Montreal trumpeter Rachel Therrien and Ottawa vocalist and IMOO co-coordinator Renée Yoxon first met and played together at the Banff International Workshop in Jazz and Creative Music this spring.
So when Therrien was invited to bring her quintet to the Festival de Jazz Desjardins in Aylmer this Saturday, it was natural for her to stay over an extra day and play at IMOO (Improvising Musicians of Ottawa/Outaouais) – but in a very different, free jazz style from Saturday.
The IMOO performance also featured bassist Marino Vazquez, who was visiting from Mexico and had just recently met Therrien in Montreal. Besides bass, he sang and played percussion and the traditional small Mexican guitar.
The first set started with a completely improvised piece featuring Therrien on trumpet and Vazquez on percussion (including crumpled newspaper and flipped notebook). It was followed by a free jazz piece ("The Seven Movements of a Day's Journey") which Therrien had composed eight years but had never played publicly, which used muted trumpet to produce sounds that ranged from breathy to klaxon, with added vocalese.
Renée Yoxon joined in for the second set, for her very first totally improvised jazz performance. In the first piece, while Yoxon sang improvised wordless vocalese, Therrien sang through her trumpet mute. They ended with a piece which Therrien had composed at Banff: "A Mountain", with a graphic rather than a traditional score. At Banff, it was played by 13 musicians, including four vocalists but no trumpet: here it was interpreted on voice, trumpet, percussion, and bass.
At the end, the musicians continued a new IMOO tradition: a short question and answer session where they explained their backgrounds, the graphic score they used, and some of the pieces they had performed.
Therrien was nominated for the TD Grand Jazz Award and the Galaxie Rising Star Award at this year's Festival International de Jazz de Montreal, and her quintet played an evening concert on one of the festival's main outdoor stages.
– Alayne McGregor