Rabble Without A Cause
CKCU 93.1 FM
Wednesday December 23 - 11 p.m. to midnight
John Geggie has been launched into the international but highly competitive Jazz circuit for a while now. While this normally would mean a loss for the local scene, the good news is that Geggie collects associations with some heavyweights around the world and brings them back home like Santa Claus. One of these heavy weights is pianist Marylin Crispell that like John encompasses many different musical genres and particularly classical music. John will be in the studio tonight and provide ample explanations to host Bernard Stepien.
See our radio listings for this and other jazz programming at ottawa-jazz-radio
If you're a local jazz musician who wants to perform at next summer's Ottawa Jazz Festival, you only have a few more days to get your application in.
The Festival says:
Musicians wishing to submit applications for a possible performance at the 2010 TD Canada Trust Ottawa International Jazz Festival must send their submissions to the festival office no later than December 31, 2009.
Ottawa Jazz Scene reported earlier that applications for local musicians to perform at next summer's Ottawa Jazz Festival closed December 31, 2009. The Festival has apparently extended that deadline.
The Festival NOW says:
"Musicians wishing to submit applications for a possible performance at the 2010 TD Canada Trust Ottawa International Jazz Festival must send their submissions to the festival office no later than [Friday] January 29, 2010.
The festival requires that you send a CD, bio material and a list of all the musicians in your group. (All members of the group must be members in good standing of the Ottawa/Gatineau Federation of Musicians.)
Send your material to the attention of:
Ottawa Jazz Festival
294 Albert Street, Suite 602
Ottawa, On K1P 6E6
As I write this on the Winter Solstice, I'm listening to Carla Bley's new album, Carla's Christmas Carols. This album should be on the list of anyone who likes jazz interpretations of Xmas tunes with lots of brass: recognizable but not hackneyed.
It inspired me to think of other jazz Christmas albums. There's a surprising number of good ones, ones you can listen to every year and enjoy. My favourites include:
A Charlie Brown Christmas (Vince Guaraldi Trio) - it's a classic. What's more amazing is that it survives over-exposure, perhaps because the songs are so simple and exactly right.
The Man in the Red Suit (Joe Sealy and Paul Novotny) - these Christmas songs are original, but they so perfectly fit the season that you'd think they were the best of standards.
The Studio and Connoisseur series will not be returning to the 2010 Ottawa Jazz Festival.
At the Festival's annual general meeting November 25, it was revealed that the Festival's agreement with the NAC to use the Studio theatre for 10:30 p.m. concerts would not be renewed because of increased costs. Instead, the Festival will be running late-night programming at its secondary tent near Elgin Street, which was used for afternoon programming in 2009. The Festival has received a noise bylaw exemption from the City of Ottawa which will allow it to present outside shows after 11 PM.
Capital Vox, Ottawa's jazz choir, is stretching its repertoire and challenging its singers with its concert this Saturday.
Choir director Elise Letourneau has included vocal jazz standards by Hoagy Carmichael, Bill Evans, George Gershwin, and Antonio Carlos Jobim, but hasn't stopped at that standard repertoire. She's also translated a well-known jazz instrumental like Dave Brubeck's Take Five into a new vocal context, and given it a funky feel instead of the classic swing. And then she's moved completely outside the jazz comfort zone, rearranging The Rain Song by Led Zeppelin for voices.
"It will be a real mix of styles, especially this time around. We're going to do some straight-ahead, we're going to do some swing, but we're also going to be doing some Latin – and we're doing some rock and pop," she said.
Jozée Devoua and Steve Berndt are expressive local jazz vocalists, who share an enjoyment of jazz and pop tunes, and a dislike for some traditional attitudes to jazz. On Thursday, October 8, they will combine musical forces with four other Ottawa jazz musicians to perform “Extreme Makeover, Music Edition”. The show features well known popular hits from the 70's and 80's rebuilt, reharmonized, and sung in a variety of jazz styles. The jazz police won't be invited.
Jozée invited Steve to work with her on the NAC Fourth Stage show after Steve heard and liked some of the less common songs that she was singing at Café Paradiso earlier this year. They came up with a program based on “what tunes worked and what we liked,” said Steve. “We had a huge list of songs.”
While Steve noted that during the period “Hall and Oates had huge hits, Duran Duran videos were like mini-movies, and Michael Jackson songs were gigantic,” he remained zipper-lipped about the specific pop songs they would give the jazz treatment to.
“I'm not going to tell you what they are now. Part of the fun is for people to come to the show and be suprised by the tunes we are going to play.”
Photo courtesy coryweeds.com
Cory Weeds is involved in all aspects of the Vancouver jazz scene. The saxophonist leads his own groups. He has a weekly jazz radio show on community station CFRO. He runs the Cellar, the city's premiere jazz club, which regularly features both local and imported talent, and encourages musicians to try special events like recreating a Wynton Marsalis album onstage. And he runs Cellar Records, which has put out more than 50 albums featuring both local and imported talent, many of which were recorded live at his club, and which have received good reviews.
Weeds has released two CDs of his own groups: Big Weeds (2008), and Everything's Coming Up Weeds (2009). This latest album reached #6 on the JazzWeek Charts and has got excellent reviews.
The Cory Weeds Quintet will be in Ottawa Monday night, mid-way through a tour including Montreal, Toronto, and New York. He took the same band around British Columbia and Alberta last month.
Ottawa Jazz Scene editor Alayne McGregor asked Mr, Weeds some questions about the concert and his jazz experience, to which he responded by email:
Ottawa guitarist Tim Bedner has never forgotten how much he learned from playing with the masters.
When he was a student at Berklee College close to 20 years ago, he had a duo gig every Monday night at an Italian restaurant. Several world-class Boston jazz musicians, including saxophonist George Garzone and bassist John Lockwood, would regularly drop in and play.
"I can look back now and say that this had to be some of the most important musical instruction and development I've ever received," he said. "I'm still assimilating lessons from them. It's an important part of who I am today."
At the time, he was very nervous and wondered how he could keep up, he said. But "we were open and willing to learn and we took direction."
Now he wants to offer the same experience to student jazz players in Ottawa – as thanks to the musicians "who took the time out to play with a couple of students and to help us."
Starting September 28, and continuing on the last Monday of the month until next April, Tim is offering students the chance to be mentored in live performance by some of Ottawa's best jazz musicians. And jazz fans are welcome to come out to hear the result at Café Paradiso.
On September 20, Ottawa Latin jazz band Los Gringos reunited for the first time since 2001, to show that hot jazz can be hot stuff on a otherwise quiet suburban Sunday night. Their lively concert concluded with the enthusiastic audience calling for an encore and giving a standing ovation.
Los Gringos founder, co-leader, composer and trombonist Mark Ferguson told Ottawa Jazz Scene that he was "really knocked out by the reception".