-23 as part of a jam-packed season of concerts at GigSpace.  ©Brett Delmage, 2013

Its eighth season begins September 14 and includes brand-new jazz groups along with revivals of well-loved duos, three CD releases, and an improvised music festival. Most of the musicians playing there, both local and from out of town, will present material new to Ottawa audiences.

The Hintonburg concert venue has doubled the number of groups it has scheduled compared to 2017 (17 plus a festival, versus 9), and it is offering a more diverse selection than previous years. At the same time, it has updated its website with an integrated ticketing system, and increased its general ticket prices to $25.

GigSpace director Tim Bedner, who organizes the venue's concerts, said that the venue's fall season is completely booked (although they could possibly try to squeeze in a high-profile touring artist) – and, in fact, GigSpace is booked until next June.

From New York City will travel the duo of lyrical pianist Bryn Roberts and acclaimed guitarist Lage Lund, and the high-powered quintet of vibraphonist Stefan Bauer. Roberts and Lund were last in Ottawa in 2016 for the release of their first duo album, Nightsong. In late October, they released a new duo album, Hide the Moon and the Stars.

Bauer's “Voyage West” ensemble (vibraphone/marimba, sax, wordless vocals, bass, drums) will release their new album, Some Other Time, which combines “American-infused Modern Jazz” and world music. That album even has a Canadian connection: one of its tunes is called “In The Town of Springhill, Nova Scotia”, and the ensemble includes Toronto bassist Jim Vivian.

From Toronto comes two mainstream modern jazz groups: guitarist Harley Card's quintet with pianist Matt Newton, and a quartet led by drummer Ethan Ardelli featuring pianist Chris Donnelly and saxophonist Luis Deniz. Card released his third CD, The Greatest Invention, last fall, while Ardelli's group will be on a cross-Canada tour for their debut CD, The Island of Form.

The Ottawa line-up is all established groups, almost all of whom have played GigSpace before. But their projects are fresh: for example, vocalist Karen Oxorn will pay tribute to husband-and-wife jazz musicians Julie London and Bobby Troup (best known for “Cry Me a River”), in a show with Toronto guitarist Kevin Barrett and Montreal bassist Alec Walkington.

The Garry Elliott/Steve Boudreau Quartet will release a new CD, Opus 2; vocalist Diane Nalini will debut recent songs she's written for her trio with Mark Ferguson and John Geggie; and vocalist Elise Letourneau and her trio will both interpret songs that have “moved and shaped her” as well as putting on a rare performance of her own originals.

GigSpace Performance Studio, now starting its 8th season, has more demand for presentation space than its organizers can handle.

GigSpace's Jazzin' the Holidays ©Brett Delmage, 2013
Jazzin' the Holidays is an annual fundraiser, one of the many shows which Tim Bedner schedules each year at GigSpace. The 2013 edition featured (l-r) Elise Letourneau, Tim Bedner, Nicole Ratté, Mark Alcorn, and Karen Oxorn, and Marilee Townsend-Alcorn (not shown) ©Brett Delmage, 2013

“It's all that we can do to keep up with the volume of emails that we get,” says GigSpace director Tim Bedner, who is responsible for bookings at the small (46-seat) concert hall.

But that doesn't mean that every evening has a concert. Part of the reason why the Ottawa venue isn't accepting more bookings is related to its own organization and the constraints that imposes.

GigSpace, located just outside downtown and near the Preston Street strip, is one of the few listening spaces in Ottawa with a resident and frequently-tuned grand piano. Its concerts are almost all jazz – with the occasional classical or folk show mixed in – and the artists playing there include both touring Canadian and American musicians and Ottawa groups.

It only programs shows on Friday and Saturday evenings and a few Sunday afternoons. Bedner said 90 to 95% of the shows there sold out last season.

GigSpace opened in the fall of 2011, and started programming weekly concerts the following January. Six months later, Café Paradiso, which had been Ottawa's best-known jazz spot, closed its doors, and GigSpace was left as one of the few places here hosting touring jazz groups, or where more complex local shows could be presented.